Super Gangster (Extraordinary Gentleman)

Got My Own

Styles P

Lyrics & Rhyme Analysis

9

End

80

Internal

39

Multi

113

Slant

3

Chain

Rhyme Groups — hover to spotlight
[Hook]
It's all good, it's alright✦
I'm leaving✦ you tonight✦
It's all good, it's alright✦
I'm leaving✦ you tonight✦
[Verse 2]
Too many✦ new faces✦ (I don't know you?!)
I think niggers' wired, there's✦ too many✦ new cases✦
Before✦ I go to jail I rather✦ bow out gracious✦
Blunt to the face in a place that's spacious✦
Laying around✦ sure beats a quarter for laying you down
Coz it's hard being pop and a boss
Everyday in my life revolves around✦ my kids, profit✦ and loss
If I ain't meeting✦ with a teacher, I'm meeting✦ with execs
Or I'm meeting✦ with the pumper✦ whose holding a street-sweeper
I'm thinking about✦ quitting,✦ I always got a headache
And my stomach started hurting I'm having✦ trouble when I'm shitting✦
I ain't slept in a year, from reefer✦ and beer
Plus I come from the hood where they creep from the rear
But I'm leaving✦ tonight,✦ breezing tonight✦
For some strange reason, my breathing ain't right
So I'ma✦ pack my bags and leave on a flight
What!
[Hook]
It's all good, it's alright✦
I'm leaving✦ you tonight✦
It's all good, it's alright✦
I'm leaving✦ you tonight✦
[Verse 3]
I'm gone with the wind, I'ma✦ hit the road like I'm touring again
Pack the family✦ up, put em all in the Benz
Got some phone calls but I'm stalling my friends
I'll see them all in the end
I'm out like super-fly, I get super-high
Might as well quit while I got a little loot to ride
Can't go to jail, the cells ain't super-sized
Plus I'm stuck in hell in a place where you shoot or die

Technical Breakdown

6.6
Multisyllabic Rhymes8.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres6.5

Clever language, metaphors, punchlines

Cadence / Rhythm5.5

Flow variation and timing (data-driven)

Vocabulary Complexity7.0

Range and depth of words used (data-driven)

Delivery / Breath Control6.0

Performance and control

Computed Score6.61

Production

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Critic Analysis
RAPLEDGER BAROMETER™

Styles P utilizes a gritty, conversational realism, focusing on the friction between paternal responsibilities and the paranoia of street life, though his technical execution is more grounded in blunt authenticity than intricate wordplay.

B
8.5
Multisyllabic
9.5
Internal Rhymes
5.5
Cadence / Flow
7
Vocabulary
6.5
Wordplay
6
Delivery
Internal multi-syllabic rhymingConversational flowThematic contrastAggressive prosody
Rhyme Architecture: The verse relies on dense internal rhyme clusters, particularly using 'faces/cases/gracious/spacious' sequences that emphasize the terminal sounds, followed by a transition into conversational storytelling.
Verified Doubles & Entendres

"Everyday in my life revolves around my kids, profit and loss"

① The literal business accounting of his earnings and spending② A play on the 'profit/prophet' homophone relating to his role as a provider (father figure) versus the risks of street life

"meeting with the pumper whose holding a street-sweeper"

① A meeting with a person associated with high-capacity weaponry② A subversion of corporate meeting imagery, replacing professional peers with dangerous street-level actors

Relatable thematic grounding in 'profit and loss' balancing

Authentic, weary persona conveyed through blunt phrasing

Consistent, rhythmic internal rhyme density

Reliance on predictable end-rhyme patterns in the latter half

Some metaphors remain surface-level compared to his elite peers

Lack of structural variation toward the end of the verse

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