The Life of Pablo

No More Parties in LA

Kanye West

Lyrics & Rhyme Analysis

27

End

217

Internal

121

Multi

280

Slant

5

Chain

Rhyme Groups — hover to spotlight
[Chorus: Kanye West]
Scary,✦ scary✦
No more parties✦ in L.A.
Please, baby,✦ no more parties✦ in L.A.
[Verse 2: Kanye West]
Friday✦ night, tryna✦ make it into✦ the city✦
Breakneck speeds, passenger seat—somethin' pretty✦
Thinking back to how I got here in the first place
Second-class bitches✦ wouldn't let me on first base
A backpack nigga✦ with luxury✦ tastebuds
And the Louis Vuitton store got all of my pay stubs
Got pussy✦ from beats I did for niggas✦ more famous
When did I become✦ A-list?✦ I wasn't even✦ on a list
Strippers get invited to where they only✦ got hired✦
When I get on my Steve Jobs, somebody gon' get fired✦
I was uninspired✦ since Lauryn Hill retired✦
And 3 Stacks, man, you preaching to the choir
Any✦ rumor you ever✦ heard about✦ me was true and legendary
I done got Lewinsky'd and paid secretaries✦
For all my niggas✦ with babies✦ by bitches✦
That use they kids as meal tickets
Not knowin'✦ the disconnect from the father✦
The next generation will be the real victims
I can't fault 'em, really✦
I 'member✦ Amber✦ told my boy
No matter✦ what happens, she ain't goin' back to Philly✦
Back to our regularly scheduled programmin'
Of weak content and slow jammin'✦
But don't worry,✦ this one's✦ so jammin'✦
You know it, L.A., it's so jammin'✦
I be thinkin' every✦ day
Mulholland✦ Drive need to put up some goddamn✦ barricades
I be paranoid every✦ time, the pressure
The problem✦ ain't I be drivin',✦ the problem✦ is I be textin'✦
My psychiatrist got kids that I inspired✦
First song they played for me was 'bout their friend that just died
Textin'✦ and drivin'✦ down Mulholland✦ Drive
That's why I'd rather✦ take the 405
I be worried✦ 'bout my daughter, I be worried✦ 'bout Kim
But Saint is baby✦ Ye, I ain't worried✦ 'bout him
Had my life threatened by best friends with selfish intents
What I'm supposed to do?
Ride around with a bulletproof car and some tints?
Every✦ agent I know know I hate agents
I'm too black, I'm too vocal,✦ I'm too flagrant
Something smellin' like shit, that's the new fragrance
It just mean, I do it my way, bitch
Some days I'm in my Yeezys,✦ some days I'm in my Vans
If I knew y'all made plans, I wouldn't have popped✦ the Xans
I know some fans thought I wouldn't rap like this again✦
But the writer's block is over;✦ emcees,✦ cancel✦ your plans
A thirty-eight-year-old✦ eight-year-old✦ with rich nigga✦ problems
Tell my wife that I hate the Rolls so I don't never✦ drive it
It took six months to get the Maybach all matted✦ out
And my assistant crashed it soon as they backed✦ it out
Goddamn!✦ Got a bald fade, I might slam
Pink fur, got Nori dressin' like Cam
Thank God for me (Los Angeles)✦
Whole family✦ gettin'✦ money,✦ thank God for E
I love rockin'✦ jewelry, a whole neckful
Bitches✦ say he funny✦ and disrespectful
I feel like Pablo✦ when I'm workin'✦ on my shoes
I feel like Pablo✦ when I see me on the news
I feel like Pablo✦ when I'm workin'✦ on my house
Tell 'em party's✦ in here, we don't need to go out
We need the turbo✦ thots, high speed, turbo✦ thots
Drop-dro-dro-dro-drop, like Robocop
She brace herself and hold my stomach, good dick'll do that
She keep pushin'✦ me back, good dick'll do that
She push me back when the dick go too deep
This good dick'll put your ass to sleep
Get money✦ (Money,✦ money,✦ money)✦
Big, big money✦ (Money,✦ money,✦ money)✦
And as far as real friends, tell all my cousins I love 'em
Even✦ the one that stole the laptop, you dirty✦ motherfucker
[Bridge: Larry Graham]
I just keep on lovin'✦ you, baby✦
And there's✦ no one else I know can take your pla—, pla—, pla—
[Chorus: Kanye West, Junie Morrison & Ghostface Killah]
Please, no more parties✦ in L.A. (Shake that body,✦ party✦ that body)✦
Please, baby,✦ no more parties✦ in L.A., uh (Shake that body,✦ party✦ that body)✦
No more parties✦ in L.A. (Los Angeles)✦
Please, baby,✦ no more parties✦ in L.A., uh
No more parties✦ in L.A.
Please, baby,✦ no more parties✦ in L.A., uh
[Outro: Junie Morrison]
Let me tell you, I'm out here from a very✦ far away✦ place
All for a chance to be a star
Nowhere seems to be too far
Swish
[Produced by Madlib and Kanye West]

Technical Breakdown

7.6
Multisyllabic Rhymes9.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres7.5

Clever language, metaphors, punchlines

Cadence / Rhythm6.5

Flow variation and timing (data-driven)

Vocabulary Complexity7.0

Range and depth of words used (data-driven)

Delivery / Breath Control8.0

Performance and control

Computed Score7.64

Production

— Kanye West, Madlib

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Critic Analysis
RAPLEDGER BAROMETER™

The verse functions as a transition from Kanye's 'backpack' origins to his 'A-list' reality, utilizing a stream-of-consciousness narrative that balances personal regret with industry critique.

B+
9.5
Multisyllabic
9.5
Internal Rhymes
6.5
Cadence / Flow
7
Vocabulary
7.5
Wordplay
8
Delivery
Internal rhyme chainingMultisyllabic enjambmentStream of consciousness narrativeSocio-cultural commentary
Rhyme Architecture: Uses a highly dense AABB/AABB flow punctuated by internal rhyme clusters that bridge the gaps between end-rhyme heavy couplets, maintaining a steady 16th-note pulse.
Verified Doubles & Entendres

"The Louis Vuitton store got all of my pay stubs"

① Literal expenditure of income on luxury goods.② A symbol of his transformation from a 'backpack' rapper with simple tastes to a fashion-obsessed celebrity tethered to corporate status.

"When I get on my Steve Jobs, somebody gon' get fired"

① A reference to the erratic, demanding management style attributed to the late Apple founder.② An admission of his own perfectionism and volatility in the music industry, equating his creative process to corporate restructuring.

"I done got Lewinsky'd"

① A reference to Monica Lewinsky and the Clinton scandal, denoting a sordid, scandalous sexual encounter.② A shorthand for power-dynamic imbalances in celebrity sexual liaisons.

Exceptional technical rhyme density consistent with the computed metadata

Authentic juxtaposition of past aspirations versus current material reality

Effective use of pauses to heighten the gravity of the social commentary on child support/fathers

The narrative shift at the end feels slightly disconnected from the 'No more parties' thematic refrain

Some punchlines rely on celebrity name-dropping rather than intrinsic linguistic play

User Scores