Ghosting

The Game

Styles P

Lyrics & Rhyme Analysis

9

End

80

Internal

39

Multi

113

Slant

3

Chain

Rhyme Groups — hover to spotlight
[Hook]
It's all good, it's alright✦
I'm leaving✦ you tonight✦
It's all good, it's alright✦
I'm leaving✦ you tonight✦
[Verse 2]
Too many✦ new faces✦ (I don't know you?!)
I think niggers' wired, there's✦ too many✦ new cases✦
Before✦ I go to jail I rather✦ bow out gracious✦
Blunt to the face in a place that's spacious✦
Laying around✦ sure beats a quarter for laying you down
Coz it's hard being pop and a boss
Everyday in my life revolves around✦ my kids, profit✦ and loss
If I ain't meeting✦ with a teacher, I'm meeting✦ with execs
Or I'm meeting✦ with the pumper✦ whose holding a street-sweeper
I'm thinking about✦ quitting,✦ I always got a headache
And my stomach started hurting I'm having✦ trouble when I'm shitting✦
I ain't slept in a year, from reefer✦ and beer
Plus I come from the hood where they creep from the rear
But I'm leaving✦ tonight,✦ breezing tonight✦
For some strange reason, my breathing ain't right
So I'ma✦ pack my bags and leave on a flight
What!
[Hook]
It's all good, it's alright✦
I'm leaving✦ you tonight✦
It's all good, it's alright✦
I'm leaving✦ you tonight✦
[Verse 3]
I'm gone with the wind, I'ma✦ hit the road like I'm touring again
Pack the family✦ up, put em all in the Benz
Got some phone calls but I'm stalling my friends
I'll see them all in the end
I'm out like super-fly, I get super-high
Might as well quit while I got a little loot to ride
Can't go to jail, the cells ain't super-sized
Plus I'm stuck in hell in a place where you shoot or die

Technical Breakdown

6.6
Multisyllabic Rhymes8.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres5.0

Clever language, metaphors, punchlines

Cadence / Rhythm5.5

Flow variation and timing (data-driven)

Vocabulary Complexity7.0

Range and depth of words used (data-driven)

Delivery / Breath Control6.5

Performance and control

Computed Score6.57

Production

— Kas

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Critic Analysis
RAPLEDGER BAROMETER™

Styles P utilizes a gritty, conversational delivery to contrast domestic responsibilities with criminal paranoia, though the lyrical content relies more on raw honesty and internal rhyme chains than complex metaphorical wordplay.

B
8.5
Multisyllabic
9.5
Internal Rhymes
5.5
Cadence / Flow
7
Vocabulary
5
Wordplay
6.5
Delivery
multisyllabic internal rhyme clustersconversational cadencethematic groundinganaphora
Rhyme Architecture: Styles P employs a dense AAAA structure based on the '-aces/-acious' vowel sound in the opening, transitioning into long-form conversational couplets that utilize internal rhyme strings to maintain rhythmic momentum despite a slower, world-weary flow.
Verified Doubles & Entendres

"profit and loss"

① The literal financial calculation of revenue minus expenses.② The metaphorical trade-off between the money earned from music and the toll it takes on his life (kids, health).

Authentic, weary persona that fits the subject matter

Impressive density of internal rhymes

Strong thematic consistency from the hook to the verse exit

Wordplay is largely literal rather than figurative

Some forced rhyming to maintain the flow

Minimal use of double entendres or abstract metaphors

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