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Same Song & Dance
Eminem
Lyrics & Rhyme Analysis
54
End
287
Internal
80
Multi
277
Slant
18
Chain
Rhyme Groups — hover to spotlight
[Chorus]
Yeah, baby,✦ do that dance
It's the last dance you'll ever✦ get the chance to do
Girl, shake that ass, you ain't never✦ gonna✦ break that glass
That windshield's✦ too strong for you
I said, "Yeah, baby,✦ sing that song
It's the last song you'll ever✦ get the chance to sing
You're sexy✦ little thing, show me what you got, give it your all
Look at you bawl, why you crying to me?" Same song and dance
[Verse 2]
The first victim✦ I had, she was a big one
Big movie star, a party✦ girl, big fun
She was the girl the media✦ always✦ picked✦ on
In and out of rehab✦ every✦ four-to-six months
She was always✦ known for little pranks and slick stunts
At Nickelodeon, flashed the little kids once
What an event it was, I was sitting in front
I was hooked✦ in at the first glimpse of them buns
Seen her backstage,✦ now here's✦ where I come in, son
Look, here she comes,✦ I better✦ pull out the big guns
"Hello,✦ Lindsay, you're looking a little thin, hun
How 'bout a ride to rehab?✦ Get in, cunt"
But starting off on the wrong foot is what I didn't want
"Girl, I'm just kidding, let me start over✦ again,✦ hun
See what I meant was, we should have a little intervention✦
Come with me to Brighton, let me relieve your tension✦
You're little wench, ya, murder✦ wasn't my intention✦
If I wanted✦ to kill you, it would've already been done"
Slowly✦ she gets in and I begin✦ to lynch her with 66 inches✦ of extension✦ cord
[Chorus]
Yeah, baby,✦ do that dance
It's the last dance you'll ever✦ get the chance to do
Girl, shake that ass, you ain't never✦ gonna✦ break that glass
That windshield's✦ too strong for you
I said, "Yeah, baby,✦ sing that song
It's the last song you'll ever✦ get the chance to sing
You're sexy✦ little thing, show me what you got, give it your all
Look at you bawl, why you crying to me?" Same song and dance
[Verse 3]
My second victim✦ was even✦ bigger✦ than the first
Pop star, icon,✦ the whole works, she played a little schoolgirl✦ when she first
Burst upon✦ the scene and seen that the world was hers
She twirls and turns and flirts in skirts so bad it hurts
It irked✦ me, it made me mad at first
I lashed✦ out in my songs, but what was really✦ going on
Was that I had developed a crush
I just didn't know how to tell it to her
Should I cut off one of my ears and mail it to her?
Send her pictures of my collection✦ of skeletons, or
Footage✦ of me impaling myself on an elephant tusk?
We'll settle this once and for all, I'ma✦ tell her at dusk
Tonight,✦ tonight✦ is the night, and tell her I must
Creep up to her mansion✦ in stilettos, and just
Climb the gate, and ring the bell like, "Hello,✦ my love
I just picked✦ your prescription✦ for Seroquel up
Now would you like to share a pill or two with me?
I'll share my Valium✦ with you, 'cause I'm feeling✦ you, Britney
I'll trade you a blue one for a pink one
Ever✦ since a schoolgirl✦ juvenile delinquent
I've been feeling✦ you, ooh-ooh, girl, you're sexy✦ little gal, you
Hold that pill any✦ longer,✦ it'll get sentimental value
C'mon toots, give me the Valium,✦ alley-oop
I'll slam dunk it in your mouth 'til you puke
And just as soon as you pass out in your alphabet soup
I'm 'bout to make a new outfit✦ out of you
New outfit?✦ Shit, I'll make a suit out of you, shoot
Now, show me how you move, baby,✦ do how a-you do"
[Chorus]
Yeah, baby,✦ do that dance
It's the last dance you'll ever✦ get the chance to do
Girl, shake that ass, you ain't never✦ gonna✦ break that glass
That windshield's✦ too strong for you
I said, "Yeah, baby,✦ sing that song
It's the last song you'll ever✦ get the chance to sing
You're sexy✦ little thing, show me what you got, give it your all
Look at you bawl, why you crying to me?" Same song and dance
[Outro]
Same kicking and screaming, same crying and sobbing
Same song and dance
Same begging and pleading, same yelling and bleeding
Same song and dance
Yeah
Same song and dance
I know
Same song and dance
Technical Breakdown
8.5
Multisyllabic Rhymes8.5
Complexity of rhyme schemes (data-driven)
Internal Rhymes9.5
Rhymes within a line (data-driven)
Wordplay / Double Entendres6.5
Clever language, metaphors, punchlines
Cadence / Rhythm10.0
Flow variation and timing (data-driven)
Vocabulary Complexity6.0
Range and depth of words used (data-driven)
Delivery / Breath Control8.0
Performance and control
Computed Score8.53
Production
— Dr. Dre, Dawaun ParkerBe the first to rate the production
Critic Analysis
RAPLEDGER BAROMETER™
The verse demonstrates Eminem's peak ability to use internal rhyme density and narrative focus to anchor a disturbing, darkly comedic character-driven performance, though it leans on shock value over complex lyrical metaphor.
A
8.5
Multisyllabic
9.5
Internal Rhymes
10
Cadence / Flow
6
Vocabulary
6.5
Wordplay
8
Delivery
monorhyme chainconsonance-driven flowconversational framinginternal multisyllabic clusters
Rhyme Architecture: A relentless monorhyme scheme utilizing an '-un'/' -uns' sound across nearly the entire verse, demonstrating exceptional control over internal stress patterns and rhythmic placement.
Verified Doubles & Entendres
"pull out the big guns"
① idiomatic expression for bringing out one's most powerful assets or methods② literal reference to the predatory, murderous nature of the character who is literally arming himself to kidnap the victim
"starting off on the wrong foot"
① a colloquialism for beginning a social interaction poorly or making a bad first impression② a sardonic observation on the irony of a kidnapper being concerned with his 'manners' or social etiquette before committing a violent act
Unmatched internal rhyme density for the era
Compelling narrative arc that feels like a dialogue
Strong command of cadence to maintain the same sound without becoming stale
Over-reliance on shock value which limits the lyrical ceiling
Vocabulary is intentionally simplified to favor flow and the monorhyme scheme
The payoff relies more on the character's depravity than linguistic wit