My Homies
Still That Nigga
Scarface
Lyrics & Rhyme Analysis
21
End
147
Internal
84
Multi
186
Slant
4
Chain
Rhyme Groups — hover to spotlight
[Verse 2]
I heard somebody✦ pull a jack at Mickey✦ D's
Fucked✦ him out his paper,✦ fucked✦ him out his 2 keys
School motherfucker✦ set him up for the jack
Out of 36 ounces,✦ he may have got a quarter✦ back
Risking his fucking✦ life, let alone✦ getting✦ time
The going time for dimes✦ they offer✦ niggas✦ close to 99
Might as well accept it, stuck nigga✦ you stuck
Nigga✦ seem to make a habit✦ outta✦ getting✦ people fucked✦
I just can't understand it, niggas✦ getting✦ took for
Every✦ fucking✦ quarter✦ that they ever✦ fucking✦ worked✦ for
A bad moon's arising and everyone's upset✦
He came up short on his hands and now he's vexed✦
He owes✦ a bunch of money✦ and niggas✦ want their shit
Ain't nothing left to do but go for broke in this bitch
You're Tony✦ Montana, you don't give a fuck bro
Spotted that nigga,✦ rolling thick so you stuck yo
Nose in his business and met up with the chrome trigger✦
Holler✦ at the motherfucker✦ gravedigger✦ bitch
[Hook]
'Cause I'm that nigga✦
(Damn that shit smooth huh)
Nigga✦
(That's some of that, that's some of that that face beating down that block you know what I'm saying
Hey yo shit sound like it's here)
Nigga✦
[Verse 3]
Click click bang bang lay it down you're dead
'Cause niggas✦ were never✦ able to take to the head
It's hard to explain how it is when it's on
But rule number✦ 1 is get your shit and get it going
Shooting up the enemy,✦ making✦ niggas✦ hate ya
Straight shot haters, motherfuckers✦ came to break ya
Niggas✦ I thought you knew I cut that ass up like a butcher
And only✦ have you seen me fires✦ is where I put ya
I used✦ to pack a pistol,✦ but Uzis✦ do it better✦ though
1993 bullet✦ call me comin'✦ Federal
Fuck it if I fall then I fall with my head hot
Living✦ for my family✦ once I see my partner toast died
Let a nigga✦ know that they be playing this shit for real
And living✦ in the 90s you either✦ kill or either✦ get killed✦
Somebody✦ said there ain't no love and I can see it
So if there's✦ gonna✦ be war then bring it on because I'm heated✦
These niggas✦ fighting fire with fire so bring your hardhat
AK-47 to your face now where your card at
Hoes usually got em, it ain't no doubt just pull it out
Better✦ yet relax yourself motherfuckers✦ 'cause I'ma✦ blow it out
After✦ 1 or 2 reps your shit sounds tired✦ bitch
I'm on my sixth album and still kickin✦ the fire shit
205 and I'm steady✦ getting✦ big
You better✦ ask somebody✦ you stupid✦ bitch
[Outro]
'Cause I'm that nigga✦
(Hey, yeah)
I'm that nigga✦
(You ain't know? Mike D you ain't know?)
Still that nigga✦
Technical Breakdown
7.6
Multisyllabic Rhymes9.5
Complexity of rhyme schemes (data-driven)
Internal Rhymes9.5
Rhymes within a line (data-driven)
Wordplay / Double Entendres6.5
Clever language, metaphors, punchlines
Cadence / Rhythm6.5
Flow variation and timing (data-driven)
Vocabulary Complexity8.0
Range and depth of words used (data-driven)
Delivery / Breath Control8.0
Performance and control
Computed Score7.64
Production
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Critic Analysis
RAPLEDGER BAROMETER™
Scarface utilizes a gritty, narrative-driven delivery style that elevates standard street reportage through high-density internal rhyme structures and authentic, ominous tonal shifts.
B+
9.5
Multisyllabic
9.5
Internal Rhymes
6.5
Cadence / Flow
8
Vocabulary
6.5
Wordplay
8
Delivery
Multisyllabic rhyme chainsStreet-vernacular narrative flowInternalized rhythmic syncopationCinematic scene-setting
Rhyme Architecture: The verse employs a sophisticated series of multi-syllabic end-rhymes (Mickey D's / 2 keys / set him up for the jack / quarter back) coupled with a relentless internal rhyme density that keeps the momentum locked to the pocket.
Verified Doubles & Entendres
"he may have got a quarter back"
① He received a quarter of a kilo of narcotics in return.② A sports metaphor referencing a quarterback, playing on the word 'quarter'.
"go for broke"
① To risk everything because one is desperate.② A literal state of having no money left after being robbed.
Authentic, authoritative delivery that anchors the narrative
Exceptional rhythmic density for the era
Cohesive scene-setting and thematic consistency
Heavy reliance on colloquial street tropes limiting lyrical complexity
Limited metaphorical abstraction
Some phrasing feels utilitarian to serve the rhyme scheme