Supa Dupa Fly

Pass da Blunt

Missy Elliott

Lyrics & Rhyme Analysis

9

End

102

Internal

40

Multi

115

Slant

7

Chain

Rhyme Groups — hover to spotlight
[Verse 2: Missy Elliott]
Niggas, I always keep a good nigga✦
I get him for his figures, I A-K-A✦ gold digga✦
See me with him in a jewelry store buyin' glitta✦
Should I not or should I? I'ma✦ get 'em, I'ma✦ get 'em
And uh, bitches, they mad cause I be flossin'
Yeah, this pussy✦ costin'✦ the kind that be tossin’✦
You know I'm rockin'✦ 'cause there will be no stoppin'
All that shit you poppin',✦ what's that shit you talkin'?✦
[Chorus: Missy Elliott]
Pass da blunt on the left hand side
Pass da blunt on the left hand side
He got the beats (He got the beats that make you jump, jump, jump)
He got the beats (He got the beats that make you rocky-dodi-dum)✦
Pass da blunt on the left hand side (I said)
Pass da blunt on the left hand side
I got the rhymes✦ (I got the rhymes✦ to make you jump, jump, jump)
I got the rhymes✦ (I got the rhymes✦ to make you rocky-dodi-dum)✦
[Bridge: Missy Elliott]
Bam-bam-bam-bam-bili-bili-bom✦
Bam bili-bili-bili-bili-bili-bili-bom✦ (I said)
Pass da blunt on the left hand side
Pass da blunt on the left hand side
[Interlude: Timbaland]
Welcome, y'all, to Timbaland and Missy✦ hit factory
A lot of people try and sneak in and get the ingredients✦
But I am da man behind✦ the ingredients✦
So please, please come to me with the recipe✦ baby,✦ alright?
[Outro: Missy Elliott]
You see me on the videos✦
And then you want to go and play me on the stereo✦
Mic check, one-two,✦ one-two,✦ uh-uh,✦ here I go
My style is supa-dupa✦ fly and yours is so-so✦
You see me on the videos✦
And then you want to go and play me on the stereo✦
Mic check, one-two,✦ one-two,✦ uh-uh,✦ here I go
My style is supa-dupa✦ fly and yours is so-so✦

Technical Breakdown

7.4
Multisyllabic Rhymes9.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres5.0

Clever language, metaphors, punchlines

Cadence / Rhythm7.5

Flow variation and timing (data-driven)

Vocabulary Complexity4.0

Range and depth of words used (data-driven)

Delivery / Breath Control8.0

Performance and control

Computed Score7.41

Production

— Timbaland

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Critic Analysis
RAPLEDGER BAROMETER™

Missy Elliott utilizes a playful, percussion-heavy vocal delivery that prioritizes phonetic fluidity and swagger over dense lyrical complexity, effectively turning the verse into a rhythmic instrument that complements Timbaland's production.

B+
9.5
Multisyllabic
9.5
Internal Rhymes
7.5
Cadence / Flow
4
Vocabulary
5
Wordplay
8
Delivery
Staccato rhythmic cadenceInternal rhyme stackingVocal mimicry/percussive phrasingRepetitive melodic hooks
Rhyme Architecture: Highly dense multisyllabic end-rhyme structure featuring a consistent 'i-uh' / 'ah-sin' vowel repetition pattern, typical of the 90s bounce-influenced aesthetic.
Verified Doubles & Entendres

"I get him for his figures, I A-K-A gold digga"

① A literal reference to extracting financial value from a partner.② A meta-referential commentary on her own self-branding as a commercially savvy artist (AKA: also known as).

"this pussy costin' the kind that be tossin’"

① Physical intimacy as a valuable commodity.② The lifestyle and high-end upkeep required to maintain her status, implying the cost of her 'access'.

Exceptional rhythmic pocket and cadence

Commanding vocal presence that drives the song's energy

Effective use of vocal percussion in the bridge

Consistent thematic cohesion

Limited lyrical vocabulary

Reliance on established rap tropes of the era

Lack of complex multi-layered wordplay

Wordplay is surface-level and character-driven

User Scores