My Homies

Homies and Thugs

Scarface

Lyrics & Rhyme Analysis

26

End

88

Internal

76

Multi

213

Slant

13

Chain

Rhyme Groups — hover to spotlight
[Chorus: Master P]
This one for my homies✦ and my thug niggas✦ (uuuuugh)
This one for my homies✦ and my thug niggas✦ (uuuuugh)
This one for my homies✦ and my thug niggas✦ (uuuuugh)
This one for my homies✦ and my thug niggas✦ (uuuuugh)
This one for my homies✦ and my thug niggas✦ (uuuuugh)
This one for my homies✦ and my thug niggas✦ (uuuuugh)
[Verse 2: Master P]
'Face, imagine✦ us working at McDonald's
To me and you, selling fucking, tapes✦ to the Bahamas
Gold slug, a car full of thug niggas✦
Twenty✦ inch wheels candy✦ paint so we drug dealers
No Limit✦ soldiers to the fullest
See I was raised✦ on red beans the size of some bullets, huh
We ghetto✦ niggas✦ can't be stopped
Got me mixing✦ up dope with little J down at Rap-A-Lot
My phone tapped✦ the feds on my tail
Got me paying luxury✦ taxes✦ on everything I build
True to the ghetto✦ that's my life
You see that house on the lake its for the kids and the wife
You can test me if you wanna✦
Cause I be dumping niggas✦ off from New Orleans to California
Rowdy✦ like a hurricane (uuuuuugh)
Independent, black owned✦ got 'em hooked✦ on this cocaine✦
You used✦ to see CEO’s in suits and ties
But we young niggas✦ in tennis shoes and diamonds
Executive street millionaires
Niggas✦ gonna✦ be bout it bout till we gray in the wheel chair
(Chorus: Master P]
This one for my homies✦ and my thug niggas✦ (uuuuugh)
This one for my homies✦ and my thug niggas✦ (uuuuugh)
This one for my homies✦ and my thug niggas✦ (uuuuugh)
This one for my homies✦ and my thug niggas✦ (uuuuugh)
This one for my homies✦ and my thug niggas✦ (uuuuugh)
This one for my homies✦ and my thug niggas✦ (uuuuugh)
[Verse 3: Doracell]
It's alive,✦ and I'mma✦ be tha muhfuckin'✦ one
Make these niggas✦ want some
Here I come
Da Last Don
Niggas✦ steady✦ claiming this
Tatted✦ on my wrist since 86
What tha fuck?
I'm sitting in my cell block stuck
Listening to this shit my radio✦ did
Shit, gotta✦ change the situation✦
Write a letta✦ to the warden mothafuck all this time wasting
Chasin'✦ niggas✦ wit my occupation✦
Clean across the nation✦
Lookin'✦ for two-facin
The gangsta, the killa,✦ and the dope-dealer all in one
Now past me my muthafuckin'✦ gun
Niggas✦ feelin'✦ they invincible
Til' they dealin'✦ wit tha muthafuckin'✦ principle
Doracell nigga✦
I ain't scared✦ cause 2Pac got killed✦
I'm on tilt
Feelin'✦ the muthafuckin'✦ guilt
Thug Nigga✦

Technical Breakdown

8.3
Multisyllabic Rhymes9.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes8.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres5.5

Clever language, metaphors, punchlines

Cadence / Rhythm10.0

Flow variation and timing (data-driven)

Vocabulary Complexity6.0

Range and depth of words used (data-driven)

Delivery / Breath Control7.5

Performance and control

Computed Score8.30

Production

— N.O. Joe

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Critic Analysis
RAPLEDGER BAROMETER™

Master P utilizes a high-energy, authoritative delivery to compensate for a simplistic lyrical structure, leaning on brand identity and regional bravado over dense internal wordplay.

A
9.5
Multisyllabic
8.5
Internal Rhymes
10
Cadence / Flow
6
Vocabulary
5.5
Wordplay
7.5
Delivery
Aggressive Ad-libbingRegional SignifiersBrand ReinforcementHyperbolic Imagery
Rhyme Architecture: Primarily relies on AABB or AAAA couplet structures with heavy reliance on multi-syllabic end-rhymes (e.g., 'McDonald's/Bahamas', 'thug niggas/drug dealers') consistent with mid-90s Southern rap.
Verified Doubles & Entendres

"Twenty inch wheels candy paint so we drug dealers"

① The literal description of the vehicle's appearance as a status symbol.② A causal inference that such overt displays of wealth act as public identification of one's illicit profession.

"Independent, black owned got 'em hooked on this cocaine"

① A literal reference to the illegal drug trade which fueled the early No Limit business model.② A metaphor for the addictive, high-demand nature of their specific musical output and business model.

Commanding vocal presence

Strong sense of regional identity

Consistent thematic focus on independent success

High reliance on simplistic end-rhyme patterns

Occasional forced rhyme syntax

Lack of complex metaphors or abstract lyrical layers

User Scores