It's a Big Daddy Thing
On the Move
Big Daddy Kane
Lyrics & Rhyme Analysis
34
End
152
Internal
63
Multi
190
Slant
7
Chain
Rhyme Groups — hover to spotlight
[Chorus: all together]
Well, here we are
United✦ just for you
Our flat-top✦ cuts are new
Because✦ we're on the move
[Mister✦ Cee cuts and scratches] "Scoob Lover,✦ my brother."✦
[Verse 2: Scoob Lover]
The mic goes around✦ like a 40 ounce
Now, I'm-a✦ take a sip, now it's time to bounce
I won't get tipsy,✦ I don't drink and talk
And, no, I'm not a hoddlum by the way I walk
Cause I'm one hype, one brown-skinned brother✦
For those who don't know me, I'm (who?) Scoob Lover✦
A jolly✦ good fellow,✦ flowin'✦ with the mellow✦
For all the choice cuties,✦ I'd love to say "Hello"✦
So take away✦ the 3, let's stick to 1, 2
Me and you, now here's✦ a clue what we could do
It begins with an S and ends with an X
Hmmm, not the number✦ 6, so guess what's next
So girls, don't barge, don't blink, be still
Cause it's about time for Scoob to get ill
Remember you dissed,✦ now you wanna✦ kiss
Write me fan letters, sayin' that you miss
There's✦ only✦ one rap dancer,✦ the cool romancer
If I had a million✦ dollars, I'd try to cure cancer✦
But I'm only✦ here to get illy,✦ ha
Now, I'm drug free and I don't smoke Phillies✦
So come here, shorty,✦ go buy me a 40
And make sure it's cold so the crew can get naughty
[Chorus: all together]
Well, here we are
United✦ just for you
Our flat-top✦ cuts are new
Because✦ we're on the move
[Mister Cee cuts and scratches]
"Scrap Lover,✦ my other."✦
[Verse 3: Scrap Lover]
You get jacked✦ if you ever✦ try to nap
Ona✦ a rap from Scrap because✦ you know there's✦ no haps
Now, right from where I left off, to all those who stepped off
You know you had it comin',✦ the blame is what you slept off
?Destruction✦ played a part on roll, here's✦ so to say.?
You can't mislead me. Why? Cause I know the way
Always gave headaches,✦ never✦ known for heartaches✦
Time and effort, huh, that's what a star takes✦
Let me give you a true piece of mind
Cause this rare species✦ is so hard to find
I'm custom-made for all the ladies✦ with guts
A tall box of hair or rather✦ cameo✦ cuts
Draggin'✦ tattoes is what the girls found
Two on m chest, one draggin'✦ on the ground
To all the young ladies✦ that's clean and legit✦
As long as I got a face, you got a place o sit
No tokens for heart-broken turnstiles
No remarks or regrets, but I'll burn while
Those that's destined✦ to question✦ for a new thing
Join us in harmony together as we sing
For all the ladies✦ determined✦ that once was
So jealous, stop searchin' now cause....
[Chorus: all together]
Well, here we are
United✦ just for you
Our flat-top✦ cuts are new
Because✦ we're on the move
[Mister Cee cuts and scratches]
[Outro: Big Daddy Kane]
You don't stop, you don't stop
You keep on to the break of dawn
Technical Breakdown
7.4
Multisyllabic Rhymes8.5
Complexity of rhyme schemes (data-driven)
Internal Rhymes9.5
Rhymes within a line (data-driven)
Wordplay / Double Entendres5.0
Clever language, metaphors, punchlines
Cadence / Rhythm8.0
Flow variation and timing (data-driven)
Vocabulary Complexity7.0
Range and depth of words used (data-driven)
Delivery / Breath Control6.5
Performance and control
Computed Score7.43
Production
— Scoob Lover, Big Daddy KaneBe the first to rate the production
Critic Analysis
RAPLEDGER BAROMETER™
Scoob Lover employs a playful, rhythmic delivery typical of the late 80s dance-rap era, prioritizing accessibility and charisma over complex lyricism.
B+
8.5
Multisyllabic
9.5
Internal Rhymes
8
Cadence / Flow
7
Vocabulary
5
Wordplay
6.5
Delivery
AABB rhyme schemeInternal rhyme chainingConversational direct addressRhythmic simplicity
Rhyme Architecture: The verse utilizes a standard AABB couplet structure with consistent end-rhymes (ounce/bounce, talk/walk, brother/Lover), punctuated by mid-line internal rhymes that keep the groove steady.
Verified Doubles & Entendres
"It begins with an S and ends with an X"
① A literal riddle regarding the spelling of the word 'Sex'.② A flirtatious play on the listener's expectations of the rapper's intent.
Excellent rhythmic pocket and cadence
Charismatic, approachable persona
Clear articulation and consistent flow
Strong use of internal rhyme to maintain momentum
Literal lyrical content lacks multi-layered depth
Rhyme schemes are predictable for the era
Lack of sophisticated metaphorical complexity
Relies on standard dance-rap tropes