It Was Written

Black Girl Lost

Nas

Lyrics & Rhyme Analysis

26

End

190

Internal

88

Multi

191

Slant

14

Chain

Rhyme Groups — hover to spotlight
[Chorus: Nas & JoJo Hailey]
Diamonds✦ all shinin',✦ lookin'✦ all fine (I see you)
Pretty✦ little face, get a little high (Get a little high)
Young girl strugglin',✦ tryna✦ survive✦ (Tryna✦ survive)✦
Mother✦ of the Earth, she made you and I (Ye-eh-eh-ah)✦
Just tired✦ of playin' the same ol' games✦ (Uh)
Messin'✦ with my mind, emotional✦ thangs (Mess with my mind)
(And there goes a black girl lost) (Yeah, I'mma✦ do that again)✦
(Ye-eh-eh-ah)✦
[Verse 2: Nas & JoJo Hailey]
Like Isis,✦ you got your heart broke and felt lifeless✦
Grow up, girl, instead you want revenge, so now you act the nicest
To who'sever gettin'✦ down and trife-est
To get his mind, all you do is give him somethin' priceless✦
'Cause in time, he'll realize the thighs is all he needs, more than weed
Then you hit him off with lies and greed (Deceit,✦ ye-eh-eh-ah)✦
There you go again,✦ startin' wars, makin'✦ me more yours (Say it, say it)
Seem to get a kick out of keepin'✦ me on all fours
Face glistenin', I'm addicted to you
Original Wisdom Body✦ got me picturin' you
Igloos of ice trickin' on you
You never✦ listen✦ to this nigga✦ spendin' Franklins on tennis✦ anklets
Must've had a bad deal in the past though
Can't even✦ keep it real with a nigga✦ with cash flow
Say men are all the same, what we need to do is break this chain
You got a job part-time, and school's your night thing (Ye-eh-eh-ah)✦
With dreams to settle down, it ain't far from now
You gettin'✦ interviewed,✦ but your boss is into✦ gettin'✦ screwed✦ (Ye-eh-eh-ah)✦
Typical day that the black girl sees (Baby)✦
Comin'✦ home, wantin'✦ more from a college degree, uh
[Chorus: Nas & JoJo Hailey]
Diamonds✦ all shinin',✦ lookin'✦ all fine (Say it)
Pretty✦ little face, you get a little high (Get a little high)
Young girl strugglin',✦ tryna✦ survive✦ (Tryna✦ survive)✦
Mother✦ of the Earth, she made you and I
Just tired✦ of playin' the same ol' games✦ (Yeah)
Messin'✦ with my mind, emotional✦ thangs (Messin'✦ with my mind)
(And there goes a black girl lost) (Baby)✦
(Baby,✦ you)
[Verse 3: Nas & JoJo Hailey]
Where are you focused? On legit✦ niggas✦ or where the coke is?
Nice or thug life niggas?✦ Yo, you seem hopeless✦
Your value — too much to be measured, I wonder✦ how you
Could ever✦ be played; your pussy✦ worth gold amountin' to
More than the world, but not knowin'✦ nothin'✦ about✦ you
You leavin'✦ the crib, takin'✦ all your kids out to
Drop 'em off, lettin'✦ some nigga✦ knock you off
So hot and soft, that's the same thing that got you lost
(You should be ashamed✦ of yourself,✦ baby)✦
Growin'✦ up seein' it, it should remind✦ you; you bein' lied to
Everythin' that move be inside✦ you
Sacred✦ as you are, left with these wannabes to guide you
I watched you, hard to knock you, I tried not to
Then spot you while dancin'✦ topless in your drawers
Damn, look! There goes a black girl lost (Girl lost)
[Outro: JoJo Hailey]
You should be ashamed✦ of yourself✦
The way you carry✦ yourself✦
The way you hang out all night long
Doin' silly✦ things that is wrong
Black girl lost

Technical Breakdown

9.1
Multisyllabic Rhymes9.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres7.5

Clever language, metaphors, punchlines

Cadence / Rhythm10.0

Flow variation and timing (data-driven)

Vocabulary Complexity8.0

Range and depth of words used (data-driven)

Delivery / Breath Control8.5

Performance and control

Computed Score9.06

Production

— L.E.S., Poke & Tone

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Critic Analysis
RAPLEDGER BAROMETER™

Nas utilizes internal rhyme density as a foundational structural device, pairing complex multisyllabic schemes with a narrative-driven flow that balances social commentary with street-level character study, consistent with 1996 New York aesthetic norms.

A+
9.5
Multisyllabic
9.5
Internal Rhymes
10
Cadence / Flow
8
Vocabulary
7.5
Wordplay
8.5
Delivery
Multisyllabic internal rhymingAssonance-based flow pocketsMythological allusionDynamic cadence shifts
Rhyme Architecture: The verse relies on dense AAAA-style multisyllabic strings (e.g., Isis/lifeless/nicest/trife-est), transitioning into a narrative flow that maintains end-rhyme consistency while pivoting focus from character description to moral indictment.
Verified Doubles & Entendres

"Like Isis, you got your heart broke and felt lifeless"

① Reference to the Egyptian goddess Isis, representing femininity, motherhood, and creation.② A comparison to a woman who has been betrayed and feels 'dead' inside, drawing a parallel between the historical/mythological and the personal emotional state.

"Original Wisdom Body"

① A phonetic play on O.W.B. or a reference to the physical form.② A nod to Five-Percent Nation terminology ('Original' denoting the people of the earth/nature), framing the woman as a vessel of ancient, natural significance.

"Igloos of ice trickin' on you"

① Literal description of cold, expensive diamond jewelry.② A metaphor for the cold, unfeeling nature of the men who 'trick' (buy favor) with money but lack genuine human connection, keeping the atmosphere 'frozen'.

High-density rhyme chains typical of the era's peak lyricism

Narrative arc that transitions from empathetic observation to critical analysis

Strong command of cadence that flows effortlessly over the melodic chorus

Sophisticated use of internal rhyme to bridge disparate imagery

Occasional reliance on gendered tropes that, while period-accurate, feel somewhat reductive by contemporary critical standards

Slight over-reliance on repetition of 'you' to close out lines in the latter half of the verse

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