I Am Not a Human Being II
Curtains
Lil Wayne
Lyrics & Rhyme Analysis
10
End
156
Internal
54
Multi
175
Slant
3
Chain
Rhyme Groups — hover to spotlight
[Chorus: Lil Wayne]
Man, I swear to God I ain't nervous,✦ uh-uh✦
I said I swear to God I ain't nervous✦
I don't know, I swear to God I ain't nervous✦
And that pussy✦ don't get purchased, ho
Ain't got no problems✦ in this bitch for certain✦
I see you turning✦ up but your turn up ain't working✦
I like 'em long haired and curvy✦
And if niggas✦ think it's a game
I'll leave they brains on their jerseys
[Verse 2: Lil Wayne]
She say she love me, that's the molly✦ talking✦
She about to blow me, like a signing bonus
She got a nigga✦ but he ain't me, bitch
I'm an original gangster, he the remix
Girl, do you use that same mouth to kiss yo momma?✦
I say, only✦ God can judge me, fuck your honor
And her birthday suit is her pajamas
She say, I didn't know your dick was a recliner
I'll punch your man in his eye, give him a shiner✦
I'll blind him, him and whoever cosign him
I get Adam like Yolonda
Young Money✦ Cash Money,✦ Obama✦
It's fuck the world, no condom
If he twisted, I'll unwind✦ him
And this pistol came with a silence
[Chorus: Lil Wayne]
But I swear to God he heard it, yeah
And I swear to God I ain't nervous,✦ nah
I swear to God I ain't nervous,✦ uh-uh✦
Bitch, I'm the God, I should be rapping in a turban✦
Ain't got no problems✦ in this bitch and that's for certain✦
I see you turning✦ up but your turn up ain't working✦
Baby,✦ I just want some mouth and lip service
She gon' ride this dick like the Kentucky Derby✦
[Verse 3: Boo]
On that Pat-ron,✦ I'm swerving, game tight like virgins
I got a bad bitch, she Persian, call her AK when she's squirting
You see the niggas✦ I'm with, that boy Boo the shit
As long as I got a face, yo bitch got a place to sit
Yeah, I'm wilding off them shroomies✦
Ain't got no worries✦ like Tunechi✦
All my chicks be bougie
Wanna✦ hold hands then watch movies✦
I be goddamned, make a nigga✦ lose it
Ain't no talking,✦ let's get to it
Real niggas✦ winning, fake niggas✦ losing
Bitch, I'll leave that pussy✦ with bruises
[Outro: Lil Wayne]
Girl, I swear to God I ain't nervous,✦ uh-uh✦
I swear to God I ain't nervous✦
No, you know I swear to God I ain't nervous✦
I got her workin', twerkin' and slurping my serpent
Ain't got no problems✦ in this bitch and that's for certain✦
You fuck with Tunechi,✦ you'll end up a missing person✦
She got Lil Tunechi✦ on her booty,✦ in cursive
I'm getting head behind✦ the Maybach curtains
Ya
Technical Breakdown
6.6
Multisyllabic Rhymes8.5
Complexity of rhyme schemes (data-driven)
Internal Rhymes9.5
Rhymes within a line (data-driven)
Wordplay / Double Entendres6.5
Clever language, metaphors, punchlines
Cadence / Rhythm5.5
Flow variation and timing (data-driven)
Vocabulary Complexity7.0
Range and depth of words used (data-driven)
Delivery / Breath Control6.0
Performance and control
Computed Score6.61
Production
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Critic Analysis
RAPLEDGER BAROMETER™
Wayne relies on punchline-driven, episodic structuring that prioritizes shock value and rapid-fire internal rhyming over thematic cohesion, fitting his mid-2000s mixtape aesthetic.
B
8.5
Multisyllabic
9.5
Internal Rhymes
5.5
Cadence / Flow
7
Vocabulary
6.5
Wordplay
6
Delivery
Internal slant rhymesNon-sequitur punchlinesSimile-heavy deliveryAggressive tonal shifts
Rhyme Architecture: Extremely dense, rhyme-heavy approach utilizing long-vowel A-rhymes throughout the verse (talking/bonus/remix/momma/honor/pajamas/recliner/shiner/cosign/Yolanda/Obama/condom), creating a relentless, singular flow.
Verified Doubles & Entendres
"She about to blow me, like a signing bonus"
① The act of performing oral sex on the artist.② A financial incentive paid out in full (blown) upon signing a contract, playing on 'blow' as in spending money.
"I'm an original gangster, he the remix"
① Comparing himself to a classic or first-version recording.② Dismissing the rival as an inferior, derivative imitation, just as remixes are often viewed as secondary to original compositions.
"I get Adam like Yolonda"
① A reference to the biblical figure Adam.② A pop-culture reference to the character Adam from the TV show 'The Young and the Restless', where the character Yolonda appears, demonstrating Wayne's habit of referencing daytime television in his bars.
High-density internal rhyme patterns
Iconic, memorable punchline delivery
Confidence and persona consistency
Fragmented, disconnected narrative structure
Over-reliance on shock-value imagery
Predictable subject matter compared to peak-era Wayne