The Untouchable
Produce
Scarface
Lyrics & Rhyme Analysis
20
End
223
Internal
84
Multi
287
Slant
8
Chain
Rhyme Groups — hover to spotlight
[Chorus: Busta Rhymes]
We got the real live shit from front to back
To my people in the world, where the fuck you at?
Where my niggas✦ is at? Where my niggas✦ is at?
Where the fuck my bitches✦ at? Where my bitches✦ is at?
We got the real live shit from front to back
To my people in the world, where the fuck you at?
Where my niggas✦ is at? Where my niggas✦ is at?
Where the fuck my bitches✦ at? Where my bitches✦ is at? Ha
[Verse 3: Diddy]
Put your money✦ on the table and get your math on
Break it down, split it up, get your laugh on
See you later,✦ dawg, I'ma✦ get my stash on
There's a bed full of money✦ that I get my ass on
I never✦ lose the passion✦ to go Platinum
Said I'd live it up 'til all the cash gone
Ain't that funny?✦ Only✦ use plastic, craft it
To make classics, hotter✦ than acid✦
P-D, rollin'✦ on your tape or CD
The Billboard killer,✦ no team iller✦
The Fam-o,✦ ammo✦ is every✦ channel
We been hot for a long time, burning like a candle
What you can do is check your distribution✦
My songs bump in Houston like Scarface produced 'em
You ain't gotta✦ like me, you just mad
'Cause I tell it how it is and you tell it how it might be
[Verse 4: The Notorious B.I.G.]
We got the shit mapped✦ tight, brass knuckles and flashlights
The heaters✦ in the two-seaters,✦ with two miras✦
Senoritas, kiss rings when you meet us
P. Diddy✦ run the city,✦ show no pity✦
I'm the witty✦ one, Frank's the crook from the Brook'
Mad he broke the neck of your coke connect
No respect, squeeze off 'til all y'all diminish
Shootouts for twenty✦ minutes until✦ we finish
Venice✦ took the loot, escaped in the coupe
Break bread, with the 'Kiss, Peniro,✦ Sheek Louch
Black Rob joined✦ the Mob, it ain't no replacing him
Niggas✦ step up, we just macin'✦ them, placin'✦ them
In funerals, criminals turned✦ aroused to Brick City✦
Nobody✦ come off like P. Diddy✦ (P. Diddy)✦
Business wise, I play men
Hide money✦ on the Island Cayman,✦ y'all just betray✦ men
We spray men (Ha), I position✦ competition✦
Another day in the life of the commission✦
[Chorus: Busta Rhymes & Diddy]
We got the real live shit from front to back
To my niggas✦ in the world, where the fuck you at?
Where my niggas✦ is at? Where my niggas✦ is at?
Where the fuck my bitches✦ at? Where my bitches✦ is at?
We got the real live shit from front to back (Ayo, can y'all hear me out there?)
To my niggas✦ in the world, where the fuck you at? (Ayo, turn me up, nobody✦ can hear me out there)
Where my niggas✦ is at? Where my niggas✦ is at?
Where the fuck my bitches✦ at? Where my bitches✦ is at?
We got the real live shit from front to back (That's good, it's all fucked✦ up now)
To my niggas✦ in the world, where the fuck you at?
Where my niggas✦ is at? Where my niggas✦ is at? (Y'all know it's all fucked✦ up now, right?)
Where the fuck my bitches✦ at? Where my bitches✦ is at?
We got the real live shit from front to back (What the fuck I'ma✦ do now?)
To my niggas✦ in the world, where the fuck you at? (What I'ma✦ do now?)
Where my niggas✦ is at? Where my niggas✦ is at? (Can y'all hear me out there?)
Where the fuck my bitches✦ at? Where my bitches✦ is at?
We got the real live shit (Can y'all hear me out there?)
[Outro: Busta Rhymes & Diddy]
Fuck y'all niggas✦ wanna✦ do?
It's all fucked✦ up now, what I'ma✦ do now, huh?
What I'ma✦ do now? It's all fucked✦ up now
Technical Breakdown
7.3
Multisyllabic Rhymes9.5
Complexity of rhyme schemes (data-driven)
Internal Rhymes9.5
Rhymes within a line (data-driven)
Wordplay / Double Entendres4.5
Clever language, metaphors, punchlines
Cadence / Rhythm8.5
Flow variation and timing (data-driven)
Vocabulary Complexity5.0
Range and depth of words used (data-driven)
Delivery / Breath Control6.0
Performance and control
Computed Score7.32
Production
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Critic Analysis
RAPLEDGER BAROMETER™
The verse prioritizes rhythmic cadence and brand identity over complex lyrical layering, utilizing a consistent 'ass-on/stash-on/passion/platinum' rhyme scheme that serves the era's commercial rap aesthetic.
B+
9.5
Multisyllabic
9.5
Internal Rhymes
8.5
Cadence / Flow
5
Vocabulary
4.5
Wordplay
6
Delivery
Internal rhyme densityMultisyllabic end-rhyme chainsBrand-centric self-mythologizingAlliterative phrasing
Rhyme Architecture: Primarily AAAA monorhyme structure focusing on the 'ass-on/passion/platinum/cash-gone' phonetic cluster, transitioned into shorter, punchier couplets for the closing bars.
Verified Doubles & Entendres
"I never lose the passion to go Platinum"
① Maintaining a strong work ethic to achieve high record sales.② A play on the phonetic similarity between 'passion' and 'Platinum' to cement brand status.
"My songs bump in Houston like Scarface produced 'em"
① High-quality production that resonates in the Houston market.② A direct reference to the track's host and legendary producer, equating Diddy's success to Scarface's regional influence.
Strong rhythmic pocket and consistent beat alignment
Effective use of internal rhymes to sustain momentum
Cohesive thematic focus on wealth and market dominance
Predictable, commercially-oriented word choice
Lack of complex metaphorical layering
Low lexical diversity despite high rhyme density