Tha Carter
We Don’t
Lil Wayne
Lyrics & Rhyme Analysis
15
End
182
Internal
105
Multi
274
Slant
6
Chain
Rhyme Groups — hover to spotlight
[Chorus: Lil Wayne]
We don't give a fizzuck,✦ my nigga,✦ we young and bizzuck✦
We'll fuck a nigga's✦ shit up if nigga✦ is fuckin'✦ with us
And then pump 'em, make 'em lift up, hit 'em up and be out
And we out for cash motherfuckin'✦ money,✦ baby✦
C'mon, we don't give a fizzuck,✦ my nigga,✦ we young and bizzuck✦
We'll fuck a nigga's✦ shit up if nigga✦ is fuckin'✦ with us
And then pump 'em, make 'em lift up, hit 'em up and be out
And we out for cash motherfuckin'✦ money,✦ baby,✦ c'mon
[Verse 2: Lil Wayne]
The murder✦ man, picture me lurkin'✦
Right up behind ya curtains, nine's✦ squirtin'
And you could hear it when it's hurtin'✦
But if I hear him hurtin',✦ I'll walk over✦ and merk him for certain
I took over✦ the circus
'Cause I'ma✦ act a clown if you put your feet down on my surface✦
I walk around,✦ fo' pound and surface✦
To spin ya ass around✦ in circles, you urkel✦
Blood run up out ya earth, now you purple
Your homeboy get hit first, but you worser✦
Now, you headed to the skies above✦
And I'm go and get high with ya bitch in the club
Yeah, life's✦ a bitch and death's her husband
And you gonna✦ have to meet him if you keep on fuckin'✦ her
And you gonna✦ have to meet us if you keep on fuckin'✦ up
But you don't want see them CMB blood knuckle up
[Chorus: Lil Wayne]
We don't give a fizzuck,✦ my nigga,✦ we young and bizzuck✦
We'll fuck a nigga's✦ shit up if nigga✦ is fuckin'✦ with us
And then pump 'em, make 'em lift up, hit 'em up and be out
And we out for cash motherfuckin'✦ money,✦ baby✦
C'mon, we don't give a fizzuck,✦ my nigga,✦ we young and bizzuck✦
We'll fuck a nigga's✦ shit up if nigga✦ is fuckin'✦ with us
And then pump 'em, make 'em lift up, hit 'em up and be out
And we out for cash motherfuckin'✦ money,✦ baby,✦ c'mon
[Verse 3: Lil Wayne]
Shoot him in his head so he remember✦
Because of that, mama,✦ I'll be gone 'till November✦
I be back next winter✦ in a hummer✦ on spinners
Them niggas✦ on the block say them boys gon' get 'em
But them niggas✦ on the block don't know the toys come with him
Tell ya boy come and get me, if I go, he goin' with me
I'm hoping y'all feel me, I told y'all what the dealy✦
Ya open✦ up ya face, I'ma✦ open✦ up the semi✦
I open✦ up ya kidneys, now ya floatin' up the Missi-✦
Ssippi✦ river,✦ nigga,✦ play with deep water,✦ now ya swimmin'
Silly,✦ you play with me, Carter,✦ now ya missin'✦
Really,✦ I shoot ya in ya head and make you feel it
And even✦ though I be the man with the milli's✦
When the shit go down, I be the man with the milli's✦
Beef cranberry on the ceilin'✦
This is the Carter,✦ bitch, welcome to my buildin', c'mon
[Chorus: Lil Wayne]
We don't give a fizzuck,✦ my nigga,✦ we young and bizzuck✦
We'll fuck a nigga's✦ shit up if nigga✦ is fuckin'✦ with us
And then pump 'em, make 'em lift up, hit 'em up and be out
And we out for cash motherfuckin'✦ money,✦ baby✦
C'mon, we don't give a fizzuck,✦ my nigga,✦ we young and bizzuck✦
We'll fuck a nigga's✦ shit up if nigga✦ is fuckin'✦ with us
And then pump 'em, make 'em lift up, hit 'em up and be out
And we out for cash motherfuckin'✦ money,✦ baby,✦ c'mon
[Outro: Lil Wayne]
Wish a nigga✦ would say something, [?]
Stunna✦ right here, guns up, boy
Weezy✦ F, Birdman
Holla✦ back
Technical Breakdown
7.5
Multisyllabic Rhymes9.5
Complexity of rhyme schemes (data-driven)
Internal Rhymes9.5
Rhymes within a line (data-driven)
Wordplay / Double Entendres6.5
Clever language, metaphors, punchlines
Cadence / Rhythm7.5
Flow variation and timing (data-driven)
Vocabulary Complexity6.0
Range and depth of words used (data-driven)
Delivery / Breath Control7.0
Performance and control
Computed Score7.53
Production
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Critic Analysis
RAPLEDGER BAROMETER™
Wayne utilizes aggressive phonological repetition and internal rhyming patterns to mask a relatively straightforward narrative, relying heavily on internal assonance to sustain momentum rather than complex structural wordplay.
B+
9.5
Multisyllabic
9.5
Internal Rhymes
7.5
Cadence / Flow
6
Vocabulary
6.5
Wordplay
7
Delivery
Assonant chain linkingInternal rhyme stackingPersona-driven storytellingPhonetic variation
Rhyme Architecture: Predominantly AAAA-based mono-rhyme structure focused on the 'ur-kin/ur-tin' vowel sound, punctuated by abrupt enjambment to force internal stresses.
Verified Doubles & Entendres
"life's a bitch and death's her husband"
① A nihilistic reference to the classic 'life is a bitch' idiom.② A personification of death as the inevitable partner/end-state of living, implying that by engaging in risky behavior ('fuckin' her'), the victim guarantees an encounter with death.
"I took over the circus / 'Cause I'ma act a clown"
① A boast about dominating the rap game ('the circus').② A literal-figurative threat: performing chaotic violence ('act a clown') within his territory.
High density of internal rhymes creating a consistent rhythmic propulsion
Aggressive, character-driven delivery that reinforces the menace of the lyrical content
Strong command of multisyllabic sonic textures
Heavy reliance on violent tropes common to the era
Vocabulary breadth is limited by the strict adherence to a single vowel-rhyme cluster
Lack of multi-layered metaphorical depth