Dime Bag

The Game

Styles P

Lyrics & Rhyme Analysis

9

End

80

Internal

39

Multi

113

Slant

3

Chain

Rhyme Groups — hover to spotlight
[Hook]
It's all good, it's alright✦
I'm leaving✦ you tonight✦
It's all good, it's alright✦
I'm leaving✦ you tonight✦
[Verse 2]
Too many✦ new faces✦ (I don't know you?!)
I think niggers' wired, there's✦ too many✦ new cases✦
Before✦ I go to jail I rather✦ bow out gracious✦
Blunt to the face in a place that's spacious✦
Laying around✦ sure beats a quarter for laying you down
Coz it's hard being pop and a boss
Everyday in my life revolves around✦ my kids, profit✦ and loss
If I ain't meeting✦ with a teacher, I'm meeting✦ with execs
Or I'm meeting✦ with the pumper✦ whose holding a street-sweeper
I'm thinking about✦ quitting,✦ I always got a headache
And my stomach started hurting I'm having✦ trouble when I'm shitting✦
I ain't slept in a year, from reefer✦ and beer
Plus I come from the hood where they creep from the rear
But I'm leaving✦ tonight,✦ breezing tonight✦
For some strange reason, my breathing ain't right
So I'ma✦ pack my bags and leave on a flight
What!
[Hook]
It's all good, it's alright✦
I'm leaving✦ you tonight✦
It's all good, it's alright✦
I'm leaving✦ you tonight✦
[Verse 3]
I'm gone with the wind, I'ma✦ hit the road like I'm touring again
Pack the family✦ up, put em all in the Benz
Got some phone calls but I'm stalling my friends
I'll see them all in the end
I'm out like super-fly, I get super-high
Might as well quit while I got a little loot to ride
Can't go to jail, the cells ain't super-sized
Plus I'm stuck in hell in a place where you shoot or die

Technical Breakdown

6.6
Multisyllabic Rhymes8.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres6.5

Clever language, metaphors, punchlines

Cadence / Rhythm5.5

Flow variation and timing (data-driven)

Vocabulary Complexity7.0

Range and depth of words used (data-driven)

Delivery / Breath Control6.0

Performance and control

Computed Score6.61

Production

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Critic Analysis
RAPLEDGER BAROMETER™

Styles P utilizes a grounded, gritty narrative style that relies on internal rhyme density and authentic street imagery rather than complex metaphorical wordplay, effectively capturing the exhaustion of a high-pressure lifestyle.

B
8.5
Multisyllabic
9.5
Internal Rhymes
5.5
Cadence / Flow
7
Vocabulary
6.5
Wordplay
6
Delivery
multisyllabic internal rhymingconversational cadencethematic juxtapositionend-rhyme consistency
Rhyme Architecture: The verse maintains a consistent AAAA or AABB pattern centered around internal rhyme clusters, particularly emphasizing the 'aces/cases/gracious/spacious' and 'teacher/execs/sweeper' sequences.
Verified Doubles & Entendres

"kids, profit and loss"

① The literal accounting term for business performance.② A play on his responsibilities: his 'kids' (family), 'profit' (money/work), and the 'loss' of freedom or time associated with his lifestyle.

"meeting with the pumper whose holding a street-sweeper"

① A meeting with a low-level associate ('pumper') who is carrying a large-capacity firearm (street-sweeper shotgun).② The contrast between the professional 'execs' mentioned in the previous bar and the violent, unpredictable nature of his street contacts.

strong atmosphere of paranoia and weariness

high technical density of internal rhymes

effective conversational flow

authentic thematic commitment to the 'exit' narrative

punchlines lean toward literal street threats rather than clever subtext

the flow remains relatively rigid throughout the verse

occasional lack of varied rhythmic pacing

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