Mr. Scarface Is Back

Body Snatchers

Scarface

Lyrics & Rhyme Analysis

10

End

66

Internal

36

Multi

109

Slant

2

Chain

Rhyme Groups — hover to spotlight
[Interlude]
(We’re in the pursue of young black male)
(A presumably a hundred and eighty✦ pounds wearing a black hate)
(Black shirt black Levi’s and some Nike sneakers)
(Nigga✦ start a riot out in Salem)
(Motherfuckers✦ always causing trouble)
(Damn I hate niggas) (Let’s get that black motherfucker)✦
(Let’s get ‘em Earl)
[Verse 3]
Runnin✦ through the waitin✦ room, motherfuckers✦ chasin✦ me
Judges✦ wait to face me, coppers wanna✦ waste me, erase✦ me
But I ain't goin out like a sucker✦
Ready,✦ aim, fire. I shot a motherfucker✦
Continued through the parking lot a lot of lights were flashing
Some homies✦ must've seen me 'cause I heard someone say Akshen✦
Headed✦ for the vehicle my posse from the Park
Some brothers from the Clark and my family✦ from the Ward
Bushwick, Red, Will, and Shop
No questions asked,✦ they pulled✦ out their shit and shot
You hoes should've got back on the bus wet
'Cause I ain't that nigga✦ to be fucked✦ with
Caught up with the punk-ass shrink who sent me
Put my pistol point-blank, and popped✦ till it was empty✦
One bad motherfucker✦ comin✦ at ya
Peace, from the body✦ snatcher
[Outro]
Yeah you motherfuckers✦ let me get away✦ again✦
Hehehaahah eahehaheh dumb son of a bitches
I’ve got 50’s all over✦ my diss nigga✦ shit
Fucking✦ with the F behind some bullshit
You better✦ get a life motherfucker✦ stop fucking✦ with me
Ooh yeah and to that goddamn shrink
And that judge who send me
Suck my dick
(Yeah)

Technical Breakdown

7.3
Multisyllabic Rhymes8.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres6.5

Clever language, metaphors, punchlines

Cadence / Rhythm5.5

Flow variation and timing (data-driven)

Vocabulary Complexity8.0

Range and depth of words used (data-driven)

Delivery / Breath Control8.5

Performance and control

Computed Score7.32

Production

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Critic Analysis
RAPLEDGER BAROMETER™

Scarface utilizes a high-octane, narrative-driven cadence that emphasizes phonetic impact over lyrical complexity, effectively capturing the frenetic desperation of a fugitive.

B+
8.5
Multisyllabic
9.5
Internal Rhymes
5.5
Cadence / Flow
8
Vocabulary
6.5
Wordplay
8.5
Delivery
Multisyllabic internal rhyme chainsStaccato rhythmic pacingNarrative cinema-verité storytellingPhonetic mirroring
Rhyme Architecture: Predominantly AAAA mono-rhyme chains with aggressive internal syllable matching (e.g., 'chasing me/face me/waste me/erase me') creating a sense of urgency.
Verified Doubles & Entendres

"You hoes should've got back on the bus wet"

① A directive to flee or retreat to the bus.② A play on 'bus wet,' implying the shooters (the bus/posse) were armed and dangerous/blood-soaked.

"popped till it was empty"

① The literal act of firing all ammunition from a handgun.② Metaphorical exhaustion of rage/vengeance against the antagonist (the shrink).

Visceral, high-stakes narrative progression

Exceptional rhythmic consistency that aligns with the theme of a chase

Strong command of internal syllable placement to maintain forward momentum

Limited usage of complex metaphors or abstract wordplay

Relying on direct, blunt-force lyricism which sacrifices depth for immediate narrative impact

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