Taste of Chocolate

No Damn Good

Big Daddy Kane

Lyrics & Rhyme Analysis

35

End

139

Internal

77

Multi

194

Slant

12

Chain

Rhyme Groups — hover to spotlight
[Verse 1]
Now there's✦ this girl named✦ Monique✦
The type of female✦ that you consider a freak
A big-time player playin like a drum beat
You think her address is 21 Hump Street
She step out every✦ night to swing
With her Lee press-on's and a nefertiti ring
Bamboo✦ earrings all big and lookin✦ silly✦
With extensions hangin✦ down like Milli Vanilli
And every✦ Wednesday night at the Apollo✦
First kid she saw with jewerly she'd follow✦
And Monique✦ would be ready✦ to sleep
With the first kid in a Benz or a Cherokee Jeep
Strung out and givin✦ up the nappy✦ dug out
You're on the critical list, about✦ to pull the plug out
So here, nympho,✦ here's✦ some good info✦
Stop takin✦ em putts and close your legs, toots
Cause I remember you was one of a kind and a fine - hm
I once was infatuated by the things that you do
But now you're doodoo✦
It's all about✦ respectin yourself✦
In order✦ to gain respect from anyone✦ else
Treat yourself✦ like a real woman✦ should
Cause bitch, you ain't no damn good
That's right, there's✦ a lotta✦ young ladies✦ out here
That just ain't no damn good
{Female✦ voice:}
But hold up minute✦
There's✦ a lotta✦ guys out there that ain't no damn good either✦
{Big Daddy✦ Kane:}
Oh yeah?
{Female✦ voice:}
Yeah, cause I had to tell one the other✦ night
That his thing had too many✦ 'nots' in it
{Big Daddy✦ Kane:}
What you mean by too many✦ 'nots'?
{Female✦ voice:}
Not big enough,✦ not hard enough,✦ and not long enough✦
{Big Daddy✦ Kane:}
Yeah, aight
But check this here out
[Verse 2]
Well now, here's✦ another story✦
About✦ this kid by the name of Corey✦
A hustler with game tryin to make a name
That was his aim, but his lifestyle was lame
Cause he would front like it wasn't even funny✦
About✦ his girl, his car, and his money✦
Pullin✦ out a knot every✦ place
But every✦ single bill had Washington's face
And he went beyond exaggeration✦
To lie about✦ his means of transportation✦
Because he said he had a Benz car
Come to find out, it was his friend's car
Talk about✦ simple chronic halitosis
Damn, his breath was ferocious
He had an odor that just won't quit
Smelled like he washed✦ in Oil Of Oh shit
Tellin✦ girls he's daddy✦ long-strokin
(Shit, you must be jokin)✦
Cause he ain't got no bitches✦
And couldn't hurt a virgin✦ if her pussy✦ had stitches✦
See, Corey,✦ there's✦ a lot you're missin✦
Seems to me, you ain't got a pot to piss in
So let's get one thing understood
Muthafucka, you ain't no damn good
{Prince Paul:}
The moral✦ of the story✦ is
The majority of the population✦ of males✦ and females today✦
Are just no damn good

Technical Breakdown

8.2
Multisyllabic Rhymes8.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres6.0

Clever language, metaphors, punchlines

Cadence / Rhythm10.0

Flow variation and timing (data-driven)

Vocabulary Complexity6.0

Range and depth of words used (data-driven)

Delivery / Breath Control7.0

Performance and control

Computed Score8.23

Production

— Prince Paul

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Critic Analysis
RAPLEDGER BAROMETER™

An archetypal mid-80s narrative verse that prioritizes rhythmic cadence and vivid cultural signifiers over complex lyrical layering, effectively establishing the character of Monique through dated period-specific imagery.

A
8.5
Multisyllabic
9.5
Internal Rhymes
10
Cadence / Flow
6
Vocabulary
6
Wordplay
7
Delivery
Simile-heavy descriptive narrativeMultisyllabic internal rhymingRhythmic syncopationCultural signifier stacking
Rhyme Architecture: Predominantly AABB couplets with dense internal multisyllabic linkages. Kane utilizes rapid-fire internal vowels to maintain momentum despite a standard end-rhyme structure.
Verified Doubles & Entendres

"a big-time player playin like a drum beat"

① She is promiscuous and active in the social scene② A direct musical comparison to the rhythmic 'beat' of a drum, emphasizing her constant, repetitive movement

"You think her address is 21 Hump Street"

① A fictionalized street name implying her promiscuity② A sexual euphemism ('hump') mapped onto the architecture of an urban address

Exceptional rhythmic pocket for the era

Strong characterization through concrete, dated cultural markers

Consistent cadence despite the wordy narrative style

Thematic reliance on misogynistic tropes prevalent in the era

Punchlines are often blunt rather than clever or layered

Vocabulary is relatively pedestrian compared to later golden-age lyrical complexity

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