The World's Most Hardest MC Project
Set It Off
Styles P
Lyrics & Rhyme Analysis
29
End
169
Internal
59
Multi
184
Slant
16
Chain
Rhyme Groups — hover to spotlight
[Chorus: Jadakiss & Styles P]
Who's not to be fucked✦ with?
That's me
Who's to be fucked✦ with?
That's them
Why don't you watch my back while I go ask them?
And if they want beef later✦ on I splash them
And if they wanna✦ flow, right now I thrash them
Should I give it to 'em new style or old fashion?✦
Who's not to be fucked✦ with?
That's me
Who's to be fucked✦ with?
That's them
Why don't you watch my back while I go ask them?
And if they want beef later✦ on I splash them
And if they wanna✦ flow, right now I thrash them
Should I give it to 'em new style or old fashion?✦
[Verse 2: Styles P]
Do I have to break down the walls, tear off the floor?
I'm the general, dog, I start the war
Make every✦ emcee (What?)
Never✦ spit again✦ when I leave 'em empty✦ (Empty)✦
No guts (Guts), no chest (Chest), no brain (Brain), no game (Game)
If styles✦ go broke, I'ma✦ rob the four train
I feel no pain, steal cocaine (Aight)
Puff black bags and run through whole gangs
Any✦ time that I want it, nigga✦ (Any✦ time, nigga)✦
Better✦ listen✦ (Listen)✦
The blunt is the magic wand, I'm the magician✦ (I'm the magician)✦
Styles✦ is the virus, ain't no physician✦ (Uh-huh)
With an anecdote that can stop my collision✦
Before✦ you start asking, I'ma✦ start splashin' (What?)
When I come through (It's like)
It's like ten planes✦ crashing (Crash)
Twenty✦ ships, full of thugs, all of 'em is bastards (Uh)
Masked✦ up, looking through binocs, about✦ to crash in
What's the next issue? Shit get official
Call Steven✦ Spielberg, cop skin tissue
So you could rock a disguise when feds come and get you
Next question✦ is where NASA✦ at?
We need a hundred✦ jeeps that fly when traffic's packed✦ (Fifteen hunnid)
Bustin'✦ down on the crabs with plasma✦ gats
Tellin'✦ you right now you can't fuck with Pinero
I make a lot of space when it seem real narrow✦
Sagittarius style, spittin' out arrows (Uh)
Hundred✦ at a time, killin'✦ a hundred✦ heroes✦ (Uh, uh, uh)
[Chorus: Jadakiss & Styles P]
Who's not to be fucked✦ with?
That's me
Who's to be fucked✦ with?
That's them
Why don't you watch my back while I go ask them?
And if they want beef later✦ on I splash them
And if they wanna✦ flow, right now I thrash them
Should I give it to 'em new style or old fashion?✦
Who's not to be fucked✦ with?
That's me
Who's to be fucked✦ with?
That's them
Why don't you watch my back while I go ask them?
And if they want beef later✦ on I splash them
And if they wanna✦ flow, right now I thrash them
Should I give it to 'em new style or old fashion?✦
Old fashion✦ (Yeah)
Good right there, right? I mean...
Technical Breakdown
8.6
Multisyllabic Rhymes8.5
Complexity of rhyme schemes (data-driven)
Internal Rhymes9.5
Rhymes within a line (data-driven)
Wordplay / Double Entendres6.5
Clever language, metaphors, punchlines
Cadence / Rhythm10.0
Flow variation and timing (data-driven)
Vocabulary Complexity7.0
Range and depth of words used (data-driven)
Delivery / Breath Control8.0
Performance and control
Computed Score8.63
Production
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Critic Analysis
RAPLEDGER BAROMETER™
Styles P utilizes a high-intensity, confrontational delivery to compensate for a straightforward lyrical structure, focusing on rhythmic dominance and physical imagery rather than dense, cryptic wordplay.
A
8.5
Multisyllabic
9.5
Internal Rhymes
10
Cadence / Flow
7
Vocabulary
6.5
Wordplay
8
Delivery
Staccato deliveryInternal rhyme stackingAggressive enjambmentVocal call-and-response layering
Rhyme Architecture: Predominantly AAAA mono-rhyme schemes integrated with strong internal phrasal rhymes, focusing on high-energy, percussive ending consonants.
Verified Doubles & Entendres
"I leave 'em empty"
① Physical destruction where the opponent is gutted/killed.② A lyrical vacuum where the opponent has no bars or content left to spit.
"rob the four train"
① The physical act of committing a robbery on the NYC subway line.② A reference to the 'four-train' of thought or 'four-bar' schemes in rap; claiming mastery over the track.
Commanding vocal presence that projects authority
Strong rhythmic pocket control
Effective use of pauses to emphasize punchlines
Literal approach to storytelling limits thematic depth
Simplicity of internal metaphors
Lack of complex narrative multi-layering