Radio

Dear Yvette

LL Cool J

Lyrics & Rhyme Analysis

18

End

135

Internal

69

Multi

140

Slant

9

Chain

Rhyme Groups — hover to spotlight
[Chorus]
Dear Yvette✦
Dear Yvette✦
Dear Yvette✦
Dear Yvette✦
[Verse 3]
I don't really✦ know if the story✦ is so
I can either✦ ask Curly✦ or Larry✦ or Moe
Or Earl, Shabazz, Lou, Mookie, or Joe
Like Santa✦ Claus said, you're a ho-ho-ho✦
In every✦ disco,✦ you say hello✦
Like you're a little angel, but we all know
Since you was eleven,✦ you been actin'✦ this way
You always✦ got in bed when you wanted✦ to play
You're a freak, you think you're Lady✦ Godiva✦
Some freaks are live, but Yvette,✦ you're liver✦
[Chorus]
Dear Yvette✦
Dear Yvette✦
Dear Yvette✦
Dear Yvette✦
[Verse 4]
You're a backseat queen, an elevator pro
A high-powered body✦ makes✦ your Levi's grow
See, the stories I've heard, they could amaze✦
I heard she did it on a motorcycle back in the day
So calm down, freak, get a GED
That's a general education✦ on decency
One day, you'll see and agree with me
Unless you're gonna✦ be a freak until you're ninety-three
For you, there's✦ no fee, everything is free
This is from me to you, not you to me
Every✦ night is your night, your leather pants are tight
You try to shake your butt with all your might
I don't really✦ wanna✦ diss nobody✦
You might think I had a little too much Bacardi
But that's not the problem, the problem's Yvette✦
How bad can a girl's reputation✦ get?
See, she's the kinda✦ girl all the homeboys✦ met
If you're desperate, ask Yvette,✦ 'cause she'll say "Bet"
[Chorus]
Dear Yvette✦
Dear Yvette✦
Dear Yvette✦
Dear Yvette✦
[Verse 5]
B-boys are hard on the Boulevard
The reverend at the church said you was barred✦
Homeboys✦ on the block love you a lot
You're a real famous✦ freak whether you like it or not
So before✦ you start walkin'✦ and your beak starts squawkin'
Let me explain to you who is talkin'✦
I'm LL Cool J from around the way
You boogie down to my records almost every✦ day
Go a hundred miles✦ an hour when you're standin' still
You're faster✦ than my Caddy✦ when it's goin' downhill
Won't forget✦ that day in the YMCA✦
The guy at the desk said it was okay✦
For you to come inside✦ 'cause he knew you'd stay
Greg G. and Garfield yelled✦ "Hooray"✦
[Chorus]
Dear Yvette✦
Dear Yvette✦
Dear Yvette✦
Dear Yvette✦
Dear Yvette✦
Dear Yvette✦
Dear Yvette✦
Dear Yvette✦

Technical Breakdown

7.9
Multisyllabic Rhymes8.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres6.5

Clever language, metaphors, punchlines

Cadence / Rhythm8.5

Flow variation and timing (data-driven)

Vocabulary Complexity6.0

Range and depth of words used (data-driven)

Delivery / Breath Control7.5

Performance and control

Computed Score7.89

Production

— Rick Rubin

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Critic Analysis
RAPLEDGER BAROMETER™

LL Cool J utilizes a conversational, rhythmic narrative style that functions as a moral critique, leveraging mid-80s pop culture references to establish character archetypes while maintaining a locked-in pocket.

B+
8.5
Multisyllabic
9.5
Internal Rhymes
8.5
Cadence / Flow
6
Vocabulary
6.5
Wordplay
7.5
Delivery
CatalogingPop culture allusionHomophonic wordplayInternal rhyme chains
Rhyme Architecture: Predominantly AAAAAA monorhyme structure in the verses with a focus on 'o' vowel sounds, punctuated by rhythmic internal rhyming and consistent end-line anchors.
Verified Doubles & Entendres

"you're a ho-ho-ho"

① A direct insult accusing Yvette of promiscuity.② A play on the Santa Claus catchphrase 'Ho, ho, ho' invoked earlier in the line to frame the insult within a Christmas metaphor.

"Some freaks are live, but Yvette, you're liver"

① A slang comparison stating Yvette is 'more live' or more active in her promiscuity than others.② A biological/anatomical play on the word 'liver' to suggest she is somehow more grotesque or physically manifested as a 'freak'.

Exceptional rhythmic consistency within the era's constraints

Effective use of pop culture archetypes to build character

Strong command of cadence that makes the narrative feel conversational yet percussive

Dated social commentary that lacks the depth of later storytelling rap

Limited vocabulary range as noted by the TTR metric

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