I Am Not a Human Being
Popular
Lil Wayne
Lyrics & Rhyme Analysis
19
End
166
Internal
92
Multi
197
Slant
5
Chain
Rhyme Groups — hover to spotlight
[Chorus: Lil Twist]
Okay,✦ I'm watching✦ you, baby✦
And thinking✦ about✦ all of the things that I can do, baby✦
On top of the world when I'm on top of you, baby✦
Spend the night with me and get popular,✦ baby✦
Pop-popular,✦ baby✦
Okay,✦ I'm watching✦ you, baby✦
And thinking✦ about✦ all of the things that I can do, baby✦
On top of the world when I'm on top of you, baby✦
Spend the night with me and get popular,✦ baby✦
Pop-popular,✦ baby✦
[Verse 2: Lil Wayne]
Uh!
She a monster, but I'm a beast, though
Take her clothes off, with my teeth though
I beat slow, or I can hit it fast
I do it how she ask, and I cum last
I bust her ass, we tear it down
Then I gotta✦ split like James✦ Brown
It's all love, I come back around✦
And if she back it up, then-then I back it down
Tell me something, is you ready✦ for me, baby?✦
Take this beast up out my pants and let you pet it for me, baby✦
My dick on professor Klump, jump on this Eddie for me, baby✦
And when you fuck with me they give you credit✦ for it, baby,✦ yeah
[Bridge: Lil Wayne]
She-she got that good, good
She got that, got that good
She got, she got that, got that
She got that good, good
She Michael✦ Jackson✦ bad
I'm attracted✦ to her wit' her attractive✦ ass
[Chorus: Lil Twist]
Okay,✦ I'm watching✦ you, baby✦
And thinking✦ about✦ all of the things that I can do, baby✦
On top of the world when I'm on top of you, baby✦
Spend the night with me and get popular,✦ baby✦
Pop-popular,✦ baby✦
Okay,✦ I'm watching✦ you, baby✦
And thinking✦ about✦ all of the things that I can do baby✦
On top of the world when I'm on top of you, baby✦
Spend the night with me and get popular,✦ baby✦
Pop-popular,✦ baby✦
[Verse 3: Lil Wayne]
Uh!
She got that good, good, she Michael✦ Jackson✦ bad
I'm attracted✦ to her for her attractive✦ ass
So pack your bags, I fly you in
Soon as she land, we get it in
She love to put her legs around✦ my neck
I promise if I fuck her harder,✦ she gon' choke me to death, ha
And it's always wet, don't know if she the best I ever✦ had
But she's the best I had yet
[Chorus: Lil Twist]
Okay,✦ I'm watching✦ you, baby✦ (uh)
And thinking✦ about✦ all of the things that I can do, baby✦
On top of the world when I'm on top of you, baby✦
Spend the night with me and get popular,✦ baby✦
Pop-popular,✦ baby✦ (yeah)
[Outro: Lil Twist & Lil Wayne]
Hey, and you get popular,✦ baby✦ (Lil Twist)
And like a cradle, I'll be rockin'✦ you, baby✦ (yeah)
I feel good when I'm on top of you, baby✦
So I'ma✦ stay on top of you, baby,✦ hey
You'll be popular,✦ baby✦
I'll be rockin'✦ you, baby✦
I'm on top of you, baby✦
And I'ma✦ stay on top of you, baby,✦ hahaha✦
Young Mula,✦ baby✦
Technical Breakdown
6.8
Multisyllabic Rhymes9.5
Complexity of rhyme schemes (data-driven)
Internal Rhymes9.5
Rhymes within a line (data-driven)
Wordplay / Double Entendres5.0
Clever language, metaphors, punchlines
Cadence / Rhythm6.5
Flow variation and timing (data-driven)
Vocabulary Complexity5.0
Range and depth of words used (data-driven)
Delivery / Breath Control6.5
Performance and control
Computed Score6.81
Production
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Critic Analysis
RAPLEDGER BAROMETER™
Wayne relies on his signature 'punchline-rap' aesthetic, utilizing hyper-sexualized metaphors and pop-culture references that emphasize delivery over complex thematic development.
B
9.5
Multisyllabic
9.5
Internal Rhymes
6.5
Cadence / Flow
5
Vocabulary
5
Wordplay
6.5
Delivery
Simile-based punchlinesInternal rhyme clustersPop culture allusionsStaccato cadence breaks
Rhyme Architecture: Predominantly AABB/CCDD couplets featuring dense internal multi-syllabic rhymes (beast/teeth/beat/fast/last/ass) typical of Wayne's 2000s-era mixtape flow.
Verified Doubles & Entendres
"split like James Brown"
① Leaving the scene immediately② A reference to the 'splits' dance move performed by the entertainer James Brown
"dick on professor Klump, jump on this Eddie for me"
① A reference to the character Sherman Klump from The Nutty Professor② A sexual euphemism referencing actor Eddie Murphy (who played Klump) to describe his anatomy
Consistent rhythmic pocket
High density of internal rhyming
Confident, charismatic vocal performance
Thematic reliance on repetitive tropes
Low lexical variety
Punchlines lack subtext, functioning primarily on a single layer