Tha Carter V

Let It All Work Out

Lil Wayne

Lyrics & Rhyme Analysis

End

234

Internal

Multi

198

Slant

Chain

Rhyme Groups — hover to spotlight

[Interlude: Lil Wayne & Sampha]

Yeah, back in this bitch

Tune, you left this bitch

Like you knew this bitch was gon' let your ass back in this bitch

(Let it all work out, let it all work out) Yeah, haha^✦

But ain't nobody^✦ else like you in this bitch

(Let it all work out, mm, let it all work out)

(Let it all work out) Ain't nobody^✦ else like you in this bitch

[Verse 2: Lil Wayne]

Cita,^✦ you a psychic

'Cause you said there be days like this

They want a piece of me, I ain't the one that's serving slices

Please swallow, I had my share of dirty^✦ diapers, real shit

Pussy^✦ niggas^✦ on that guilt trip

It'll be on in a heartbeat

You can hear them pussy^✦ nigga's^✦ shit skip

I fear God, never^✦ fear men

Give back, never^✦ give in

Beat odds, never^✦ beat women^✦

Keep an open^✦ mind, let 'em peek in it

Reach highs, never^✦ reach limits^✦

Need minds, I don't need plenty^✦

This C5, this for BI and Left Eye, and T-Boz

When I seen Chilli at the Floyd fight

I almost asked^✦ her to creep with me

But I was young, and I held my tongue

But with that tongue, I just keep spittin'

So it all worked^✦ out

[Interlude: Lil Wayne & Sampha]

And now I'm in this bitch

And life said, "Tune, you knew me for way too long"

I never^✦ change, you know I been this bitch

And then she said, "Let it all work out"

"Let it all work out, let it all work out" (Yeah)

"Let it all work out, let it all work out"

[Verse 3: Lil Wayne]

Tunechi, you a monster

Looked^✦ in the mirror, but you wasn't there, I couldn't find ya

I'm lookin'^✦ for that big, old smile, full of diamonds

Instead, I found this letter^✦ you ain't finished writin'^✦

It read, "I'm sorry^✦ for even^✦ apologizin'"

I tried compromisin' and went kamikaze

I found my momma's^✦ pistol where she always^✦ hide it

I cried, put it to my head and thought about^✦ it

Nobody^✦ was home to stop me, so I called^✦ my auntie

Hung up, then put the gun up to my heart and pondered

Too much was on my conscience to be smart about^✦ it

Too torn apart^✦ about^✦ it, I aim where my heart was poundin'

I shot it, and I woke up with blood all around^✦ me

It's mine, I didn't die, but as I was dyin'

God came to my side and we talked^✦ about^✦ it

He sold me another life and he made a prophet

[Interlude: Lil Wayne & Sampha]

Yeah, and he said

("Let it all work out") Yeah

("Let it all work out") I'm still in this bitch

("Let it all work out") Yeah

("Let it all work out") Thank God 'cause I'm still in this bitch

(Let it all work out) Phew

("Let it all work out") But he said, "Remember^✦ this:"

("Let it all work out")

("Let it all work out") "Ain't nobody^✦ else like you in this bitch"

("Let it all work out") Yeah

("Let it all work out") "And don't forget^✦ what I did this bitch"

("Let it all work out") "Can't even^✦ remember^✦ when I didn't, bitch"

"Let it all—"

[Outro: Lil Wayne, Sampha & Jacida Carter]

Out, let it all work out (Yeah)

Let it all work out, (Now I'm out this bitch) Let it all work out

I'm out this bitch (Let it all—) and it all worked^✦ out

Love you, Dwayne

Technical Breakdown

8.7

Multisyllabic Rhymes7.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres7.5

Clever language, metaphors, punchlines

Cadence / Rhythm10.0

Flow variation and timing (data-driven)

Vocabulary Complexity5.0

Range and depth of words used (data-driven)

Delivery / Breath Control9.0

Performance and control

Computed Score8.67

Production

— Jordan, Myles William, Reefa

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Critic Analysis

RAPLEDGER BAROMETER™

Wayne utilizes a highly rhythmic, percussive cadence to mask deep emotional vulnerability, using an AAAA/BBBB internal rhyme structure to create a trance-like state that highlights his personal evolution.

7.5

Multisyllabic

9.5

Internal Rhymes

Cadence / Flow

Vocabulary

7.5

Wordplay

Delivery

Anaphoric repetitionInternal rhyme stackingParallelismVowel assonanceRhythmic syncopation

Rhyme Architecture: The verse relies on a masterful implementation of internal end-rhymes (e.g., 'psychic/like this', 'slices/diapers', 'trip/skip') followed by a rapid-fire sequence of AAAA-style parallel structures (Fear God/Fear men, Give back/Give in, Beat odds/Beat women).

Verified Doubles & Entendres

"They want a piece of me, I ain't the one that's serving slices"

① Literal request for a share of his fame/fortune.② A culinary pun on 'serving slices' (of pizza or cake) as a rejection of being a provider for opportunistic individuals.

"Beat odds, never beat women"

① Overcoming statistical probability and life's struggles.② A moral stance explicitly contrasting his personal growth against domestic abuse, serving as a pillar for his new personal conduct.

Unmatched rhythmic flow and internal rhyme density

Strong moral pivot points within the parallel structure

Impeccable usage of breath control to maintain intensity

Vocabulary remains relatively accessible/standard for Wayne

Some punchlines rely on established tropes (guilt trip/heartbeat)

The density of internal rhymes occasionally overshadows lyrical complexity

Let It All Work Out

Lyrics & Rhyme Analysis

Technical Breakdown

Production

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