Tha Carter

Shinning

Lil Wayne

Lyrics & Rhyme Analysis

21

End

101

Internal

23

Multi

73

Slant

6

Chain

Rhyme Groups — hover to spotlight
Big Benz, do the dash in this G-Wag
550 on the tag, not a C-Class
Boss move, Trap Bitch, give me free gas
Move work, new wrist with a ???
[Verse 2: Yung Bino]
Ridin'✦ round in an AMG, everybody✦ ??? of the Coupe, skrr, skrr
Shinin'✦ Nigga✦ really✦ came from nothing,✦ everybody✦ loaded, got guns all in the booth
Came up from nothing,✦ everybody✦ in the booth, yeah, nigga✦ wanna✦ talk and laid a hunnid✦ in the roof, yeah
I be the nigga,✦ Blackberry, made it blue
All those niggas✦ talkin'✦ like they know they switch the crew, yeah
I'm from the Westside, I haven't gone to ?, yeah
All these bitches want to talk, but I just want to screw
Two hunnid✦ thousand on a Maybach, I'm trippin'✦ now
How you get your bag and ain't trippin',✦ and you know it's hot. (hot, hot)
All those niggas✦ ? sweet, and I'm not talkin'✦ pot, yeah
All these niggas✦ know it's smoke games, hell nah, yeah
All these niggas✦ talk shit, but he ain't got a vibe, yeah
All these niggas✦ want to talk, like i got a ?
[Chorus 2x: $teven Cannon]
Ye, Big Benz, do the dash in this G-Wag
550 on the tag, not a C-Class, vroom
Boss move, Trap Bitch, give me free gas
Move work, new wrist with a ???
Big Benz, do the dash in this G-Wag
550 on the tag, not a C-Class, vroom
Boss move, Trap Bitch, give me free gas
Move work, new wrist with a ???

Technical Breakdown

6.8
Multisyllabic Rhymes8.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres3.0

Clever language, metaphors, punchlines

Cadence / Rhythm8.5

Flow variation and timing (data-driven)

Vocabulary Complexity6.0

Range and depth of words used (data-driven)

Delivery / Breath Control4.5

Performance and control

Computed Score6.80

Production

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Critic Analysis
RAPLEDGER BAROMETER™

The verse relies heavily on repetitive rhythmic cadences and standard trap tropes, lacking the depth of wordplay or structural innovation required for higher marks.

B
8.5
Multisyllabic
9.5
Internal Rhymes
8.5
Cadence / Flow
6
Vocabulary
3
Wordplay
4.5
Delivery
Repetitive ad-lib patternsMultisyllabic anchoringOnomatopoeic syncopation
Rhyme Architecture: Primarily relies on end-rhyme heavy couplets with a focus on 'a-a' or 'a-b-a-b' structures using monosyllabic suffixes to create a repetitive, driving flow.
Verified Doubles & Entendres

"I'm not talkin' pot"

① Reference to marijuana/drugs② Reference to cooking/culinary or metaphor for 'soft' individuals

High internal rhyme density creates a consistent hypnotic groove

Effective use of ad-libs to fill rhythmic gaps

Strong commitment to a single thematic lane

Lack of cohesive metaphorical depth

High reliance on filler words and vague placeholders

Limited lyrical variety or narrative progression

User Scores