Funeral

Mama Mia

Lil Wayne

Lyrics & Rhyme Analysis

23

End

119

Internal

69

Multi

184

Slant

11

Chain

Rhyme Groups — hover to spotlight
[Bridge]
Your crocodile's toothless
Titty-fuck your baby✦ mama✦
She breastfeed your child while I do it, I looped✦ it
(Mama✦ Mia)
[Verse 2]
I'm out of my Tunechi,✦ I'm mindin'✦ my Tunechi✦
I'm shinin'✦ my Uzi✦
They find 'em, I lose 'em, I'm hidin'✦ out
Hopin'✦ I don't smell like all these fuckin'✦ vaginas I'm douchin'
Droppin'✦ these jewels, it's precious like I'm droppin'✦ my jewelry
I'm out of my Gucci,✦ you not on my Gucci,✦ that's not an exclusive
Designers, excuse✦ me, massagers masseuse me
Oops, I mean masseuses massage me, I'm gruesome, I'm grimey✦
Turn you and lil' mami,✦ to tuna✦ salami✦
You pukin',✦ she vomit,✦ that's beautiful science
That's Tune in a Masi',✦ that's who in a Hyundai
You stupid✦ or drowsy?✦ I pew in the 'Gatti✦
Pew, pew and I got 'em, pew, pew and I got 'em
Lil' Tunechi✦ a shotta✦
Come through with my shottas, catch you and your thotta✦
Turn a nigga✦ noodle to nada✦
Find it amusin',✦ it's like it's a movie
This life is a movie, you died in the movie, I write and produce it
I cried as I view it, I'm lyin', I'm goofin',✦ I'm tyin' my nooses✦
Lightin' my fluids, ignitin' influence,✦ wait
Retire✦ like Ewings, I'm high like I flew in
And my wife lookin'✦ Jewish, wait
My money✦ look Arabic, blunt lookin'✦ Cuban✦
My eyes look Korean,✦ the coke look Peruvian, wait
She European and she from Aruba,✦ she from the States✦
Ass overseas, pussy✦ foreign food, we overate
We throw them B's up high as the moon, suwu✦ in space
I come from Mars, but I act like I'm from the Planet✦ of the Apes✦
Mansion with a gate with some nice landscapes, the Atlantic across✦ the way
Don't ask me what I make, I'ma✦ be answerin' all day
Got a hammock, I'ma✦ lay with a naked✦ bitch with just a bandana on her face
And I just psstt, took off, errr- and landed✦ on her face
I cannonballed her face
Fuck her to some Diana✦ Ross and faint
Damn, I lost the faith
Don't judge me, I took the stand and fought the case
You can't avoid✦ the Drac'
Drip Bayless, I'm feelin'✦ Shannon Sharpe today✦
Big rocks in my mouth, can't remember how many✦ asteroids I ate
Your pastor called✦ today,✦ I told him that your casket✦ on the way
Now pass the phone to bae
I'm bringin' a pole, you dancin'✦ on his grave
He faker✦ than the lashes✦ on his babe, I'm like lashes✦ on a slave
I'm ashin'✦ on his head
He ain't got no credit✦ and his Apple Card is dead
What's in your wallet?✦
[Outro]
(Mama✦ Mia)
Funeral

Technical Breakdown

8.8
Multisyllabic Rhymes9.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres8.0

Clever language, metaphors, punchlines

Cadence / Rhythm9.0

Flow variation and timing (data-driven)

Vocabulary Complexity7.0

Range and depth of words used (data-driven)

Delivery / Breath Control9.0

Performance and control

Computed Score8.79

Production

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Critic Analysis
RAPLEDGER BAROMETER™

Wayne utilizes internal phonetic mirroring and rapid-fire cadence shifts to treat the lyrics as an instrument, prioritizing rhythm and assonance over linear narrative cohesion.

A
9.5
Multisyllabic
9.5
Internal Rhymes
9
Cadence / Flow
7
Vocabulary
8
Wordplay
9
Delivery
Assonance-driven internal rhymingPhonetic wordplayStaccato cadenceRepetitive percussive vocal inflections
Rhyme Architecture: Extremely dense, multi-syllabic internal rhyme scheme relying heavily on the 'u/i' vowel chain (Tunechi/Uzi/Gucci/Masi/Hyundai/Hyundai/Got'em/Shotta).
Verified Doubles & Entendres

"Droppin' these jewels, it's precious like I'm droppin' my jewelry"

① Sharing valuable knowledge or 'jewels' of wisdom.② The literal act of dropping expensive pieces of jewelry.

"Turn you and lil' mami, to tuna salami"

① Reducing a man and woman into something perishable and mundane.② A sonic play on words where 'tuna' and 'salami' mirror the sounds of 'turn you' and 'lil' mami'.

"This life is a movie, you died in the movie, I write and produce it"

① Living an extravagant, cinematic lifestyle.② Having total control over his environment and the ability to cause the downfall of his adversaries.

High-density phonetic connectivity

Commanding vocal rhythm and variation

Playful manipulation of multisyllabic end rhymes

Over-reliance on shock-value imagery over substantive narrative

Occasional loss of coherence due to focus on sound matching

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