Under Construction

Weck-It

Missy Elliott

Lyrics & Rhyme Analysis

3

End

73

Internal

62

Multi

146

Slant

1

Chain

Rhyme Groups — hover to spotlight
[Verse 2: Aye Ray]
Not suicidal but I truly✦ feel worthless
Haven't✦ found my sense of purpose, 'cause I'm busy✦ learning what purp is
Arab bitches with turbans, twerkin', shirtless, for Berkin✦ purses✦
We're hopin'✦ they'll get to jerkin'✦ us off with some Jergin's
I'm a perv, when I get to splurgin' all over✦ a virgin✦
Murkin'✦ servants of government urgent✦ services, screamin'✦ out, "Fuck the nurses"✦
Cause I'ma✦ show 'em what turnt is, they take a sip from my thermos
Then I'ma✦ leave 'em wordless, and I'm barely✦ scratchin' the surface
I'm makin'✦ an ass outta✦ this assonance, smashin' ass, what is abstinence?✦
I'm in the whip, dashin'✦ on my way to the Kardashians
We in the car blastin' music✦ and passing that cannabis
Really✦ suited✦ my appetence,✦ now we laughing on accident
Panelists think I'm fabulous,✦ analysts just ain't havin'✦ it, and the mass is unanimous✦
Actavis make me actionless, blasphemous,✦ I'm being scandalous✦
I'm never✦ fuckin'✦ with lean, except for a covered blunt
Forgot the things that I seen, It fucked✦ me up, I won't front
I thought that it was a dream, but I never✦ woke up
I'm smokin'✦ up on the green, ignore✦ me I'm chokin'✦ up
I bury✦ all my emotion,✦ so it's bound to open✦ up, yup
I know you niggas✦ feel these writtens, you like the way that I'm spittin'✦
I'm leavin'✦ these niggas✦ smitten, you pussy✦ niggas✦ a kitten✦
I'm never✦ quittin',✦ we servin'✦ niggas✦ bad, like badminton✦
Then have relations with their women,✦ like Bill Clinton✦
Then we proceed to Kill Bill, like Quentin
I am not a musician, but you can feel my inner✦ ambition✦
Bring suspicion✦ to people cuz I'm in the best condition,✦ good for your nutrition✦
Open✦ up and take your Vitamin✦ D
And tell your local fireman to put his siren✦ at ease
Slidin'✦ Triton through this mic to douse with flame with a flow
Fighting Poseidon, put his head on a pike, and take his seafood to go

Technical Breakdown

5.7
Multisyllabic Rhymes9.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres4.0

Clever language, metaphors, punchlines

Cadence / Rhythm3.5

Flow variation and timing (data-driven)

Vocabulary Complexity8.5

Range and depth of words used (data-driven)

Delivery / Breath Control5.0

Performance and control

Computed Score5.68

Production

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Critic Analysis
RAPLEDGER BAROMETER™

The verse relies heavily on intensive, near-obsessive multisyllabic rhyming (particularly 'er' and 'iss/it' vowel sounds) to sustain momentum, but the lyrical content is dominated by shock-value vulgarity and superficial imagery, limiting the depth of thematic payoff.

C
9.5
Multisyllabic
9.5
Internal Rhymes
3.5
Cadence / Flow
8.5
Vocabulary
4
Wordplay
5
Delivery
Assonance-heavy end-rhyme chainsMultisyllabic clustersForced internal rhythmic repetition
Rhyme Architecture: The verse utilizes a long-form mono-rhyme strategy, chaining dozens of words together with near-identical vowel and consonant endings (e.g., 'worthless', 'purpose', 'purp is', 'turbans', 'twerkin', 'shirtless', 'Berkin', 'Jergin', 'Jergins', 'virgin', 'murkin', 'servants', 'nurses').
Verified Doubles & Entendres

"I'm makin' an ass outta this assonance"

① The literal act of behaving in a crude or lewd manner ('making an ass of myself').② A meta-commentary on the technical construction of the verse, acknowledging the excessive use of the 'ass' sound.

"servin' niggas bad, like badminton"

① A simile comparing his lyrical performance to a superior sports performance.② A play on words linking 'bad' in the lyrical context to the sport of 'badminton' (due to the phonetic similarity between the first syllable).

Extremely high density of internal and multisyllabic rhymes

Persistent energy and aggressive vocal delivery

Technical commitment to the 'er-iss/ish' vowel sound throughout the first half

Content relies heavily on shock-value and lewd tropes

Rhyme schemes occasionally feel forced to prioritize phonetics over narrative coherence

Lack of substantial subtext or thematic depth beyond the braggadocio

Repetitive word choice leads to a feeling of 'rhyme-finding' rather than storytelling

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