Donda 2

Pablo

Kanye West

Lyrics & Rhyme Analysis

8

End

82

Internal

15

Multi

55

Slant

5

Chain

Rhyme Groups — hover to spotlight
[Chorus: Ye]
Who they waitin'✦ on? That's Pablo✦
Take my whole up (Take my whole up)
Take my own son (Take my own son)
What does some fun? (What does some fun?)
Heart face too run (Heart face too run)
Not lights too run (Not lights too run)
Let's have some fun (Let's have some fun)
Who they waitin'✦ on? That's Pablo✦
Take my [?]
Same out your [?]
Same my [?]
Run lights too [?]
Red lights too run (Red lights too run)
Let's have some fun (Let's have some fun, who they—)
Who they waitin'✦ on? That's Pablo✦
[Verse 2: Future]
Comin'✦ from the blitz, turn to your ashtray
You can have a bad day
Pull up with a stick, three thou' shots, André
Top of the world, bitch get starstruck, I just be oiled✦ up
Calm my nerves,✦ hangin'✦ with narcos, shoot like vato✦
Bales✦ at the loft, I can go golf, mmm
Flyin' out to New York, she do it with an arch
Rick James,✦ drip on my cloth
Why must I explain? When I'm with my dawg, right or wrong
[Outro: Ye]
Who they waitin'✦ on? That's Pablo✦

Technical Breakdown

6.5
Multisyllabic Rhymes7.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres4.5

Clever language, metaphors, punchlines

Cadence / Rhythm6.5

Flow variation and timing (data-driven)

Vocabulary Complexity5.0

Range and depth of words used (data-driven)

Delivery / Breath Control6.5

Performance and control

Computed Score6.55

Production

— Kanye West, ATL Jacob

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Critic Analysis
RAPLEDGER BAROMETER™

The verse relies on Future's signature melodic, slurry delivery to mask a lack of intricate lyrical content, prioritizing aesthetic vibe and phonetic patterns over cohesive narrative or complex double entendres.

B
7.5
Multisyllabic
9.5
Internal Rhymes
6.5
Cadence / Flow
5
Vocabulary
4.5
Wordplay
6.5
Delivery
Phonetic associative rhymingInternal slant rhymingAABB-adjacent trap cadenceAssonance-heavy phrasing
Rhyme Architecture: The verse utilizes a flexible AABB-style couplet structure that frequently breaks into fragmented internal rhyme chains, prioritizing the rhythmic pocket over strict stanza integrity.
Verified Doubles & Entendres

"three thou' shots, André"

① A reference to the André 3000 moniker implying a large quantity of bullets (3,000 shots)② A cultural allusion linking the high-caliber firepower to the Outkast rapper's name via the number three thousand

"turn to your ashtray"

① Literal implication of someone being reduced to ashes through violence② Metaphor for being discarded or treated as refuse after being 'smoked' or defeated

High level of phonetic consistency which aids the atmospheric quality of the track

Strong command of rhythmic pocket

Effective use of vocal textures to emphasize end-rhymes

Lack of depth in narrative progression

Over-reliance on repetitive trap tropes

Lyrics occasionally lack semantic cohesion when analyzed outside of the beat

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