Long. Live. ASAP

Wild for the Night

ASAP Rocky

Lyrics & Rhyme Analysis

17

End

95

Internal

30

Multi

120

Slant

9

Chain

Rhyme Groups — hover to spotlight
[Chorus]
Wild for the night, fuck being polite,✦ I'm goin'
Wild for the night, fuck being polite,✦ I'm goin'
I'm going wild for the night, fuck being polite,✦ I'm goin'
Wild for the night, fuck being polite,✦ I'm goin'
[Verse 3]
It's the weekend and I'm creeping with my niggas
Drunk and disrespectful, callin'✦ women✦ bitches✦
I don't mean no harm but won't you and your friends-es
Meet us in the cut and we can do the business
God my witness that I only✦ wanna✦ kick it
And your girl just said they with us
So we rolling✦ in them Benzes✦
Won't you pour it up and stop the babysitting
She got drunk as fuck and swallowed all my kids-es✦
[Verse 4]
Back to the Mac, tats on her back
Ass so fat, hit that from the back
When it clap from the back, she clappin' it back
She flat on her back and it's back to the trap
Fuck your pack, A$AP where it's at
Fuck nigga✦ act, get clap lay flat
Fuck your dreams, leave a punk nigga✦ dreamin'✦
Then you sleep, and you won't come back from the nap
Benjamin✦ Three-Stack, it’s a fact, she lives✦ in my lap
On my Ou-Outkast, daddy✦ fat, bitches✦ on my sack
And you know them smokin'✦ bitches✦ rolling✦ reefer✦ got me open✦
Wildin'✦ to the morning with my homies,✦ tell 'em where we goin'
[Chorus]
Wild for the night, fuck being polite,✦ I'm goin'
Wild for the night, fuck being polite,✦ I'm goin'
I'm going wild for the night, fuck being polite,✦ I'm goin'
Wild for the night, fuck being polite,✦ I'm goin'

Technical Breakdown

7.8
Multisyllabic Rhymes8.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres4.5

Clever language, metaphors, punchlines

Cadence / Rhythm9.0

Flow variation and timing (data-driven)

Vocabulary Complexity5.0

Range and depth of words used (data-driven)

Delivery / Breath Control7.5

Performance and control

Computed Score7.75

Production

— Skrillex, Birdy Nam Nam, Lord Flacko

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Critic Analysis
RAPLEDGER BAROMETER™

The verse prioritizes rhythmic momentum and phonic texture over complex linguistic layering, utilizing repetitive percussive patterns to serve a high-energy performance style consistent with early 2010s trap production.

B+
8.5
Multisyllabic
9.5
Internal Rhymes
9
Cadence / Flow
5
Vocabulary
4.5
Wordplay
7.5
Delivery
Phonetic mirroringStaccato deliveryAssonance-heavy sequencesRepetitive cadential loops
Rhyme Architecture: The verse utilizes a rigid, high-density mono-rhyme structure, particularly in the later sequences where the repetition of the 'ack' sound functions as a percussive snare, prioritizing flow and pocket-locking over evolving end-rhymes.
Verified Doubles & Entendres

"swallowed all my kids-es"

① A colloquial, albeit forced, reference to sexual fluids.② A stylistic stretching of the word 'kids' to force a rhyme with 'friends-es'.

"back to the trap"

① A return to the location where drug dealing occurs.② A metaphorical return to the recurring 'back' rhyme scheme that dominates the segment.

Exceptional rhythmic lock and pocket placement

Strong use of phonic repetition to create an immersive, aggressive atmosphere

Effective use of breath control to maintain intensity during rapid-fire delivery

Predictability of the end-rhymes

Minimal thematic development beyond hedonistic tropes

Over-reliance on repetitive phonetic devices rather than intricate wordplay

User Scores