Float

Open Up

Styles P

Lyrics & Rhyme Analysis

31

End

127

Internal

58

Multi

170

Slant

9

Chain

Rhyme Groups — hover to spotlight
[Chorus: Bullpen]
We open✦ up up the shop, drop down
Open✦ up, we got the block locked✦ down
Real niggas✦ is reppin✦ the streets first
G's coming✦ here first, remember✦ to squeeze first
We open✦ up up the shop, drop down
Open✦ up, we got the block locked✦ down
Real niggas✦ is reppin✦ the streets first
G's coming✦ here first, remember✦ to squeeze first
[Verse 2: Styles P]
Loadin'✦ up the tray deuce, sippin'✦ on the deuce deuce
Lightin' the blue dream, it's blue like blue screws
Rap of the street, yea I'm in the who's who's who
I don't floss, I sit on money✦ like the Jews do
Robbing in the vits, another 5 star with the bricks od down south and the trap of the pits
I don't pump, I just come through the spot shed
Visions of the M8 wagon with the ostrich
Seats and the steering wheel
You a liar lil nigga,✦ you just appearin' real
Niggas✦ know to fear the real
There never✦ was a nigga✦ like I
The town that hold me down like I'm big in Bedstuy
Pull it out, cock back, nigga✦ let it fly
Then a nigga✦ gone and a riga✦ red eye
My movement is laudable, my hand in
Any✦ type of handgun seems so compatible
Rappin✦ emphatical,✦ dogs so radical✦
Pull out the mack so I can rat tat tatter✦ you
Nigga✦ you should leave it at that
I'm a cool fly nigga✦ that get weed in stacks
Driving in a hardtop drop
Couple homies✦ got killed,✦ couple homies✦ got popped✦
Dumping seven✦ grams cuz the plan don't stop
Like when it's hot in the projects the fans don't stop
I'm in the Lex land with my hand on the guap
Off the end of island,✦ camp 10 on the block
Told you 'bout the fam, just imagine when the shit hit it
Niggas✦ got a pound then you know we getting✦ lit with it
You getting✦ money✦ then stick with it
Pass me the mic, I'm sick with it
Something like Cyrus✦ the Virus✦
Came from the dirt but my touch is like the Midas✦
[Chorus: Bullpen]
We open✦ up up the shop, drop down
Open✦ up, we got the block locked✦ down
Real niggas✦ is reppin✦ the streets first
G's coming✦ here first, remember✦ to squeeze first
We open✦ up up the shop, drop down
Open✦ up, we got the block locked✦ down
Real niggas✦ is reppin✦ the streets first
G's coming✦ here first, remember✦ to squeeze first

Technical Breakdown

8.3
Multisyllabic Rhymes9.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres6.5

Clever language, metaphors, punchlines

Cadence / Rhythm9.0

Flow variation and timing (data-driven)

Vocabulary Complexity6.0

Range and depth of words used (data-driven)

Delivery / Breath Control8.0

Performance and control

Computed Score8.29

Production

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Critic Analysis
RAPLEDGER BAROMETER™

Styles P utilizes his signature gritty, monochromatic delivery to elevate a standard street-oriented narrative through dense internal rhyme clusters and rhythmic pocket management.

A
9.5
Multisyllabic
9.5
Internal Rhymes
9
Cadence / Flow
6
Vocabulary
6.5
Wordplay
8
Delivery
Multisyllabic internal rhyme chainsAssonance-heavy phrasingStaccato deliveryEnjambment-based rhythmic tension
Rhyme Architecture: Styles employs a high-density AAAA internal rhyme scheme within lines, relying heavily on slant rhyme and vowel repetition (u/i sounds) to drive momentum rather than traditional end-rhyme couplings.
Verified Doubles & Entendres

"I sit on money like the Jews do"

① A reference to the stereotype of financial hoarding or conservative wealth management.② A direct reference to the visual imagery of sitting on stacks of cash.

"Visions of the M8 wagon with the ostrich / Seats"

① Visualizing high-end luxury vehicle modifications (ostrich leather upholstery).② A display of status through interior material customization common in the luxury rap aesthetic.

"The town that hold me down like I'm big in Bedstuy"

① Acknowledging his strong neighborhood allegiance and local status.② A comparative allusion to Notorious B.I.G.’s legendary stature in Bed-Stuy to contextualize his own weight in his locale.

Exceptional rhythmic consistency

Authentic street-hardened persona

Seamless integration of internal multisyllabics

Authoritative vocal presence

Reliance on established street tropes and clichés

Occasional lack of lyrical surprise

Vocabulary constraints typical of the sub-genre

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