The Slim Shady LP

As the World Turns

Eminem

Lyrics & Rhyme Analysis

28

End

259

Internal

69

Multi

274

Slant

8

Chain

Rhyme Groups — hover to spotlight
[Chorus]
('Cause I don't know) As the world turns
(Why this world keeps turning)✦ These are the days of our lives✦
('Round and 'round) These are the things that we must go through
(But I wish it would stop and let me off right now) Day by day
[Verse 2]
We drive around✦ in million-dollar sports cars
While little kids hide this tape from their parents like bad report cards
Outsidaz, and we suin' the courts
'Cause we dope as fuck and only✦ get a 2 in The Source (Yo)
Hypochondriac, hangin'✦ out at the laundromat
Where all the raunchy, fat, white-trashy blondes be at
Dressed like a sailor,✦ standin' by a pail of garbage
It's almost dark and I'm still tryna✦ nail a trailer park bitch
I met a slut and said, "What up? It's nice to meet ya" (Hi)
"I'd like to treat you to a Faygo✦ and a slice of pizza✦
But I'm broke as fuck
And I don't get paid 'til the first of next month (Sorry)✦
But if you'd care to join me, I was about✦ to roll this next blunt
But I ain't got no weed, no Phillies or no papers
Plus, I'm a rapist and a repeated prison escapist
So give me all your money✦ and don't try nothin'✦ funny✦
'Cause you know your stinking ass is too fat to try to outrun✦ me"
I went to grab my gun, that's when her ass put it on me (Stop)
With an uppercut, hit me with a basket✦ of laundry (Ooh)
I fell through the glass doors, started✦ causin'✦ a scene
Slid across✦ the floor and flew right into✦ a washin'✦ machine
Jumped✦ up with a broken✦ back, thank God I was smokin'✦ crack
All day, and doped✦ up on coke and smack
All I wanted✦ to do was rape the bitch and snatch her purse
Now I wanna✦ kill her, but yo, I gotta✦ catch her first
Ran through Rally's✦ parkin'✦ lot and took a shortcut
Saw the house she ran up in and shot her fuckin'✦ porch up
Kicked✦ the door down to murder✦ this divorced slut
Looked✦ around✦ the room
That's when I seen her bedroom door shut
"I know you're in there, bitch, I got my gun cocked✦
You might as well come out now"
She said, "Come in, it's unlocked"
I walked✦ in and all I smelled was Liz Claiborne
And seen her spread across✦ the bed naked,✦ watchin' gay porn
She said, "Come here, big boy, let's get acquainted"
I turned✦ around✦ to run, twisted my ankle and sprained it
She came at me at full speed, nothin'✦ could stop her
I shot her five times✦ and every✦ bullet✦ bounced off her
I started✦ to beg, "No, please let go"
But she swallowed my fuckin'✦ leg whole like an egg roll
With one leg left, now I'm hoppin'✦ around✦ crippled
I grabbed my pocket✦ knife and sliced✦ off her right nipple
Just tryna✦ buy me some time, then I remembered this magic trick
Duh-dah-duh-dah-duh-duh, go-go✦ gadget✦ dick
Whipped that shit out, and ain't no doubt about✦ it
It hit the ground, caused✦ an earthquake and power✦ outage✦
I shouted, "Now, bitch, let's see who gets the best"
Stuffed that shit in, crooked and fucked✦ that fat slut to death
Ow, ow (Come here, bitch)
Ow, ahh (Come here, take this mothafuckin' dick, bitch, come here)
[Chorus]
('Cause I don't know) And as we go along
(Why this world keeps turning)✦ Throughout the days of our lives✦
('Round and 'round)
(But I wish it would stop and let me off right now)
We all face small obstacles
(I don't know) And challenges everyday
(Why this world keeps turning)✦ That we must go through
('Round and 'round) These are the things
That surround us through our atmosphere
(But I wish it would stop and let me off right now)
(I don't know) Every✦ day
(Why this world keeps turning)✦ Every✦ single day the world keeps turning✦
('Round and 'round) Keeps turning✦
(But I wish it would stop and let me off right now) Keeps turning✦
(I don't know why this world keeps turning)✦

Technical Breakdown

8.6
Multisyllabic Rhymes8.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres7.5

Clever language, metaphors, punchlines

Cadence / Rhythm9.0

Flow variation and timing (data-driven)

Vocabulary Complexity7.0

Range and depth of words used (data-driven)

Delivery / Breath Control9.0

Performance and control

Computed Score8.64

Production

— Bass Brothers, Eminem, Justin Trugman

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Critic Analysis
RAPLEDGER BAROMETER™

Eminem utilizes his 1999-era 'Slim Shady' persona to marry extreme technical density with a narrative 'cartoon violence' aesthetic, creating a high-energy, rhythmic flow that functions as both a technical showcase and a satirical character study.

A
8.5
Multisyllabic
9.5
Internal Rhymes
9
Cadence / Flow
7
Vocabulary
7.5
Wordplay
9
Delivery
Multisyllabic internal rhyming clustersCharacter-driven narrative progressionPhonetic play with pop-culture referencesDynamic shift in tone from braggadocio to chaotic storytelling
Rhyme Architecture: Dense, polysyllabic internal rhyme chains interwoven with end-rhyme consistency that utilizes masculine and feminine rhymes, often collapsing into complex multi-syllabic clusters (e.g., 'laundromat'/'white-trashy blondes be at'/'trailer park bitch').
Verified Doubles & Entendres

"hide this tape from their parents like bad report cards"

① The physical act of hiding an explicit cassette tape due to parental disapproval.② A simile comparing the content of the music to a failing grade, highlighting the 'scandalous' nature of his art for the moral majority.

"only get a 2 in The Source"

① A literal reference to The Source magazine's rating system where the artist received a low score.② A ironic juxtaposition where the group's massive commercial and technical talent is undervalued by the critical gatekeepers of the era.

"raunchy, fat, white-trashy blondes be at"

① A descriptive setting of a specific subcultural environment.② A complex multi-syllabic rhyme chain that anchors the rhythm for the following lines, demonstrating high phonetic density.

High-velocity cadence

Exceptional use of vowel manipulation for internal rhyme

Strong narrative arc with comedic timing

Effective use of pauses and ad-libs to guide listener focus

Thematic content relies heavily on shock value which can overshadow structural sophistication

Narrative logic is intentionally absurdist, which may undermine serious lyrical analysis

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