Mr. Smith

Doin It

LL Cool J

Lyrics & Rhyme Analysis

End

234

Internal

Multi

294

Slant

Chain

Rhyme Groups — hover to spotlight

[Chorus: LeShaun & LL Cool J]

Doin' it and doin' it and doin' it well (Go Booklyn!)^✦

I represent^✦ Queens, she was raised^✦ out in Brooklyn^✦ (Go Booklyn!)^✦

Doin' it and doin' it and doin' it well (Go Booklyn!)^✦

I represent^✦ Queens, she was raised^✦ out in Brooklyn^✦ (Go!)

[Verse 2: LL Cool J & LeShaun]

I'm in the mix now, searching for the right spot to hit now

Get down, damn, I love a dick down

You use a rubber?^✦ Damn right, you are my lover,^✦ all night

The putty^✦ good to you? Word to mamma,^✦ mad tight

The only^✦ thing left to do is climax, let's make it last

Word, we ain't goin' out like that

All this time, you been tellin'^✦ me that you was a Don

I tried to warn you, girl, you wouldn't listen,^✦ now let's get it on

Mmm, you make me wild, don't do that

Chill, wait a minute,^✦ baby,^✦ let me please you back

You talk a good one, shorty,^✦ love, you're makin'^✦ me sweat

How a live nigga^✦ like it, girl? Nice and wet

We get it on To The Break of Dawn, damn, you're large

How a big girl like it, Daddy?^✦ Nice and hard

Safe sexin'^✦ it, flexin'^✦ it, gettin'^✦ mad affectionate

Chewin'^✦ it, oohin'^✦ it, all while we're doin' it

[Chorus: LeShaun & LL Cool J]

Doin' it and doin' it and doin' it well (Go Booklyn!)^✦

I represent^✦ Queens, she was raised^✦ out in Brooklyn^✦ (Go Booklyn!)^✦

Doin' it and doin' it and doin' it well (Go Booklyn!)^✦

I represent^✦ Queens, she was raised^✦ out in Brooklyn^✦ (Go Booklyn!)^✦

[Verse 3: LL Cool J & LeShaun]

Baby,^✦ I wanna^✦ hit it in the worst way, make it hot

Schemin' on the ass since the first day

Don't stop, damn, I love it when you talk like that

Make it bounce, sugar, long as you can bounce me back

More flesh than the Greek Fest, roll up the sess

Pass the Hennessy, put my body^✦ to the test

Wait, wait, daddy,^✦ many^✦ niggas ago

I was a young girl listenin' to how you flow

Now's my chance to hit you off, Daddy,^✦ I'm grown

From the back, from the side, right, I'm in the zone

One of a kind when it's time to do mine

Camcorder and the whole shit, press rewind^✦

Let it flow on screen while we puffs a "L"

Layin' back in the cut while we're under^✦ the spell

Word life, I like the way the ep went down

Go to sleep, tomorrow I'll take you back downtown, we'll be

[Chorus: LeShaun & LL Cool J]

Doin' it and doin' it and doin' it well

I represent^✦ Queens, she was raised^✦ out in Brooklyn^✦

Doin' it and doin' it and doin' it well

Doin' it and doin' it and doin' it well (Check it out)

Doin' it and doin' it and doin' it well (Uh)

I represent^✦ Queens, she was raised^✦ out in Brooklyn^✦

Doin' it and doin' it and doin' it well (Def Jam)

Doin' it and doin' it and doin' it well

I represent^✦ Queens, she was raised^✦ out in Brooklyn^✦

Doin' it and doin' it and doin' it well

I represent^✦ Queens, she was raised^✦ out in Brooklyn,^✦ ahahaha

Technical Breakdown

7.8

Multisyllabic Rhymes8.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres5.0

Clever language, metaphors, punchlines

Cadence / Rhythm9.0

Flow variation and timing (data-driven)

Vocabulary Complexity5.0

Range and depth of words used (data-driven)

Delivery / Breath Control7.5

Performance and control

Computed Score7.80

Production

— Rashad Smith, LL Cool J

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Critic Analysis

RAPLEDGER BAROMETER™

The verse prioritizes rhythmic fluidity and conversational charisma over lyrical complexity, effectively utilizing a call-and-response dynamic with LeShaun to anchor a high-energy performance.

B+

8.5

Multisyllabic

9.5

Internal Rhymes

Cadence / Flow

Vocabulary

Wordplay

7.5

Delivery

Call-and-responseInternal rhyme clustersRhythmic cadence shiftingConversational direct address

Rhyme Architecture: Predominantly end-rhyme heavy with high-frequency internal multisyllabic clusters that create a 'rolling' flow, consistent with 1995-1996 commercial rap standards.

Verified Doubles & Entendres

"We get it on To The Break of Dawn"

① A literal reference to the duration of the sexual encounter until morning.② A cultural allusion to the classic hip-hop trope of partying or performing until sunrise, referencing the 'break of dawn' phrase common in Golden Age rap.

"The putty good to you? Word to mamma, mad tight"

① A colloquial reference to physical intimacy/sexual tightness.② A double entendre on the word 'tight' signifying both physical pleasure and a 'tight' or high-quality situation/experience.

High level of vocal charisma and confidence

Excellent integration of the guest performer for structural variety

Consistent pocket placement that drives the dance-oriented tempo

Lyricism relies heavily on genre-standard tropes and sexual bravado

Lack of sustained metaphorical depth

Over-reliance on repetitive phrasing for filler

Doin It

Lyrics & Rhyme Analysis

Technical Breakdown

Production

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