Aquemini

Chonkyfire

Outkast

Lyrics & Rhyme Analysis

30

End

166

Internal

69

Multi

195

Slant

14

Chain

Rhyme Groups — hover to spotlight
[Break: OutKast]
You are now entering the fifth dimension✦ of ascension✦
Our only✦ intention✦ is to take you high
High, uh, yeah, yeah, my Lord
[Verse 2: Big Boi]
To make one bob they head would be the track job
Your job's to spit that fire
Some of y'all MC's take this rhymin'✦ for granted, I won't comply✦
With that slackin',✦ poppin',✦ and crackin',✦ Fourth Ward say we snappin'
They want that hardness, that oddness, that gets a nigga✦ to start this
What's happenin'? See, if I do what you won't do today,✦ boy
Will I live tomorrow? Like you can't even✦ live 'cause you strayed
Motivational skills lackin';✦ when I see you, nigga,✦ you packin'✦
Understand that though, you behind a $75,000 car do'
But still stay with Mom though, playing the King like Don doe
You choked✦ up
You was the nigga✦ that supposed to be so locced✦ up
Makin'✦ them think Hip-Hop✦ is dead, exhume✦ the body✦ if you ain't scared✦
And if I see you in the streets, I'd dap you down like you was Greg, yeah
[Chorus: André 3000]
We reign, reign, supreme, preme
Dungeon,✦ Dungeon✦ kings
Do you know what brings rats, mice, snakes✦ up out of they hole?
Chonkyfire,✦ spliced✦ with rock n' roll
Indubitably,✦ piper✦ pied
Now hold on, my brother,✦ no, no, no, no, can't stop the stride
Do you know what brings rats, mice, snakes✦ up out of they hole?
Chonkyfire,✦ spliced✦ with rock n' roll
Indubitably,✦ piper✦ pied
Now, now just hold on, my brother,✦ no, no, no, no, can't stop the stride
Do you know what brings rats, mice, snakes✦ up out of they hole?
Chonkyfire,✦ spliced✦ with rock n' roll
Indubitably,✦ piper✦ pied
Now hold on, my brother,✦ no, no, no, no, can't stop the stride
Do you know what brings rats, mice, snakes✦ up out of they hole?
Chonkyfire,✦ spliced✦ with rock n' roll
Indubitably,✦ piper✦ pied
Now, now just hold on, my brother,✦ no, no, no, no, can't stop the stride
[Outro: Kid (of Kid 'n' Play) at The Source Awards]
And the winner✦ is—ladies, help me out—OutKast!
{*crowd erupts in applause*}
Goodie Mob in the house!
[Big Boi]
Yeah, word, what's up?
Goodie Mob in the house, yanahmsayin'✦
We wanna✦ say what's up to New York, yanahmsayin'✦
'Cause we from Down South, nahmsayin'✦
Is New York up in this, yanahmsayin''?✦
Are y'all in here, yanahmsayin'?✦
This y'all city,✦ yanahmsayin'...✦
We just wanna✦ say—yanamsayin'—✦
Wanna✦ say what's up to all the original MCs out there
People out there that who got their own stuff
So – what's up, Dré?
[André 3000]
Yeah, first of all, yanahmsayin',✦ I wanna✦ thank God
Just—nahmsayin'—dead serious
'Cause if it wasn't for Him, yanahmsayin',✦ we wouldn't be here
But it's like this, though –
I'm tired✦ of folks, yanahmsayin'—them closed-minded folks, yanahmsayin'✦
It's like – we got a demo✦ tape and don't nobody✦ wanna✦ hear it...
But it's like this – the South got somethin' to say!
That's all I got to say
[Skit]

Technical Breakdown

9.1
Multisyllabic Rhymes9.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres7.5

Clever language, metaphors, punchlines

Cadence / Rhythm10.0

Flow variation and timing (data-driven)

Vocabulary Complexity7.0

Range and depth of words used (data-driven)

Delivery / Breath Control9.0

Performance and control

Computed Score9.08

Production

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Critic Analysis
RAPLEDGER BAROMETER™

Big Boi executes a high-velocity, percussive delivery that prioritizes rhythmic syncopation and internal cadence density, effectively anchoring the verse in a gritty, rapid-fire style that characterizes the Dungeon Family sound.

A+
9.5
Multisyllabic
9.5
Internal Rhymes
10
Cadence / Flow
7
Vocabulary
7.5
Wordplay
9
Delivery
Internal Rhyme SaturationPerpetual Motion FlowVowel Assonance StackingConversational Aggression
Rhyme Architecture: Highly complex, internal-heavy scheme utilizing multisyllabic clusters (e.g., 'slackin', poppin', crackin', snappin') that bridge across bar lines, creating a breathless, forward-leaning momentum.
Verified Doubles & Entendres

"playing the King like Don doe"

① Reference to Don 'Magic' Juan, known for his flamboyant, pimp-styled 'King' persona.② A dismissal of the opponent's 'king' status as mere performance or counterfeit posturing.

"Makin' them think Hip-Hop is dead, exhume the body if you ain't scared"

① A commentary on the state of the genre in the early 2000s.② A challenge to the audience to investigate the 'corpse' of the industry to find real artistry, positioning himself as the one doing the digging or the resurrecting.

Exceptional rhythmic precision and pocket maintenance

High density of internal rhyme chains that sustain intensity

Effective use of vernacular to establish persona and local identity

Aggressive, confident vocal delivery that commands the beat

Occasional reliance on standard rap tropes regarding material wealth

Lyrical density occasionally sacrifices narrative clarity for rhythmic impact

User Scores