The World Is Yours
You Don't Hear Me Doe
Scarface
Lyrics & Rhyme Analysis
32
End
168
Internal
51
Multi
216
Slant
12
Chain
Rhyme Groups — hover to spotlight
[Chorus: DMG]
I'ma✦ bring it to ya asshole✦ (uh)
Do it like the G-to-O (yeah)
Bustin'✦ on that ass but still I see that you don't hear me though
(But you don't hear me though)
Bring it to ya asshole✦ (uh)
Do it like the G-to-O (yeah)
Bustin'✦ on that ass but still I see that you don't hear me though
[Verse 2: DMG]
It's time to fuck 'em up, here it comes,✦ blast, nigga✦
Thump to your chest and they comin'✦ out yo' ass, nigga✦
I grew up hard, livin'✦ my life as a criminal
Niggas✦ G to kill but still I see that you don't hear me though
So I'ma✦ serve it to ya fat, hit the deck, mate
Hit the deck mate, call me Flipper when I checkmate
D-M-G runnin'✦ nine-tre, nine-fo'✦ Glock, Glock
My Glock makin✦ sounds and it don't stop
So nigga✦ pass the Swisher quick
And I'ma✦ blaze 'til the motherfucker✦ burn me on my fingertips
'Cause, see a nigga✦ gotta✦ stay high
I try to smoke 'til I can't smoke and then I won't smoke
But still I got my fingers on my shit
And click, click, click, ya die, die, die, ya dead, bitch!
You tried to test the wrong nigga,✦ bein' tested✦
Straight from St. Paul but clockin' G's down in Texas✦
Some think I'm soft cause I play it cool
But I ain't the average motherfucker,✦ I do the shit that niggas✦ won't do
Huh, like pistol✦ whoop a woodie for his bank
Then after✦ that I go and grab his bitch and do the same thang
And now I'm paid up the asshole✦
Collectin' grips on my drips as I stroll but you don't hear me though
[Chorus: DMG]
I'ma✦ bring it to ya asshole✦ (uh)
Do it like the G-to-O (yeah)
Bustin'✦ on that ass but still I see that you don't hear me though
(But you don't hear me though)
Bring it to ya asshole✦ (uh)
Do it like the G-to-O (yeah)
Bustin'✦ on that ass but still I see that you don't hear me though
[Verse 3: DMG]
Ain't no mistakin' what I'm bringin', you motherfuckers still ain't had enough✦
So I'ma✦ continue to break you off for a proper✦ ass chunk
May it be a nine, may it be a gauge, may it be a shank
Any✦ way you come I'm in your motherfuckin' shit, mate!
Huh, a nigga✦ bustin'✦ caps, smokin'✦ fires✦
Quick to break it to yo' ass and keep on goin 'til yo' ass die
And ain't no runnin'✦ down dem backstreets
'Cause I got slugs to catch up with Carl Lewis✦ on the track meet
Huh, and still you wanna✦ test a nigga✦ so
Outie 5, nigga,✦ hate to see ya go but you don't hear me though
[Chorus: DMG]
I'ma✦ bring it to ya asshole✦ (uh)
Do it like the G-to-O (yeah)
Bustin'✦ on that ass but still I see that you don't hear me though
(But you don't hear me though)
Bring it to ya asshole✦ (uh)
Do it like the G-to-O (yeah)
Bustin'✦ on that ass but still I see that you don't hear me though
[Outro: DMG]
Yeah, check it!
Technical Breakdown
8.3
Multisyllabic Rhymes8.5
Complexity of rhyme schemes (data-driven)
Internal Rhymes9.5
Rhymes within a line (data-driven)
Wordplay / Double Entendres5.0
Clever language, metaphors, punchlines
Cadence / Rhythm10.0
Flow variation and timing (data-driven)
Vocabulary Complexity6.0
Range and depth of words used (data-driven)
Delivery / Breath Control7.5
Performance and control
Computed Score8.25
Production
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Critic Analysis
RAPLEDGER BAROMETER™
The verse relies on raw, aggressive cadence and internal rhythmic density rather than complex lyrical double-entendres, typical of mid-90s Southern gangsta rap.
A
8.5
Multisyllabic
9.5
Internal Rhymes
10
Cadence / Flow
6
Vocabulary
5
Wordplay
7.5
Delivery
internal rhyming patternsrhythmic percussive deliveryrepetition as rhythmic anchor
Rhyme Architecture: Predominantly AABB with high-density internal rhyme strings, utilizing multisyllabic clusters specifically in the opening lines to maintain a aggressive forward momentum.
Verified Doubles & Entendres
"call me Flipper when I checkmate"
① Reference to the dolphin 'Flipper' which fits the pun on 'flip' (to flip a coin or opponent)② The act of ending the game via checkmate (dominating the opponent)
"nine-tre, nine-fo'"
① Reference to the years 1993 and 1994② Reference to the caliber of weaponry (9mm)
Authoritative vocal performance
Consistent rhythmic pocket
High internal rhyme frequency
Limited lyrical abstraction
Repetitive thematic content
Lack of complex wordplay