PL3DGE

Ric Flair

Killer Mike

Lyrics & Rhyme Analysis

7

End

66

Internal

36

Multi

108

Slant

3

Chain

Rhyme Groups — hover to spotlight
[Interlude 2: Ric Flair speaking]
"Custom✦ made brother ... Wooo! And I mean custom✦ made! From the alligators to the Oleg Cassini right here. Ric Flair! There's✦ only✦ one. And I don't care if it's Tokyo,✦ Japan;✦ Greensboro; Richmond; Charlotte,✦ North Carolina; Asheville; Atlanta, Georgia; Charlotte;✦ L.A. ... I'm the man that's makin'✦ it possible!"
[Verse 3]
To make it out the ice cold streets of the city✦
You gotta✦ politic your situations like Clinton
If you chase power✦ you ain't gotta✦ chase women✦
So take some advice,✦ take cash over✦ ass
When you get money✦ you ain't gotta✦ take shit
So, long as you broke she ain't gotta✦ take dick
Capiche?✦
Now you know what motivate your beetch
Capiche?✦
Pay the mortgage or the pussy✦ up for lease
Capiche?✦
Church ladies✦ goin' gaga✦ for the Gucci (Yah!)
Got two Nickis ménagin'✦ for some Louie (Yah!)
Work with the keys, get acquainted with Alicia✦
And every✦ other✦ girl named Rihanna wanna✦ meet ya
They in it for the money,✦ not the swag or the features
Pretty✦ parasites might suck you like leeches
Just some information for a student from a teacher
Real life shit, I'm Mike Bigga,✦ nice to meet ya ... gone
[Outro: Ric Flair speaking]
"At Delta,✦ the girls call me cool. At Eastern, the girls call me Slick Ric. And all the other✦ women✦ around the world just say ... awww, there goes the man ... Woo!"

Technical Breakdown

7.1
Multisyllabic Rhymes9.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres6.5

Clever language, metaphors, punchlines

Cadence / Rhythm5.5

Flow variation and timing (data-driven)

Vocabulary Complexity7.0

Range and depth of words used (data-driven)

Delivery / Breath Control7.5

Performance and control

Computed Score7.08

Production

— Sweatbox, The Mad Violinist

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Critic Analysis
RAPLEDGER BAROMETER™

Killer Mike delivers a instructional, high-intensity verse that prioritizes clear, rhythmic instruction over complex metaphor, utilizing the Ric Flair persona to anchor the track in themes of materialism and self-sovereignty.

B
9.5
Multisyllabic
9.5
Internal Rhymes
5.5
Cadence / Flow
7
Vocabulary
6.5
Wordplay
7.5
Delivery
Internal rhyme densityDirect address pedagogical structurePersona-driven thematic cohesionMultisyllabic enjambment
Rhyme Architecture: The verse relies on heavy internal rhyme clusters and consistent end-rhyme chains (AABB and triplet variants), emphasizing a punchy, aggressive rhythmic delivery.
Verified Doubles & Entendres

"Work with the keys, get acquainted with Alicia"

① Reference to Alicia Keys the musical artist② Reference to moving kilos (keys) of narcotics which leads to wealth

"Got two Nickis ménagin' for some Louie"

① Reference to Nicki Minaj, the rapper② Referencing two women (nicknamed Nicki) engaging in sexual activity for the sake of luxury goods (Louis Vuitton)

"Pay the mortgage or the pussy up for lease"

① A transaction-based view of relationships where financial support is the rent for companionship② A cynical observation that transactional intimacy is subject to market fluctuations similar to real estate

Commanding vocal presence that matches the Ric Flair bravado

Logical, rhythmic flow that prioritizes clear enunciation

Strong structural arc transitioning from financial advice to status posturing

Wordplay is occasionally literal rather than figurative

The gender-based critiques lack nuance compared to the technical proficiency of the delivery

Relies on standard tropes of hip-hop materialism

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