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Kendrick Lamar
Lyrics & Rhyme Analysis
7
End
33
Internal
6
Multi
39
Slant
4
Chain
Rhyme Groups — hover to spotlight
[Verse 2: Kendrick Lamar & Ink]
When I walk in, oh yeah, bring that
It's unanimous, how I pop shit
When I walk in, hoes better get in check
You lookin'✦ at a bad bitch, nothin'✦ less
Walk, walk, walk, walk
Walk, walk, walk, walk
Tip, toe, pivot,✦ walk
Tip, toe, pivot,✦ walk
[Outro: Siete7x]
Ooh, don't take it personal✦
You won't be the first to know
Just might be the first to go
Just might be, ooh
Don't take it personal✦
You won't be the first to know
Just might be the first to go
Just might be
Technical Breakdown
5.8
Multisyllabic Rhymes5.5
Complexity of rhyme schemes (data-driven)
Internal Rhymes9.5
Rhymes within a line (data-driven)
Wordplay / Double Entendres3.0
Clever language, metaphors, punchlines
Cadence / Rhythm6.8
Flow variation and timing (data-driven)
Vocabulary Complexity4.0
Range and depth of words used (data-driven)
Delivery / Breath Control5.0
Performance and control
Computed Score5.80
Production
— Sounwave, Jack Antonoff, Tane Runo, Tim Maxey, Terrace MartinBe the first to rate the production
Critic Analysis
RAPLEDGER BAROMETER™
The verse prioritizes rhythmic minimalism and repetitive cadences over lyrical complexity, functioning primarily as a stylistic bridge rather than a display of technical penmanship.
C
5.5
Multisyllabic
9.5
Internal Rhymes
6.75
Cadence / Flow
4
Vocabulary
3
Wordplay
5
Delivery
Repetitive mantra-like cadencePercussive onomatopoeiaStaccato delivery
Rhyme Architecture: The verse relies on a highly repetitive, mono-rhyme structure, using 'walk' as a rhythmic pivot point to create a hypnotic, looped effect.
Verified Doubles & Entendres
"Tip, toe, pivot, walk"
① Physical instructions or movements related to navigating a space with confidence.② A metaphorical allusion to 'walking' as a display of social status and dominance in a room.
High rhythmic consistency
Effective use of minimalism for club-oriented impact
Strong vocal presence
Minimal lyrical depth or narrative progression
Lack of metaphorical variety
Repetitive phrasing may fatigue the listener