The Slim Shady LP

Cum on Everybody

Eminem

Lyrics & Rhyme Analysis

12

End

202

Internal

108

Multi

188

Slant

2

Chain

Rhyme Groups — hover to spotlight
[Chorus]
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
[Verse 2]
Yo, yo, yo, yo, yo
I tried suicide once and I'll try it again✦
That's why I write songs where I die at the end
'Cause I don't give a fuck like my middle finger✦ was stuck
And I was wavin'✦ it at everybody,✦ screamin', "I suck" (I suck)
I go on stage in front of a sell-out crowd
And yell out loud, "All y'all get the hell out now"
Fuck rap, I'm givin'✦ it up, y'all, I'm sorry✦
(But Eminem, this is your record✦ release party)✦
I'm bored✦ out of my gourd, so I took a hammer✦
And nailed✦ my foot to the floorboard of my Ford
Guess I'm just a sick, sick bastard
Who's one sandwich short of a picnic basket✦ (I ain't got it all)
One Excedrin tablet✦ short of a full medicine cabinet
I feel like my head has been shredded like lettuce and cabbage (Oh)
And if you ever✦ see a video for this shit
I'll probably be dressed up like a mummy✦ with my wrists slit
[Chorus]
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
[Verse 3]
Got bitches on my jock out in East Detroit
'Cause they think that I'm a motherfuckin' Beastie Boy
So I told 'em I was Mike D
They was like, "Gee, I don't know, he might be"
I told 'em, "Meet me at Kid Rock's next concert" (Oh really?)✦
I'll be standin' by the Loch Ness Monster" (Okay)✦
Peace out (Bye)
Then I jetted✦ to the weed house, smoked✦ out
'Til I started bustin'✦ freestyles, broke out
Then I dipped✦ quick back to the crib, put on lipstick✦
Crushed up the Tylenol and ate it with a dipstick✦
Made a couple of crank calls collect (Brrrt)
"It's Ken Kaniff from Connecticut, can you accept?"
I want to make songs all the fellas dub
And murder✦ every✦ rich rapper✦ that I'm jealous of
So just remember, when I bomb your set
Yo, I only✦ cuss to make your mom upset✦
[Chorus]
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦
Cum on everybody✦ (Get down tonight)✦

Technical Breakdown

6.9
Multisyllabic Rhymes9.5

Complexity of rhyme schemes (data-driven)

Internal Rhymes9.5

Rhymes within a line (data-driven)

Wordplay / Double Entendres6.5

Clever language, metaphors, punchlines

Cadence / Rhythm5.5

Flow variation and timing (data-driven)

Vocabulary Complexity5.0

Range and depth of words used (data-driven)

Delivery / Breath Control7.5

Performance and control

Computed Score6.87

Production

— Bass Brothers, Eminem

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Critic Analysis
RAPLEDGER BAROMETER™

Eminem utilizes dark, self-deprecating hyperbolic humor to subvert the persona of the mainstream rap star, relying on high-density multisyllabic rhyming to drive the chaotic energy of the record release theme.

B
9.5
Multisyllabic
9.5
Internal Rhymes
5.5
Cadence / Flow
5
Vocabulary
6.5
Wordplay
7.5
Delivery
Hyperbolic self-deprecationInternal multisyllabic chainingAuditory juxtapositionCharacter-driven narrative
Rhyme Architecture: Dense internal rhyme patterns utilizing multi-syllabic clusters (e.g., 'hammer'/'glamour'/'stammer'/'hammer' equivalents) paired with aggressive AABB couplets that resolve frequently to maintain momentum.
Verified Doubles & Entendres

"one sandwich short of a picnic basket"

① A common idiom for being mentally unstable or 'not all there'.② A literal imagery of a disorganized, incomplete state which complements the surrounding 'sick bastard' narrative.

"one Excedrin tablet short of a full medicine cabinet"

① Extending the previous metaphor of mental instability to include pharmaceutical dependence.② A play on the 'picnic' imagery that reinforces his status as a volatile, medicated, and erratic individual.

High-energy delivery that effectively sells the 'bored and unhinged' persona

Consistent, aggressive rhyme density typical of the Slim Shady era

Effective use of dark humor as a structural device

The rhyme schemes are occasionally subservient to the joke rather than the narrative arc

Limited thematic depth beyond the established shock-value persona

The simplicity of the chorus acts as a narrative anchor that prevents the verse from reaching more complex heights

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