G-Host

Going Thru Hell

Styles P

Lyrics & Rhyme Analysis

26

End

176

Internal

59

Multi

193

Slant

6

Chain

Rhyme Groups — hover to spotlight
[Break]
I need you God
Poobz said they fuck around✦ and kill us, word
[Verse 2]
Why ask the question✦ to somethin' you know the answer✦ to?
The angeld sing, the devil✦ tries to dance wit'chu✦
You a nerd then the gangsters wanna✦ lamp wit'chu✦
Then you become✦ wild and the biz get scared✦ to camp with you
These are my trials and my tribulations✦
Blowin'✦ weed for the stimulation✦
My body's✦ my temple, the crib need renovations✦
I'm the contractor
Can't be the boss of the mob without the don factor
Make your wife smile
Bring your mom laughter and your kids, too
Smoke and drink wit'chu✦ niggas✦
Get a couple Europeans, couple minks wit'chu✦ niggas✦
If we can't get it together, shit, we can never✦ hang (never)✦
Can't trust you with the work, we can never✦ slang (never)✦
Can't trust you by a cop, we can never✦ bang (never)✦
'Cause you never✦ heard rap buy a nigga✦ name (never)✦
'Cause I've stand up (word)
Had to man up and kneel down
Tell God that it's real now
It's life after✦ death but is it death after✦ death (is it?)
'Cause I've been breathin' real hard, breath after✦ breath
Is it step after✦ step or do I run to it?
This a wicked✦ game, tell me do I bring my son to it? (Noah, what up?)
I'm at the bar then bring my gun to it 'cause love is love
But if it's war then blood is blood
[Chorus]
I been goin' thru hell gotta✦ make it to Heaven✦
My niggas✦ whip around✦ in the 5, 6's and 7's
4's and them 3's too, know we keep it G too
It's hard so I'm kneelin' down to God like "I need you"
[Verse 3]
About✦ to go bananas, no peel
For my jail niggas,✦ peanut✦ butter✦ in they oatmeal
Homie got a target✦ on his face, how [?] feel?
See 'em on the other✦ side, tell you how his Ghost feel
Shit don't smoke but I'm gettin'✦ more smoke still
Talk about✦ the wave, fuck around,✦ get the boat keeled✦
High tide, I'm the fly guy on a float still
Can't forget✦ the days when I haven't eaten,✦ no frills
Prayers then I roll up
Throw the peace sign, I know God see me throw it up
I know I don't know enough (I know)
Learn more, burn more, that's what I got a turn for
Can't turn back time but I could turn on my mind and move forward
Pray the Lord we all gon' shine (Lord)
Shotty✦ and the cherokee, smokin'✦ to get therapy
Speakin' on behalf of these niggas✦ that got felonies✦
Knows and pains from they lost ones✦ memories✦
Nigga✦
[Chorus]
I been goin' thru hell gotta✦ make it to Heaven✦
My niggas✦ whip around✦ in the 5, 6's and 7's
4's and them 3's too, know we keep it G too
It's hard so I'm kneeling down to God like "I need you"

Technical Breakdown

7.9
Multisyllabic Rhymes8.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres7.0

Clever language, metaphors, punchlines

Cadence / Rhythm8.0

Flow variation and timing (data-driven)

Vocabulary Complexity6.0

Range and depth of words used (data-driven)

Delivery / Breath Control8.0

Performance and control

Computed Score7.90

Production

— Scram Jones

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Critic Analysis
RAPLEDGER BAROMETER™

Styles P utilizes a gritty, conversational cadence to ground philosophical existentialism in street-level loyalty, emphasizing thematic cohesion over overt lyrical complexity.

B+
8.5
Multisyllabic
9.5
Internal Rhymes
8
Cadence / Flow
6
Vocabulary
7
Wordplay
8
Delivery
multisyllabic internal rhyme chainsanaphora as structural anchormetaphorical juxtaposition of sacred and profanerhythmic syncopation
Rhyme Architecture: Styles P employs an AAAA-style multi-syllabic closing sequence in the latter half of the verse, using anaphora ('Can't trust you...', 'we can never...') to build tension against a rigid, percussive rhyme ending.
Verified Doubles & Entendres

"My body's my temple, the crib need renovations / I'm the contractor"

① The physical body is a spiritual space requiring constant moral upkeep.② The 'crib' (life/home/environment) is in disarray, and he takes full responsibility (contractor) to fix it through his own actions.

"Can't be the boss of the mob without the don factor"

① A leadership role in organized crime requires a specific aura or set of qualities.② A play on 'don' (mafia boss) and the 'don' (or 'done') factor of completing a task or 'contract' as previously mentioned.

Compelling transition from internal struggle to external street codes

Excellent use of vocal tone to shift from weary to assertive

Coherent thematic progression

High rhythmic consistency

Some metaphors remain surface-level compared to his elite lyrical output

Vocabulary leans toward conventional street vernacular

Limited variation in imagery density

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