Time Is Money

G-Joint

Styles P

Lyrics & Rhyme Analysis

12

End

108

Internal

32

Multi

149

Slant

3

Chain

Rhyme Groups — hover to spotlight
[Verse Two: Styles P]
I don't know why the fuck you amped✦ yo
Got hoodrat bitches, carryin' birds on the public transpo'
Niggas✦ in the hoods that go out like Rambo✦
They hot since 138th had that ????
Young Buck...dumb fuck
I'm two guns up, ryde or die 'till the sun's up
Gangsta and a gentleman dog, I got class
I'ma✦ send a bunch a roses✦ to your men in the morgue
I'll be down South bendin'✦ a whore, ten in the morn'
Dirty✦ on 85 like Jay, Barnes,✦ Sean Paul
Beef with New York rappers, I'm killin'✦ 'em all
On my Slick Rick shit, y'all could lick the balls
I been cool cause these niggas✦ is ass, but fuck that
Might as well call me pool cause I'm gettin'✦ 'em splashed
And that Lamborghini liftin'✦ the stash, even✦ gettin'✦ the mass
Or some haze to mix with the hash, whattup
[J Hood]
Pass that blunt nigga✦
[Verse Three: J-Hood]
I'm in the hood where the eggs get knocked off (yea)
Gang members✦ find they family✦ members✦ with both of they legs chopped off
Niggas✦ ain't scrappin', they bangin'✦ ya (yep)
The judge don't need a tree branch when they hangin'✦ ya (nope)
All y'all fags'll get ate like clams
Since this is a Bloodsport bitch, you could call me J Van Dam
All these so called✦ guerillas be tellin'✦
How a rat gon' give you thoughts of a predicate felon✦ (fuck that)
Muh'fucker, homey✦ what you want, the blade or the slug (chu want)
I'm the one that sent the order when they sprayed up the club (me nigga)✦
Bitch nigga,✦ bow your head in the presence of G's
Load the lead up and squeeze
I'ma✦ great dane, niggas✦ is fleas
Fuckin'✦ rats can't wait to call cops
'Til I make 'em sick and put pellets in they mouth like cough drops (hold that)
J Hood bitch, my name ring in the ghetto✦ (J Hood)
Cause I'm O.G. and I play the streets like a cello✦

Technical Breakdown

6.8
Multisyllabic Rhymes8.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres6.5

Clever language, metaphors, punchlines

Cadence / Rhythm5.5

Flow variation and timing (data-driven)

Vocabulary Complexity7.0

Range and depth of words used (data-driven)

Delivery / Breath Control7.0

Performance and control

Computed Score6.85

Production

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Critic Analysis
RAPLEDGER BAROMETER™

The verse functions as a quintessential display of the D-Block aesthetic, prioritizing street-level menace and rhythmic consistency over high-concept abstraction, utilizing a steady, aggressive flow that anchors the technical rhyme density.

B
8.5
Multisyllabic
9.5
Internal Rhymes
5.5
Cadence / Flow
7
Vocabulary
6.5
Wordplay
7
Delivery
Multisyllabic internal rhyme clustersStreet-vernacular imageryAggressive enjambmentDirect menace-based punchlines
Rhyme Architecture: The verse relies on a robust AABB structure with internal rhyming extensions. The flow oscillates between rigid, beat-locked couplets and rapid, multi-syllabic enjambed segments that heighten tension before reaching the end-rhyme release.
Verified Doubles & Entendres

"Might as well call me pool cause I'm gettin' 'em splashed"

① A reference to being in a swimming pool involving water splashing.② Slang for shooting someone ('getting them splashed').

"The judge don't need a tree branch when they hangin' ya"

① A play on the historical act of hanging via a tree branch.② A grim subversion where the 'hanging' is the life sentence or death penalty handed down by a judge without needing a physical tree.

High internal rhyme density creates a consistent, hypnotic groove

Authentic, gritty tone congruent with the artist's brand

Solid command of pace and delivery intensity

Effective use of multi-syllabic end-rhymes (e.g., 'morgue', 'morn', 'Paul', 'all')

Some punchlines rely heavily on shock value rather than intricate wordplay

The narrative trajectory is occasionally episodic rather than cohesive

Occasional filler-heavy lines to maintain the rhyme scheme

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