Super Gangster (Extraordinary Gentleman)

Holiday

Styles P

Lyrics & Rhyme Analysis

19

End

132

Internal

47

Multi

146

Slant

6

Chain

Rhyme Groups — hover to spotlight
[Chorus: Styles P & Jadakiss]
Holiday✦ (I gotta✦ make it to Heaven✦ for goin' through Hell)
Holiday✦ (And I don't care if I sell, y'all know what I sell)
Holiday✦ (I use my left hand when I'm loadin'✦ the shells)
Holiday✦ ('Cause I know it ain't right, that's why I'm blowin'✦ a L), yo
[Verse 2: Styles P & Jadakiss]
I do it all for my niggas,✦ even✦ ride with a bomb
Get shot, die in his arm and give him my last
It's a million✦ dollar✦ bail, I'ma✦ get him the cash
I sell crack like it's '88, I live in the past
You know the P carry✦ the gun, live in the mask
Tell niggas✦ "show me the money"✦ and "gimme the stash"
I like Malibu✦ and pineapple, fifties of hash
Hundred's of 'dro, wear my clothes a week in a row
Sleep on the floor, catch me right next to the dog
I'm Holiday✦ Styles✦ and that's what the weapons are for
And I probably won't blow for the fact that I'm hard
But I'm good with ten million✦ in the back of the car
Either that or get life and lift the rack in the yard
Gettin'✦ jewels from the old timers, stashin' the cards
But jail ain't part of the plans
I keep weight on the scale 'cause I feel I get further with grams
In my last few bars, I run through niggas✦ like my last few cars
And crash 'em up
The boy mighta✦ went Platinum, but don't gas him up
I get his length and his width and get his casket✦ cut
I don't deal with the snakes✦ and fakes✦
But I deal with the comas✦ and wakes,✦ I don't make mistakes
Double-R now, bitch, you oughta✦ know I'm the ghost
Blow up your face, blow up the coke and blow up the smoke (Uh-huh)✦
[Chorus: Styles P & Jadakiss]
Holiday✦ (I gotta✦ make it to Heaven✦ for goin' through Hell)
Holiday✦ (And I don't care if I sell, y'all know what I sell)
Holiday✦ (I use my left hand when I'm loadin'✦ the shells)
Holiday✦ ('Cause I know it ain't right, that's why I'm blowin'✦ a L), uh-huh✦
Holiday✦ (I gotta✦ make it to Heaven✦ for goin' through Hell)
Holiday✦ (And I don't care if I sell, y'all know what I sell)
Holiday✦ (I use my left hand when I'm loadin'✦ the shells)
Holiday✦ ('Cause I know it ain't right, that's why I'm blowin'✦ a L)

Technical Breakdown

8.0
Multisyllabic Rhymes9.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres6.5

Clever language, metaphors, punchlines

Cadence / Rhythm8.0

Flow variation and timing (data-driven)

Vocabulary Complexity6.0

Range and depth of words used (data-driven)

Delivery / Breath Control8.0

Performance and control

Computed Score7.95

Production

— Kasseem Dean

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Critic Analysis
RAPLEDGER BAROMETER™

Styles P delivers a gritty, cadence-driven performance that prioritizes street-level authenticity and rhythmic density over complex metaphorical wordplay, leaning heavily into his signature 'hard' persona.

B+
9.5
Multisyllabic
9.5
Internal Rhymes
8
Cadence / Flow
6
Vocabulary
6.5
Wordplay
8
Delivery
Multisyllabic rhyme chainsInternal rhyme densityRhythmic pocket controlPersona-driven imagery
Rhyme Architecture: Styles P utilizes an AAAA or AABB foundation with significant internal rhyme linkage (e.g., 'cash/stash/hash/hash'), relying on slant rhymes to maintain the momentum of the triplet-heavy flow typical of the mid-2000s New York sound.
Verified Doubles & Entendres

"I keep weight on the scale 'cause I feel I get further with grams"

① The literal act of weighing narcotics for distribution.② A double entendre on 'grams' sounding like 'grands' (thousands of dollars), implying financial advancement through illicit trade.

"run through niggas like my last few cars / And crash 'em up"

① Physical destruction or intimidation of rivals.② A metaphorical comparison to his history of reckless driving or lifestyle, equating the treatment of his vehicles with the treatment of his enemies.

Exceptional rhythmic consistency

Authentic delivery conveying grit and tension

Highly effective use of internal rhyme clusters

Strong thematic cohesion regarding street life

Limited metaphorical variety

Predictability in lyrical content regarding drug dealing and violence

Lower lexical complexity compared to elite lyricists

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