I Am Not a Human Being II

Days and Days

Lil Wayne

Lyrics & Rhyme Analysis

15

End

55

Internal

18

Multi

69

Slant

7

Chain

Rhyme Groups — hover to spotlight
[Refrain: Lydia Pense & Lil Wayne]
You leave your home for days and days
Alright, uh (Hey)
[Verse 3: Lil Wayne & Lydia Pense]
All my niggas✦ gangstas, all my bitches freaks (But he—)
I tickle her pussy,✦ got that pussy✦ tickle pink (Hey)
I'm the heart of the streets, and I just skipped a beat (But hey)
And if that pussy✦ sweet, I want that candy,✦ trick or treat (But hey)
I got diamonds in my teeth, so all my words are precious (But—)
I'm so fuckin' hot I ssss, I'ma✦ need some more S's
Man, I'm on some other✦ shit, I want another✦ bitch
That want another✦ bitch, and I don't cuddle bitch
I hit her with that shovel dick, I got in that pussy✦ and dug a ditch
Some people gotta✦ punch the clock, man, I'd rather✦ punch a brick
'Cause I'm that nigga,✦ and I'm so cold, I just shivered
These niggas✦ think they hard, these niggas✦ just nipples
I pop a nigga✦ like a 'sicle, drop a nigga✦ like a missle
Mo' money,✦ mo' issues, I size you up then fit you
Tunechi
[Outro: Lydia Pense]
You leave your home for days and days

Technical Breakdown

7.7
Multisyllabic Rhymes8.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres5.5

Clever language, metaphors, punchlines

Cadence / Rhythm8.5

Flow variation and timing (data-driven)

Vocabulary Complexity6.0

Range and depth of words used (data-driven)

Delivery / Breath Control7.0

Performance and control

Computed Score7.67

Production

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Critic Analysis
RAPLEDGER BAROMETER™

Wayne utilizes his mid-2000s signature 'stream-of-consciousness' flow, relying heavily on punchline-heavy, non-sequitur style writing that prioritizes phonetic play over coherent narrative progression.

B+
8.5
Multisyllabic
9.5
Internal Rhymes
8.5
Cadence / Flow
6
Vocabulary
5.5
Wordplay
7
Delivery
Simile chainsMultisyllabic internal rhymingPhonetic wordplayAggressive enunciation
Rhyme Architecture: Predominantly AABB/monorhyme variants with extensive internal multisyllabic linkage (e.g., 'freaks'/'pink'/'streets'/'beat'/'treats'/'teeth'/'precious').
Verified Doubles & Entendres

"got diamonds in my teeth, so all my words are precious"

① The literal value of the diamonds (precious stones) embedded in his dental work.② A figurative statement that his lyrical output holds significant value/weight.

"These niggas think they hard, these niggas just nipples"

① Calling opponents soft or weak by comparing them to an anatomical feature.② A play on 'hardening'—nipples become hard when cold, ironically contrasting the 'hard' image they project with the reality of their softness.

"Some people gotta punch the clock, man, I'd rather punch a brick"

① Working a standard 9-to-5 job (punching a time card).② Engaging in street violence or aggressive behavior (punching a brick/tough opponent) as an alternative to conventional labor.

High rhythmic density that keeps the listener engaged

Charismatic vocal delivery that emphasizes Wayne's unique timbre

Strong command of internal rhyme structures

Lacks narrative cohesion

Wordplay is occasionally superficial or relies on 'shock' value rather than wit

Some metaphors are forced for the sake of rhyme convenience

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