King's Disease II
YKTV
Nas
Lyrics & Rhyme Analysis
31
End
194
Internal
66
Multi
161
Slant
8
Chain
Rhyme Groups — hover to spotlight
[Chorus: Nas]
Every✦ time I pop out, it pop off (Pop off)
YKTV, got the top off (Top off)
Private✦ estate,✦ I'm a mob boss (Mob boss)
Every✦ time I pop out, it pop off
[Verse 2: A Boogie wit da Hoodie]
You wanted✦ to talk, ain't no talkin'✦ it out, huh
Put it in your mouth, fuck you talkin'✦ about?✦
Every✦ time they play this song, she like, "This is my shit"
But I really✦ wanna know, do you love me or not?
So say my name and when you say it, baby,✦ call me Artist✦
Don't be afraid✦ to ride my wave, ma, wrist on tsunami
And when I wasn't gettin'✦ paid, them bitches wasn't on me
And you can tell I got my weight up, just look at the car key
A bunch of Givenchy, look, I pop off, huh
I copped✦ the Avenny,✦ my top off, huh
They not really✦ A Boogie, they just knockoffs, huh
Big rock in these chains, but it's not yours, huh
Been jackin'✦ Esco'✦ bars like he Pablo,✦ huh
Put my tip inside✦ her walls like she was hollow,✦ huh
My niggas✦ innocent behind the walls like they Ralo,✦ huh
And every✦ time they pop off, I pop out
[Chorus: Nas, A Boogie wit da Hoodie & Both]
And every✦ time I pop out, it pop off (Huh, pop off)
YKTV, got the top off (Huh, top off)
Private✦ estate,✦ I'm a mob boss (Mob boss)
Every✦ time I pop out, it pop off
[Interlude: Jaboody Dubs & YG]
Hey there, I'm Peter✦ Popoff✦ and it's about✦ to pop off (4Hunnid!)✦
[Verse 3: YG]
Hunnid✦ deep in the club, I'm a mob boss (Yeah)
Big Blood drip, you know it's hot sauce (Ooh)
Family✦ crib, got my side bitch in a high loft (Ha)
Girls goin' wild, bitch, take your top off (Bitch)
Show no love bitch, I'm in love with Saint Laurent✦ (Saint Laurent)✦
This Louis Vuitton ain't dropped yet but I got it on (Got it on)
I just made yo' favorite singer✦ come out her thong (Come out her thong)
I just ran a money✦ play with Scooter✦ Braun (Scooter✦ Braun)
Drop a car note on yo' head, act stupid✦ with it
Bitch, bitch, my jewels ain't rented,✦ the coupes✦ ain't rented✦
Bitch, play them cards with no limit,✦ stars in the ceilin'✦
Bitch, I want all of the money,✦ I'm harvestin' millions✦
I just put my name on the pack now we trappin' and dealin'✦
Niggas,✦ niggas✦ say that they gang but I'm actually in it (Yeah, yeah)
I'm Tom Brady✦ in the field, I make all the decisions✦ (Yeah)
The video✦ got shot up and I greenlit it (Yeah)
[Chorus: Nas & YG]
Every✦ time I pop out, it pop off (4Hunnid!✦ Pop off)
YKTV, got the top off (Top off)
Private✦ estate,✦ I'm a mob boss (Mob boss)
Every✦ time I pop out, it pop off (YKTV)
[Outro: Nas]
You know the vibes,✦ QB to Southside✦
Northside,✦ Far Rock, LeFrak, Brooklyn
Bronx, Harlem,✦ Staten✦ Island we outside✦
Highbridge to Compton, yeah
Technical Breakdown
7.9
Multisyllabic Rhymes9.5
Complexity of rhyme schemes (data-driven)
Internal Rhymes9.5
Rhymes within a line (data-driven)
Wordplay / Double Entendres6.0
Clever language, metaphors, punchlines
Cadence / Rhythm9.0
Flow variation and timing (data-driven)
Vocabulary Complexity6.0
Range and depth of words used (data-driven)
Delivery / Breath Control6.5
Performance and control
Computed Score7.87
Production
— Hit-Boy, CorbettBe the first to rate the production
Critic Analysis
RAPLEDGER BAROMETER™
The verse relies heavily on rhythmic repetition and internal rhyme patterns to drive a catchy, commercially-oriented flow, leveraging A Boogie's signature melodic cadence over intricate lyricism.
B+
9.5
Multisyllabic
9.5
Internal Rhymes
9
Cadence / Flow
6
Vocabulary
6
Wordplay
6.5
Delivery
Assonance-heavy multi-syllabic rhymingEnd-rhyme repetition for structural cohesionAABB rhyme scheme variationPhonetic wordplay
Rhyme Architecture: The verse utilizes a rhythmic AABB structure, heavily reinforced by end-word repetition ('huh') that anchors the cadence and allows for syncopated internal multisyllabic clusters.
Verified Doubles & Entendres
"Been jackin' Esco' bars like he Pablo"
① Referencing the legendary rapper Nas (Esco) and his lyrical prowess as a kingpin of hip-hop.② Referencing Pablo Escobar, connecting the 'bars' (lyrics) to the literal bars of a drug trade kingpin.
"My niggas innocent behind the walls like they Ralo"
① Physical incarceration within prison walls.② A specific reference to the rapper Ralo, who faced legal issues related to 'walls' of the prison system, contrasting 'guilt' with the street perception of 'innocence'.
High rhythmic consistency and internal rhyme density
Strong pocket management that serves a club-ready aesthetic
Effective use of repetitive structures to create earworms
Limited thematic depth beyond materialism
Reliance on 'huh' as a rhythmic filler can become redundant
Wordplay is occasionally surface-level and lacks multi-layered subtext