Long. Live. ASAP

PMW (All I Really Need)

ASAP Rocky

Lyrics & Rhyme Analysis

49

End

167

Internal

85

Multi

135

Slant

30

Chain

Rhyme Groups — hover to spotlight
[Pre-Chorus: A$AP Rocky]
How 'bout me and you and you and I
Take a ride to make this high
On and on and on and on
On and on and on and on
[Chorus: A$AP Rocky & ScHoolboy Q]
So I say pussy,✦ money,✦ weed (Yeah)
Pussy,✦ money,✦ weed (Yeah, yeah)
Pussy,✦ money,✦ weed (Yeah)
That's all a nigga✦ need (Yeah, yeah)
Pussy,✦ money,✦ weed (Yeah)
Pussy,✦ money,✦ weed (Yeah, yeah)
Pussy,✦ money,✦ weed (Yeah)
That's all a nigga✦ need (Yeah, yeah)
Pussy,✦ money,✦ weed
Pussy,✦ money,✦ weed (Yeah, yeah)
Pussy,✦ money,✦ weed
That's all a nigga✦ need (Yeah, yeah)
Pussy,✦ money,✦ weed (Yeah)
Pussy,✦ money,✦ weed (Yeah, yeah; yeah, yeah)
Pussy,✦ money,✦ weed (Yeah)
That's all a nigga✦ need
[Verse 2: Schoolboy Q]
It's A$AP Q, where the bread at? (Yeah)
Fuck around and bring the hush puppies✦ back (Yeah)
She fuck me and the homies,✦ she was cool with that
The block hot so I'm shaded✦ in my bucket✦ hat
Pause a little bit, I gotta✦ little advice✦
If you fucked✦ her once, then you could fuck her twice
And don't get head from hoes with overbites
Just giving✦ out game, nigga✦ show your right
Born stunna✦ nigga,✦ turn night to bright
High as a kite in my Nike Flights
Made 30 Racks it was just a flight
Flew a bitch out too, it was just a night
Shorty✦ got the booty✦ make a nigga✦ say, "Woah"
Can I suck your titties,✦ tryna✦ see how far I can go
Try again✦ and then again✦ and she ain't telling me no
Sweetie tell me how you feeling, can I feel on you more?
She said, "I ain't fucking for free," but ain't shit I can't afford✦
Shit, I'll pay you for it
Now bounce that ass on my bungee cord
Uh, yeah, whoopsie daisy✦
Put a good kid in your Section.80
Turn a baby✦ into✦ a lady✦
Now here go the keys to my new Mercedes
'Cause shawty,✦ she a stripper, all you got to do is tip her
She like ballers with some money✦ screaming fuck them other✦ niggas
Now do A through Z for a G
Panties✦ go down to her feet
Pussy✦ get wetter✦ for me
Smackin' that ass to the beat
Give her that Diggity-D, yeah
[Pre-Chorus: A$AP Rocky]
How 'bout me and you and you and I
Take a ride to make this high
On and on and on and on
On and on and on and on
[Chorus: A$AP Rocky & ScHoolboy Q]
So I say pussy,✦ money,✦ weed (Yeah)
Pussy,✦ money,✦ weed (Yeah, yeah)
Pussy,✦ money,✦ weed (Yeah)
That's all a nigga✦ need (Yeah, yeah)
Pussy,✦ money,✦ weed (Yeah)
Pussy,✦ money,✦ weed (Yeah, yeah)
Pussy,✦ money,✦ weed (Yeah)
That's all a nigga✦ need (Yeah, yeah)
Pussy,✦ money,✦ weed
Pussy,✦ money,✦ weed (Yeah, yeah)
Pussy,✦ money,✦ weed
That's all a nigga✦ need (Yeah, yeah)
Pussy,✦ money,✦ weed (Yeah)
Pussy,✦ money,✦ weed (Yeah, yeah)
Pussy,✦ money,✦ weed (Yeah)
That's all a nigga✦ need

Technical Breakdown

8.0
Multisyllabic Rhymes9.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres4.0

Clever language, metaphors, punchlines

Cadence / Rhythm10.0

Flow variation and timing (data-driven)

Vocabulary Complexity5.0

Range and depth of words used (data-driven)

Delivery / Breath Control7.0

Performance and control

Computed Score8.02

Production

— T-Minus, Nikhil Seetharam

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Critic Analysis
RAPLEDGER BAROMETER™

The verse relies on heavy atmospheric repetition and rhythmic cadence rather than complex lyrical dexterity, functioning primarily as a sonic anchor within the subgenre of late 2000s/early 2010s Southern-influenced rap.

A
9.5
Multisyllabic
9.5
Internal Rhymes
10
Cadence / Flow
5
Vocabulary
4
Wordplay
7
Delivery
Repetitive motifCadence layeringMinimalist lyrical structureSyncopated ad-lib integration
Rhyme Architecture: The verse utilizes a highly repetitive 'A-A-A-B' structural loop, relying on internal rhyme density and end-rhyme consistency to maintain momentum over a hypnotic production loop.
Verified Doubles & Entendres

"where the bread at?"

① A literal inquiry regarding the location of currency or funds.② A colloquial slang reference to financial success and the pursuit of commercial gain.

Excellent integration of ad-libs to supplement the rhythmic flow

Strong pocket awareness and pocket-locking cadence

Effective minimalist approach that enhances the 'party-rap' aesthetic

Low lexical variance limits lyrical depth

Lack of substantive internal metaphors or complex wordplay

Relies heavily on the production for impact rather than the content of the bars

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