I Am Not a Human Being II
Trigger Finger
Lil Wayne
Lyrics & Rhyme Analysis
27
End
194
Internal
87
Multi
185
Slant
12
Chain
Rhyme Groups — hover to spotlight
[Chorus: Lil Wayne]
One in ya dome
One in ya dome, one in ya dome
One in ya dome, one in ya dome
One in ya dome, one in ya dome
One in ya dome, one in ya dome
Empty✦ stomach,✦ full clip
I'm gon' get it, gon' get it
Empty✦ stomach,✦ full clip
I'm gon' get it, gon' get it
My trigger✦ finger✦ itchin',✦ my trigger✦ finger✦ itchin'✦
My trigger✦ finger✦ itchin',✦ my trigger✦ finger✦ itchin'✦
My trigger✦ finger✦ itching, nigga✦
[Verse 2: Lil Wayne]
I don't like to dream about✦ gettin'✦ paid
You ain't gon hurt nobody✦ like Kid 'n Play
Ain't nothin'✦ sweet but the codeine,✦ nigga✦
Eyes hella✦ red like chlorine✦ in 'em
I was gettin'✦ that pussy,✦ I was gettin'✦ that money✦
Long hair, don't care, Hacksaw Jim Duggan✦
Too high to take a breath, too high to take a step
Two rights don't make a wrong, three rights make a left
The cops on my dick, the feds on my nerves✦
I walk it like I talk it, got legs on my words
If she don't suck dick I don't give her that dick
Got the world in my hands, I'mma✦ dribble that bitch
Money✦ is the issue, full court pressure
I like my blunt Nutty✦ Professor
I'm a straight rider✦ with a getaway driver✦
Hit you dead on the money,✦ now you dead on arrival
I don't fuck with these niggas,✦ too old for new friends
But never✦ too rich for new money✦
These niggas✦ buying Haterade by the twelve pack
Like two stomachs
I'm laced✦ up like two shoes, Miss Goody✦
Keep that ratchet, nigga✦
Trigger✦ finger✦ itchin',✦ I'll scratch it, nigga✦
Blow your fuckin'✦ brains out in traffic, nigga✦
Got green, New Orleans, St. Patrick, nigga✦
One bitch in the whip, one on the phone
The one on the phone is in front of your home
She 'bout to run in your home and put —
[Chorus: Lil Wayne]
One in ya dome, one in ya dome
One in ya dome, one in ya dome
One in ya dome, one in ya dome
One in ya dome, one in ya dome
Empty✦ stomach,✦ full clip
I'm gon' get it, gon' get it
Empty✦ stomach,✦ full clip
I'm gon' get it, gon' get it
My trigger✦ finger✦ itchin',✦ my trigger✦ finger✦ itchin'✦
My trigger✦ finger✦ itchin',✦ my trigger✦ finger✦ itchin'✦
My trigger✦ finger✦ itchin'✦
Nigga✦
[Verse 3: Soulja Boy]
Rest in peace to the game 'cause I'm fresh to death
Rest in peace to the game, tell them kill they self
Make your death wish, 'cause I'm too fresh
'Cause I'm fresh to death, 'cause I'm fresh to death
You go broke tryna✦ get fresh like this
Rest in peace to the game 'cause I killed✦ it
I'm fresh to death, I'm fresh to death
What you talkin',✦ I came out a coffin✦
Yeah
[Verse 4: Lil Wayne]
I just can't see myself✦
Living✦ in a house of mirrors
I bought me a double-R
'Cause I went from rags to riches✦
And these niggas✦ nag like bitches✦
Actin'✦ like little fags like Richard
And all of my bitches✦ be bad as vision✦
You got a problem
I can fix it like a mathematician
I am-munition
Call me ammo✦ for short
Trukfit shirt, camo✦ the shorts
Your girl is a freak, your man is a narc
With your son in your arms
I'll put —
One in your dome
Tunechi
Technical Breakdown
8.2
Multisyllabic Rhymes8.5
Complexity of rhyme schemes (data-driven)
Internal Rhymes9.5
Rhymes within a line (data-driven)
Wordplay / Double Entendres6.5
Clever language, metaphors, punchlines
Cadence / Rhythm10.0
Flow variation and timing (data-driven)
Vocabulary Complexity5.0
Range and depth of words used (data-driven)
Delivery / Breath Control7.0
Performance and control
Computed Score8.18
Production
— Crazy" Mike Foster, Juicy JBe the first to rate the production
Critic Analysis
RAPLEDGER BAROMETER™
Wayne utilizes erratic, high-energy stream-of-consciousness delivery to mask a simplistic rhyme scheme, leveraging pop-culture absurdity to maintain momentum.
A
8.5
Multisyllabic
9.5
Internal Rhymes
10
Cadence / Flow
5
Vocabulary
6.5
Wordplay
7
Delivery
Non-sequitur surrealismInternal assonanceAphoristic wordplayPop-culture referential irony
Rhyme Architecture: Primarily AABB and AAAA mono-rhyme structures with heavy reliance on internal end-rhymes (paid/play, money/Duggan) and mid-bar assonance.
Verified Doubles & Entendres
"Two rights don't make a wrong, three rights make a left"
① A play on the idiom 'two wrongs don't make a right', twisting the logic to suit a nonsensical, humorous tone.② A literal spatial direction: rotating 90 degrees three times results in a left-hand turn, emphasizing the disorientation of the narrator's high.
"I walk it like I talk it, got legs on my words"
① Idiomatic usage: 'walking the walk', implying his actions match his aggressive lyrical persona.② Hyperbole: personifying his words as having physical 'legs', implying they travel far and exert force independently.
High-octane vocal presence
Effective use of non-sequiturs to create a manic persona
Strong command of cadence within a repetitive structure
Limited thematic depth
Relying on forced rhymes that sacrifice semantic coherence
Repetitive, loop-based chorus lacks lyrical evolution