Undisputed

Sucka for Love (featuring Dani Stevenson)

DMX

Lyrics & Rhyme Analysis

16

End

82

Internal

23

Multi

114

Slant

4

Chain

Rhyme Groups — hover to spotlight
[Hook]
I ain't never✦ been a sucker✦ for love
So if it come down to you and me you know
I don’t give a fuck, hit the next bitch like "wassup?"✦
Cause at the end of the day
You ain’t never✦ been nothing✦ but a nut
I ain’t never✦ been a sucker✦ for love
So if it come down to you and me you know
S don’t give a fuck, hit the next bitch like "wassup?"✦
Cause at the end of the day
You ain’t never✦ been nothing✦ but a nut
[Verse 2]
It was summer✦ time, I was in the slumps
Seen that chick from before,✦ I was like wassup✦
Remember me? I was that kid
It was you, her and me, we just did what we did
How you expect me to respect you
When I know a police✦ file of other✦ niggas that you gave your sex to
I ain’t never✦ been a sucker,✦ so if you think so
You got the wrong motherfucker
What’s my name? Ah ah, bitch! What’s my name?
You know what the fuck it is
I’m a real nigga,✦ that’s gonna✦ handle his
[Hook]
[Verse 3]
I like the way you beat hits, oooh, that's that street shhh
Shorty✦ can you keep a secret?✦ ("Yes...")
You know what I’m trying to creep with
Come on, cars outside, hotels up the block
Jump in the ride, you and me for the rest of the night
It’s all good, click, ("Turn off the lights")
Back it up like that girl, ooh, that ass fat girl
We almost there baby,✦ oh shit yeah baby!✦
[Hook x2]

Technical Breakdown

7.0
Multisyllabic Rhymes7.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres4.0

Clever language, metaphors, punchlines

Cadence / Rhythm7.0

Flow variation and timing (data-driven)

Vocabulary Complexity6.0

Range and depth of words used (data-driven)

Delivery / Breath Control7.5

Performance and control

Computed Score7.02

Production

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Critic Analysis
RAPLEDGER BAROMETER™

The verse relies on DMX's signature aggressive, high-stakes persona rather than complex lyrical architecture, effectively utilizing cadence and vocal intimidation to compensate for straightforward, literal lyricism.

B
7.5
Multisyllabic
9.5
Internal Rhymes
7
Cadence / Flow
6
Vocabulary
4
Wordplay
7.5
Delivery
Aggressive conversational toneRhythmic internal rhyme clustersStaccato deliveryDirect audience address
Rhyme Architecture: The scheme relies heavily on AABB patterns supplemented by dense internal rhyme clusters, particularly in the mid-verse transition where multi-syllabic end-rhymes provide a driving, percussive cadence.
Verified Doubles & Entendres

"I know a police file of other niggas"

① A metaphorical way of saying he has knowledge of a long list of men.② Hyperbolizing the woman's promiscuity by comparing her romantic history to a criminal record.

"You ain't never been nothing but a nut"

① A dismissive slang term for someone acting crazy or irrational.② A crude reference to sexual gratification, implying the woman was merely a temporary physical encounter.

Commanding delivery and high-intensity performance

Strong sense of rhythmic pocket in the transition from storytelling to confrontation

Authentic persona-driven flow that prioritizes urgency over complexity

Literal and straightforward narrative with limited metaphorical depth

The rhyme structures often lean on repetitive slang rather than varied vocabulary

Lack of sustained double entendres or complex wordplay

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