Life After Death

Fuck You Tonight

The Notorious B.I.G.

Lyrics & Rhyme Analysis

End

209

Internal

121

Multi

205

Slant

Chain

Rhyme Groups — hover to spotlight

[Chorus: R. Kelly & The Notorious B.I.G.]

You must be (Uh) used^✦ to me spending^✦

You must be used^✦ to me (Uh)

And all that sweet wining^✦ and dining^✦ (What)

Well, I'm fucking^✦ you tonight^✦

Here's^✦ another^✦ one (Fucking^✦ you tonight)^✦

And another^✦ one (No doubt baby)^✦

And another^✦ one (Fucking^✦ you)

What! What! Uh

You must be used^✦ to me spending^✦

You must be! (Uh, uh)

And all that sweet wining^✦ and dining^✦

Well, I'm fucking^✦ you tonight^✦

Here's^✦ another^✦ one (Fucking^✦ you)

And another^✦ one (No doubt about it baby,^✦ fucking^✦ you)

Uh, uh

[Verse 2: The Notorious B.I.G.]

Girl, you look fine

Like a wide face Rolex,^✦ you just shine, I like that waistline^✦

Let me hit that from behind, which wall you wanna^✦ climb?

My style Ginuwine,^✦ girl, I love you long time

I got you pinned^✦ up with your fuckin'^✦ limbs up

All because^✦ you like the way my Benz was rimmed^✦ up

Bitch keep your chin up, please watch me do thee

Nasty,^✦ like it when you make it move fast, mami

I like it when you tro' it pon me

No love making,^✦ strictly^✦ back breakin'

Cease know all his hoes go to my door

Then they go to his flo' to fuck some more

So no, caviar,^✦ Shark Bar, uh-uh

Strictly^✦ sex that's sweaty^✦ and leftover spaghetti

I know you used^✦ to slow CDs and Dom P's

But tonight^✦ it's eight tracks and six-packs while I hit that

[Chorus: R. Kelly & Diddy]

You must be used^✦ to me spending^✦

(You must be, used^✦ to me)

And all that sweet wining^✦ and dining^✦ (Spending^✦ all his money^✦ baby,^✦ on you)

Well, I'm fucking^✦ you tonight^✦

Can you feel me?, 'cause I can feel you

You must be used^✦ to me spending^✦

You must be used^✦ to me

And all that sweet wining^✦ and dining^✦

Well, I'm fucking^✦ you tonight^✦

(Fucking^✦ you tonight)^✦

Can you feel me? (Make ya feel so right),'cause^✦ I can feel you (baby^✦ come to me)

Can you feel me (Give me what I need), R. Kelly^✦ take me to the bridge

[Bridge: R. Kelly & Diddy]

Let's stop the bullshit, baby^✦

Let me take you to the spot, get you hot

Mmmm, so you wanna^✦ be with me (Say what)

Puff Daddy^✦ (That's right)

B.I.G. (Let's go)

Bring that ass to me (Haha)^✦

[Chorus: R. Kelly & Diddy]

You must be used^✦ to me spending^✦

And all that sweet wining^✦ and dining^✦

Well, I'm fucking^✦ you tonight^✦

(Said I'm fucking^✦ you tonight)^✦

Can you feel me? (Fucking^✦ you tonight)^✦ 'cause I can feel you (Stroking you tonight)^✦

Can you feel me? 'Cause I can feel you

You must be used^✦ to me spending^✦

(You must be used^✦ to me spending)^✦

And all that sweet wining^✦ and dining^✦

Well, I'm fucking^✦ you tonight^✦

Fucking^✦ you baby,^✦ I'm fucking^✦ you baby^✦

(You must be!!) You must be used^✦ to me spending^✦

Can you feel me? 'Cause I can feel you

And all that sweet wining^✦ and dining^✦

Well, I'm fucking^✦ you tonight^✦ (I'm doing it baby,^✦ I'm doing it baby,^✦ I'm doing it baby^✦ ah yeah, ooh, ooooh)

You must be used^✦ to me spending^✦

(You must be babe, used^✦ to me)

And all that sweet wining^✦ and dining^✦ (Spending^✦ money^✦ all of the time, on you)

Well, I'm fucking^✦ you tonight^✦

No matter what you may say, babe

Giving^✦ it to you, any^✦ way I possibly can

You must be used^✦ to me spending^✦

And all that sweet wining^✦ and dining^✦

Well, I'm fucking^✦ you tonight,^✦ oohhh baby,^✦ sugar,^✦ honey^✦

Technical Breakdown

8.4

Multisyllabic Rhymes9.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres5.0

Clever language, metaphors, punchlines

Cadence / Rhythm10.0

Flow variation and timing (data-driven)

Vocabulary Complexity5.0

Range and depth of words used (data-driven)

Delivery / Breath Control8.0

Performance and control

Computed Score8.37

Production

— Daron Jones, Diddy

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Critic Analysis

RAPLEDGER BAROMETER™

Biggie utilizes his signature relaxed, behind-the-beat flow to prioritize sonic texture and sexual braggadocio over complex lyrical abstraction, fitting the R&B crossover aesthetic of the late 90s.

9.5

Multisyllabic

9.5

Internal Rhymes

Cadence / Flow

Vocabulary

Wordplay

Delivery

Internal multi-syllabic rhymingAssonance-heavy cadencesConversational flowSexual double entendre

Rhyme Architecture: The verse relies on a dense 'i-e' vowel chain (fine, shine, waistline, climb, Ginuwine, time, find, limbs up, rimmed up) that anchors the rhythmic pocket, utilizing internal rhymes to bridge the end-of-line gaps.

Verified Doubles & Entendres

"My style Ginuwine"

① A direct reference to the R&B artist Ginuwine who was popular at the time.② A play on 'genuine', asserting the authenticity and smoothness of his approach.

"I love you long time"

① A common hyperbolic phrase expressing sustained sexual or romantic interest.② A pop-culture reference to the 1987 film 'Full Metal Jacket', used here as a shorthand for sexual availability.

Exceptional rhythmic placement that emphasizes the pocket of the beat

High-density internal rhyming that makes the verse feel seamless

Commanding vocal presence that projects confidence

Limited thematic depth beyond the R&B-crossover trope

Lack of complex wordplay or multi-layered metaphors

Relies on clichés common to the 1997 era of radio-friendly rap

Fuck You Tonight

Lyrics & Rhyme Analysis

Technical Breakdown

Production

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