My Homies Part 2
Tryin' To Fuck Something
Scarface
Lyrics & Rhyme Analysis
30
End
192
Internal
50
Multi
156
Slant
18
Chain
Rhyme Groups — hover to spotlight
[Hook: Freddie Gibbs]
What it is, ho?
Or wassup?✦
Can a nigga✦ get up in them guts?
Fuck it up like you ain't been fucked✦
Bust it open,✦ let my niggas✦ get a nut
[Verse 2: Freddie Gibbs]
Baby,✦ give me your number✦
I probably✦ fuck her and won't call her
Bitch I'm a mother✦ fuckin'✦ baller✦
The bench to the starter
I fuck around and tear the mall up
And make the strippers pick it all up
A nigga✦ trying to fuck some, smoke some
Get the club running bust some to poke some
Old school going to bust some, I love some
Yeah they probably✦ tellin'✦ fold some to fuck some, fuck some
What it is hoe?
I cut the money✦ let them bag that
I smell the pig with your bad jack
Need something slim with a fat back
[?? 1:32] put her pussy✦ on Snapchat
[Hook: Freddie Gibbs]
What it is, ho?
Or wassup?✦
Can a nigga✦ get up in them guts?
Fuck it up like you ain't been fucked✦
Bust it open,✦ let my niggas✦ get a nut
[Bridge: Freddie Gibbs]
Girl, I know you want to fuck some, fuck some
Girl, you know I want to fuck some, fuck some
Girl, I know you want to fuck some, fuck some
Girl, I know you want to fuck some, fuck some
(What it is?)
[Verse 3: Iamsu!]
Standing in my section✦ and bitch is looking in my direction✦
She want me to hit it but I don't got no protection✦
Ain’t no time for playing ain't no time for second guessing
I’ma✦ call an Uber✦ and she gon' pull up to the Westin✦ (skurr, skurr, skurr)
Switching✦ all my swagger,✦ I’ma✦ hit her with the dagger✦
She want to ride the dick she gotta✦ climb up on the ladder✦
She got to have plenty✦ chips gettin'✦ benefits
Slim thick, nice crib and a nice whip
I can't fuck with no bootsee bitch, no
Playing with my bread like Busta✦ Bust' I flip modes
Whoa, get dough or the business gon' explode
Have to re-show✦ for sure your bitch told
[Hook: Freddie Gibbs]
What it is, hoe?
Or wassup?✦
Can a nigga✦ get up in them guts?
Fuck it up like you ain't been fucked✦
Bust it open,✦ let my niggas✦ get a nut
[Bridge: Freddie Gibbs]
Girl, I know you want to fuck some, fuck some
Girl, you know I want to fuck some, fuck some
Girl, I know you want to fuck some, fuck some
Girl, you know I want to fuck some, fuck some
What it is, ho?
[Outro: IamSu! & Voices]
She want me to hit it but I don't got no protection✦
Switching✦ all my swagger,✦ hit her with the tiger✦
Ride the D, she gotta✦ climb up on the ladder✦
God damn!
"Let's get it on."
"Who are these guys?"
"It's my theme music. Every✦ good hero✦ should have some."
Technical Breakdown
7.9
Multisyllabic Rhymes7.5
Complexity of rhyme schemes (data-driven)
Internal Rhymes9.5
Rhymes within a line (data-driven)
Wordplay / Double Entendres4.0
Clever language, metaphors, punchlines
Cadence / Rhythm10.0
Flow variation and timing (data-driven)
Vocabulary Complexity6.0
Range and depth of words used (data-driven)
Delivery / Breath Control7.0
Performance and control
Computed Score7.92
Production
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Critic Analysis
RAPLEDGER BAROMETER™
The verse prioritizes rhythmic propulsion and aggressive persona-driven delivery over complex lyrical depth, functioning as a high-energy club-centric performance typical of its subgenre.
B+
7.5
Multisyllabic
9.5
Internal Rhymes
10
Cadence / Flow
6
Vocabulary
4
Wordplay
7
Delivery
Assonance-heavy internal rhyme chainsStaccato rhythmic deliveryEnd-rhyme stackingCyclical phonetic repetition
Rhyme Architecture: The verse employs a consistent AAAA-style rhyme scheme based on the 'all-er'/'up'/'ome' phonemes, utilizing a repetitive, mantra-like cadence that drives the club-focused theme.
Verified Doubles & Entendres
"The bench to the starter"
① A literal reference to moving from a reserve position to the first string in a basketball context.② A metaphor for transitioning from being ignored or 'benched' by women to being the preferred sexual partner or 'starter'.
Strong vocal presence and confident delivery
Exceptional rhythmic consistency within the pocket
Effective use of repetitive phonetic structures to create a hypnotic hook-like quality
Surface-level thematic content
Lack of complex narrative or layered metaphorical density
Limited vocabulary range in service of rhythmic repetition