Bully

Promotion

Kanye West

Lyrics & Rhyme Analysis

10

End

71

Internal

35

Multi

83

Slant

4

Chain

Rhyme Groups — hover to spotlight
[Chorus: Future]
I do gravity above✦ the stars, I'm goin' to Mars when I float
Can't be trippin' off that money,✦ baby,✦ let a nigga✦ go
Gotta✦ get used✦ to this type of service, travelin' through the back door
I just put a bitch on, bought another nigga✦ ho
[Bridge: Kanye West]
When you bring your thot friends, you let everybody✦ know
When you seened✦ your not friends, you let everybody✦ go
Baby✦ girl, hop in, we goin' everywhere but broke
Like we always✦ do it this—
[Verse 3: Future & Ty Dolla $ign]
She gon' eat the coochie for promotion,✦ yeah
Knock that thing loosely,✦ now she woke
I just keep the cookie out the dough
I'm in all Coogi,✦ it ain't my fault
She gon' eat the coochie for promotion✦
Knock that thing loosely,✦ now she woke
I just keep the cookie out the dough
I'm in all Coogi,✦ it ain't my fault
[Refrain: Future & Ty Dolla $ign]
She said she leavin'✦ her boyfriend
She wanna✦ meet me at a Ritz-Carlton
She lookin'✦ pretty,✦ she lookin'✦ gorgeous✦ (Gorgeous)✦
We makin'✦ love, but we heartless
[Outro: Kanye West]
Like we always✦ do
Like, like we always✦
Like, like we always✦ do it this time
Like we always✦ do, uh
Like we always✦
Like we always✦ do it this
Like we always✦
Like, like we always✦
Like we always✦ do it this

Technical Breakdown

6.6
Multisyllabic Rhymes9.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres4.5

Clever language, metaphors, punchlines

Cadence / Rhythm6.5

Flow variation and timing (data-driven)

Vocabulary Complexity7.0

Range and depth of words used (data-driven)

Delivery / Breath Control5.0

Performance and control

Computed Score6.60

Production

— Ye, Ty Dolla Sign, The Legendary Traxster

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Critic Analysis
RAPLEDGER BAROMETER™

The verse prioritizes rhythmic repetition and phonetic resonance over complex lyrical density, functioning primarily as a sonic accessory to the production's atmosphere rather than a technical display.

B
9.5
Multisyllabic
9.5
Internal Rhymes
6.5
Cadence / Flow
7
Vocabulary
4.5
Wordplay
5
Delivery
Repetitive melodic phrasingInternal assonancePhonetic mirroringVowel-heavy end rhymes
Rhyme Architecture: Highly iterative AAAA structure relying on monosyllabic and disyllabic end-rhyme closures, specifically focusing on the 'o' and 'oh' long-vowel sounds throughout the bridge and verse segments.
Verified Doubles & Entendres

"She gon' eat the coochie for promotion"

① A literal description of a transactional sexual encounter meant to advance the subject's status.② A play on the 'hustle' culture of the music industry where sexual access is treated as a career-advancing tactic.

"I'm in all Coogi, it ain't my fault"

① A literal reference to wearing the high-end Coogi knitwear brand.② A homophonic play on the phonetic similarity between 'Coogi' and the previously mentioned 'cookie' (slang), emphasizing the brand name as a marker of wealth.

High level of phonetic consistency creating a 'sticky' melodic hook

Efficient use of cadence to match the minimalist trap production

Strong command of rhythmic pocket within the 4-bar repetitive loops

Lack of substantive thematic variation beyond transactional relationships

Limited metaphorical depth, favoring direct, surface-level narration

Reliance on repetitive lyrical structures that reduce the perceived complexity of the verse

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