The 18th Letter

Remember That

Rakim

Lyrics & Rhyme Analysis

18

End

116

Internal

77

Multi

212

Slant

6

Chain

Rhyme Groups — hover to spotlight
[Verse 2]
I remember✦ the spots that used✦ to be hot
Just like the rooftop, a place that only✦ few can rock
On a wild-ass block, yeah, you'd find me there a lot
Until✦ you hear gunshots, that's when the fun stops
Here come the cops, time to go home, get in order✦
'Cause I'll be back in Manhattan if something's happenin' at the Latin✦ Quarter
House of havoc when it came to fourteen carat
And if you had it, yeah, kids'd try to grab it
It's cool at the Red Parrot,✦ we was doin' it there
I was the first one to rip it at the Union Square
Me and DJ Red Alert did work
A crazy✦ concert, a lot of kids got hurt
I did encores at the Encore,✦ they wanted✦ more
I kicked✦ a freestyle 'til I heard the crowd roar
Like the Funhouse, Bronx Center,✦ never✦ endin',✦ Black
Place to be was the Brooklyn Armory,✦ remember✦ that?
[Chorus]
I can remember✦ (Remember✦ that? Think about✦ it)
I can remember✦ (Remember✦ that? Think about✦ it)
I can remember✦ (Remember✦ that? Think about✦ it)
I can remember✦
[Verse 3]
Open✦ the door, let the crowds in, over✦ twenty✦ thousand
Wildin',✦ music's✦ loud and microphone's growlin'
Tickets are sold out, parties✦ is packed✦ and
On tour, rippin'✦ basketball arenas back then
Even✦ afterparties,✦ posses✦ of players and hotties✦
Everybody was Gotti, spreadin' bucks like shotties✦
Spendin' cash, to make a good time last
Thoughts that I had give me a blast of the past
Memories✦ of unforgettable times✦ on my mind
Dollar✦ signs and melodies✦ and incredible rhymes✦
The people I met and the sets that got wrecked✦
All the mics I checked,✦ most of all life's✦ effects
And peace to all the people I grew up around✦
In the streets, back when beats had a rougher sound
I used✦ to be wild, me and my crew sit back and we smile
Keep piles✦ of pictures filed✦ in case I go senile✦
'Cause some things are just too good to be forgot✦
Like your neighborhood block or your favorite spot
Certain records always seem to make me reminisce
And when it hits, and then it clicks, remember✦ this?
My life flash before✦ me, I'm there from the sounds I hear
Pinpoint the year, it's perfectly clear
I like the way it went down and all of that
In fact, it mean a lot 'cause you can't bring it back, remember✦ that
[Chorus]
I can remember✦ (Remember✦ that? Think about✦ it)
I can remember✦ (Remember✦ that? Think about✦ it)
I can remember✦ (Remember✦ that? Think about✦ it)
I can remember✦ (Remember✦ that? Think about✦ it)
[Outro]
Think about✦ it
I can remember✦ (Remember✦ that? Think about✦ it)
I can remember✦ (Remember✦ that? Think about✦ it)
I can remember✦
I can remember✦

Technical Breakdown

8.0
Multisyllabic Rhymes9.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres6.5

Clever language, metaphors, punchlines

Cadence / Rhythm7.5

Flow variation and timing (data-driven)

Vocabulary Complexity7.0

Range and depth of words used (data-driven)

Delivery / Breath Control8.5

Performance and control

Computed Score8.00

Production

— DJ Clark Kent

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Critic Analysis
RAPLEDGER BAROMETER™

Rakim utilizes a rhythmic, percussive cadence and dense internal rhyme structures to turn a nostalgic list of 80s NYC hip-hop venues into a masterclass on flow progression and narrative placement.

A
9.5
Multisyllabic
9.5
Internal Rhymes
7.5
Cadence / Flow
7
Vocabulary
6.5
Wordplay
8.5
Delivery
Multisyllabic internal rhymingDynamic cadence shiftsList-based narrative progressionIn-line syllabic density variation
Rhyme Architecture: The verse relies on a highly consistent AAAA pattern per couplet, featuring intense internal rhyming that bridges the end of one bar into the start of the next, maintaining a rhythmic 'pocket' throughout the listing of venues.
Verified Doubles & Entendres

"I did encores at the Encore, they wanted more"

① Literal performance of encore sets at the venue named 'Encore'.② A play on the word 'encore' as both a location identifier and the musical request for additional performance.

"House of havoc when it came to fourteen carat"

① The venue was a chaotic, dangerous environment.② Refers to the culture of flashy gold jewelry ('fourteen carat') often targeted for theft, contributing to the 'havoc' inside the club.

Exceptional rhythmic control that makes a list of locations feel like a cohesive story

The use of internal rhyme to maintain momentum during list-heavy bars

Strong historical grounding that establishes the God MC's legacy

Impeccable flow pocket that never races despite high word counts

Wordplay is primarily grounded in historical reporting rather than complex metaphorical layered writing

The reliance on a repetitive list structure can lead to a slight sense of monotony for the listener looking for abstract lyrical complexity

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