Styles David: Ghost Your Enthusiasm
The Flow
Styles P
Lyrics & Rhyme Analysis
21
End
165
Internal
41
Multi
160
Slant
6
Chain
Rhyme Groups — hover to spotlight
[Chorus: Whispers]
Nigga,✦ go get your game up
You probably✦ thought I would change up
[?] same cut
If you mobbin,✦ just know [?]
Shit that you can't [?]
Nigga,✦ go get your game up
You probably✦ thought I would change up
[?] same cut
If you mobbin,✦ just know [?]
Shit that you can't [?]
[Verse 2: Jadakiss]
When I got the game, I just gave it back to the brothers✦
And I can hit one of your favorite rappers' mothers✦
Nice over✦ a century
My first Rolie, Meek Mill was in elementary
Mention me
I'm here to adress✦ [?]
And the tesla✦
Their shit is all entertainment, just like wrestlers
And they know it's consequences, they won't do it
They show me where the bag is at, and I go to it
Political ties is covering niggas'✦ eyes
Same devil, but they just rock a different Disguise
Started on some [?] shit, now I'm on some [?] shit
To get your money✦ right, you need a didgital face lift
It's gon' be a cold summer,✦ get [?] heaters
God bless all the dick suckers and child eaters
Live life, get fresh
Fucking blow out reefer✦
Don't judge me, and I won't judge y'all neither
[Chorus: Whispers]
Nigga,✦ go get your game up
You probably✦ thought I would change up
[?] same cut
If you mobbin,✦ just know [?]
Shit that you can't [?]
Nigga,✦ go get your game up
You probably✦ thought I would change up
[?] same cut
If you mobbin,✦ just know [?]
Shit that you can't [?]
[Verse 3: Styles P]
Came from the bottom, looking swell at the top
Just imagine what I did with the L and the [?]
Give me a 38, use every✦ shell in the box
Got a pretty✦ brown gun, yeah the melonan pop
And I should be a [?], I been doing dirt since niggas✦ [?]
Yeah I'm a wolf
And I came with a gorilla✦
That's bigger✦ than the skrilla✦
If my nigga✦ ask, I will kill your ass for a C-note
And I'm cocky✦ and why not?
I been knee deep since the chocolate top spot
Probably✦ in the 5 drop
Or in the 6 drop
This is S.P. the ghost, and I let the blick pop
Used✦ to have the [?] lucky✦ I'm off work
Still knocking off work
[?]
Before✦ you make a move
Gotta✦ ask your boss first
When I make a move, niggas✦ know I'm [?] first
Ghost
[Chorus: Whispers]
Nigga,✦ go get your game up
You probably✦ thought I would change up
[?] same cut
If you mobbin,✦ just know [?]
Shit that you can't [?]
Nigga,✦ go get your game up
You probably✦ thought I would change up
[?] same cut
If you mobbin,✦ just know [?]
Shit that you can't [?]
Technical Breakdown
7.2
Multisyllabic Rhymes6.5
Complexity of rhyme schemes (data-driven)
Internal Rhymes9.5
Rhymes within a line (data-driven)
Wordplay / Double Entendres6.0
Clever language, metaphors, punchlines
Cadence / Rhythm7.5
Flow variation and timing (data-driven)
Vocabulary Complexity6.0
Range and depth of words used (data-driven)
Delivery / Breath Control7.0
Performance and control
Computed Score7.17
Production
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Critic Analysis
RAPLEDGER BAROMETER™
Jadakiss utilizes his signature conversational, punch-heavy cadence to mask the simplicity of his rhyme structures, relying on authoritative presence rather than complex lyrical architecture.
B
6.5
Multisyllabic
9.5
Internal Rhymes
7.5
Cadence / Flow
6
Vocabulary
6
Wordplay
7
Delivery
End-rhyme dominanceAABBCC rhyme sequencingConversational cadenceAuthoritative posture
Rhyme Architecture: Primarily relies on AABBCC end-rhyme couplets with sporadic internal rhyming, maintaining a consistent 4/4 time signature that emphasizes the landing of the final word of each bar.
Verified Doubles & Entendres
"Their shit is all entertainment, just like wrestlers"
① The content produced by other rappers is fabricated or scripted for mass consumption.② Drawing a parallel between the performance art of professional wrestling and the performative nature of modern commercial rap.
"Same devil, but they just rock a different Disguise"
① The underlying systems of control or corruption remain identical despite changing appearances.② A classic sociopolitical critique of power structures where individual faces change but the oppressive mechanism persists.
Commanding vocal presence
Consistent pocket placement
Effective use of braggadocio imagery
Predictable rhyme scheme architecture
Limited metaphorical depth
Lack of complex multisyllabic density